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ESG (LP)

ESG
1981, 99 Records. Bronx, NY dance punk/funk A somewhat minimalist sister-act with plenty of percussion, whose influence cannot be overstated. “UFO” is one of the most sampled songs in history, according to wikipedia. Produced by Martin Hannett. Read more

Epic Garden Music (LP)

Sad Lovers and Giants
1982, Midnight Music. English post punk/goth Bummer music / beautiful music, perfect for a rainy day. Read more

Underwater Kites (Cassette)

The Modern Art
1982, Color Records. English electro/synth/minimal wave Streamlined sound with everything balanced and in its place. The instrumentation is made up of a drum machine, guitar, and synth, completed with a monotone vocal delivery that lends itself well to the rest of the music. This release was part of the C60 cassette movement of the 80s. Read more

The Script of the Bridge (LP)

The Chameleons
1983, Statik. English post punk/goth More music for a rainy day, or more appropriately, a thunderstorm. A heavier, more straightforward rock feel than other post punk mentioned here. Absolutely cathartic. Read more

Burning from the Inside (LP)

Bauhaus
1983, Beggars Banquet. English post punk/goth What is there to say other than that this is the coolest band of all time? Just get it. Read more

Speed Kills (LP)

Koro
1983, self-released. Knoxville, TN hardcore punk Fast, frantic, and catchy, with short little bursts of guitar shredding! Criminally overlooked. They could’ve or should’ve been huge. Read more

The Strange Idols Pattern and Other Short Stories (LP)

Felt
1984, Cherry Red. English jangle pop/indie pop Almost-spoken rather than sung vocals with great, cheeky lyrics. If you enjoy the twee subgenre, check this out. And if you’re not familiar with the Cherry Red label, get acquainted! Lots to find there. Produced by John Leckie (XTC, Magazine, the Fall, etc.) Read more

EP

Squirrel Bait
1985, Homestead. Louisville, KY post hardcore This EP is rough, with lots of raucous punk energy and is hooky as heck. These were forefathers of the DC hardcore scene that was epitomized by bands like Fugazi and Rites of Spring. Read more

Arc-Lite (CD)

Loop
1989, Situation Two. English space rock/psych/drone This music may be repetitive, but instead of growing weary, you’ll find yourself more and more locked into their groove. The vocal style is similar to that of Spiritualized / J. Spaceman. Killer. Read more

And the Weathermen Shrug Their Shoulders (LP)

The Ex + Tom Cora
1993, Fist Puppet. Dutch punk/experimental/world This album is manicured, chaotic and trance-inducing all at once. There’s an experimental lean that reminds me of the Lounge Lizards or Marvin Pontiac. It feels primal, rough, yet beautiful and intricate. Read more

Repetition (LP)

Unwound
1996, Kill Rock Stars. Tumwater/Olympia, WA post hardcore In funk we call it a pocket. In post hardcore we call it a…? Whatever it is, Unwound knew how to make it. They are/were one of the KRS label’s finest artists, and for a label as formidable as KRS was in its time, that’s saying a lot. Read more

American Water (LP)

Silver Jews
1998, Drag City. Hoboken, NJ indie/country/lo-fi The most poetic lyrics on this list, easily. David Berman was an incredibly gifted, wry, and astute songwriter, and we are all fortunate to have existed in the same time as he. Read more

Le Lame du Mat

Cheval de Frise
2005, Ruminance. French instrumental/acoustic/math rock Power duo made up of drums and acoustic guitar. A gentler kind of math rock that develops slowly and goes down easily and elegantly. Read more

(((CAPOEIRA))) (CD)

Chevreuil
2006, Ruminance. French instrumental/math rock Chevreuil is more pronounced and more primal-sounding than their label-mates Cheval de Frise. The instrumentation on this record is brash and unrelenting. If you like no-nonsense math rock, check this out. Read more

Float Upstream (CD)

Tom Rainey Obbligato
2017, Intakt. Santa Barbara, CA jazz I caught Tom Rainey unexpectedly, many years ago, as he was drumming for a quartet made up of himself, Nels Cline, Julian Lage, and Scott Colley. I was immediately blown away. If you like contemporary jazz, you may enjoy this. Read more

Witch Egg (LP)

John Dwyer, Nick Murray, Brad
2021, Rock Is Hell. San Francisco, CA psych/garage/experimental It sounds a lot like 70s German progressive music as well as free jazz! Possibly improvised? Overall, a very strong release that lends itself to multiple listens. Read more

Diamonds & Dancefloors (LP)

Ava Max

The follow-up to her internationally successful debut Heaven & Hell, Diamonds & Dancefloors continues the really excellent electro-pop showcased by Ava. Just like her debut effort - a catchy, well-produced and consistently enjoyable album. Definitely recommended! [Available on CD/LP]

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Why Does the Earth Give Us People to Love? is the debut album from Kara Jackson, named National Youth Poet Laureate in 2019. The lyrics are ultra relatable, as rooted in love and compassion as they are in confusion about the nature of existence and what we’ve all signed up for as members of society. Jackson’s compositions take elements from indie, blues, and even some twangy Hawaiian-sounding guitar to create a sound that’s completely unique and utterly compelling. Why Does the Earth Give Us People to Love? is meditative, moving, and meandering, mirroring the way thoughts float through our heads and we float through (or sink in) the currents of life.

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NF's Hope is the sort of good-natured hip-hop album the world needs now. NF is a real one: his lyrics are as focused on self-doubt and painful memories as they are on working toward a better future and believing in your dreams. His flow and his goofy sense of humor call to mind Eminem and NF displays his fellow Michigan rapper's penchant for balancing grit and good humor. With plinking piano, self-deprecating vocal interludes, and rhythmic strings, Hope stands out from the crowd.

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After a seven-year pause, Daughter is back with Stereo Mind Game. The arrangements are gauzy and shimmering, augmented at times by London-based string orchestra the 12 Ensemble's keening, gorgeous sounds. Lyrically the album is all about connection: longing to be closer, in some cases, and in others, letting go and giving up with grace. The interplay of light and shadow on Stereo Mind Game gives these tracks real staying power, the lyrics often imbued with loneliness and despair, the melodies soaring above with hope for transcendence and healing. A richly layered album that easily balances the dark side of life with moments of beauty, love, and honesty.

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