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George Harrison Vinyl Reissue

All Things Must Pass was remastered & reissued on limited 3-LP vinyl for George’s 74th birthday.

Pre-Order Selena LP

Selena's fifth & final studio album, Dreaming of You, is being reissued on double vinyl March 10th.

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February Happenings at Amoeba Hollywood

Every day this month there's something special happening at Amoeba Hollywood, from 1-day sales to in-store performances. View

Fat Tuesday at Amoeba Hollywood 2/28

Join us for our annual Mardi Gras celebration at Tues, 2/28 featuring DJ Bennett at 3pm, followed by a parade with masks, beads, and musicians at 4pm. View

Amoebapalooza San Francisco February 26

Join us for our annual variety show featuring performances by the Amoeba SF employees and friends Sunday, 2/26 at Brick & Mortar Music Hall. View

Noise Pop Music & Arts Festival

See Vince Staples, Ty Segall, Grandaddy & lots more at the 25th annual Noise Pop festival February 17-27 in San Francisco and Oakland. View

Bigfoot Bonanza in San Francisco

Join us at the first annual Bigfoot Bonanza festival for 3 days of cult films, documentaries & guest speakers March 10-13 at the Balboa Theatre in SF. View

Tickets For Sale at Amoeba Hollywood

See all concert tickets Amoeba Hollywood is currently selling (with low fees). View

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Live at Amoeba

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Watch an epic, thunderous set of instrumental post-metal by Mustard Gas & Roses in the Amoeba Hollywood Green Room.

Upcoming Shows

Amoebapalooza SF at Brick & Mortar Music Hall

Tonight 8pm - San Francisco

Suicide Silence Album Signing

Tomorrow 5pm - Hollywood


February 28th 3pm - Hollywood

Karriem Riggins + J Rocc

March 2nd 6pm - Hollywood

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Music We Like

Great Deals on Handpicked Titles!

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Crystal Fairy (CD)

Crystal Fairy

As far as supergroups go, it's hard to get a cooler posse together than Crystal Fairy. With Buzz Osborne and Dale Crover of the Melvins, Omar Rodriguez-Lopez of At The Drive-In and The Mars Volta, and Teri Gender Bender of Le Butcherettes, the band delivers a sound steeped in technical prowess and anchored down with a fresh personality and emotion that is often lacking in other superstar collaborations. The group's rhythm section delivers the punk/metal riff goods, while the vocals of Teri Gender Bender give the sludgy music a texture and sharpness often unheard in similar sounding outfits. The title track's main riff is pure stoner rock thickness, while sometimes hitting those sweet tones of Black Sabbath's more regal sounding songs. Album opener "Chiseler" is an aggressive chugger with vocals sometimes reminiscent of heavy metal arena rockers like Rob Halford and King Diamond, while "Drugs on the Bus" is a crunchy bad trip with tinges of psychedelia.

Windy City (CD)

Alison Krauss

Alison Krauss alternates between Americana, bluegrass, and lounge-y torch songs on her latest, Windy City . The singer’s haunting, divine voice is complemented well by her very talented fellow travelers, which in the case of this album include her band Union Station, plus Hank Williams, Jr., and Richard Bennett (Mark Knopfler, Neil Diamond), among other equally skilled folks. The album is quietly beautiful, its strength in the hope and yearning Krauss’ lyrical turns and vocal stylings evoke. Windy City confirms yet again that Alison Krauss is one of the most consistently strong songstresses in contemporary music.

Friends (CD)

White Lies

Post-punkers from across the pond White Lies are back with an album that can only be described as elegantly catchy. Since forming in 2007, the band has successfully married the neo-new wave of bands like The Killers and Interpol with the more anthemic rock normally associated with American acts like Kings of Leon and Mumford & Sons. Having ridden the wave NME -fueled hype there and back again, the band now hones its sound even further, dishing out perfect sounding synths, quickly clipped guitars a la The Cars, and Harry McVeigh’s Ian Curtis-esque intonations. Though it may be well-trod territory, the band sticks it out by writing memorable tunes throughout. The album’s first three tracks could all easily be radio hits, while songs like “Is My Love Enough?” dig deeper as McVeigh admits “I overthink all my thinking” over a fluttering synth tapestry. Mostly, White Lies give you the kind of tracks you want to hear while poolside sipping a martini—or dreaming about being there, as songs like “Don’t Want to Feel It All” alternate between silky synth lines and lighter-waving moments that beg to be heard from festival speakers. With the band’s strongest set of songs yet, Friends should be the album that finally wins White Lies the U.S. fanbase it deserves.

Fresh Air (CD)


The last two years have seen artists like Ariel Pink and Julia Holter step away from their roots of making ultra low-fi albums, instead turning to more polished, carefully produced tracks. As these avant-pop weirdos of the highest degree move into new directions, Homeshake's Fresh Air fills the void that they left. Previously part of Mac DeMarco's band, Peter Sagar split to focus on his solo career as Homeshake. Crafting cartoon sounds, digital bare synth riffs, and R&B vocals, Fresh Air deviates from the indie rock vibe of his previous albums and goes into full funk deepness with riffs trying their best to sound like George Clinton jamming out on a children's Casio. Homeshake removes the corny stigma from "smooth" as his complex, artsy take on funk is taken into mellow depths that feel like a contact high upon first listen. "Khmlwugh" opens up with tinny, drum machine samples with synths that sound like they're being processed through a Commodore 64. When Sagar's vocals come in, his calm, cracking voice is almost antithetical to R&B virtuosity, but it works perfectly to create a psychedelic, computerized landscape. And as quickly as the song starts, it suddenly ends on a minute long drone that sounds more like Terry Riley than Parliament. "Call Me Up" gets as close to the private press, electronic weirdos of the '80s than anything else on the album. The instantly catchy melody is perfectly suited to the raw, unprofessional audio quality and creates a hypnotic jam that feels like a stoned, late-night drive. It's strangely sexy and romantic, but almost too crazy to be a mood setter. Homeshake is the perfect continuation of the future-looking, groundbreaking electronic artists who created unique worlds and sounds with the bare minimum equipment. Spacey and crazy.

Book Of Changes (CD)


Entrance's first record in a decade shows miles and miles of growth that most artists never experience. Recalling the golden-era of the '60s and '70s, where guitar pluckers left-and-right seemed to craft musical poetry like nothing, Book of Changes is a ten song cycle that offers warm, nostalgic tunes that feel unique in today's musical climate. With a strange vibrato, his voice sings out over distinctly strange guitar playing, bells, and xylophones clanging, and background singers who have stepped out of a Kris Kristofferson track. Recorded in eleven different studios in Los Angeles and London, there's an audible quest for perfection and experimentation that channels Brian Wilson at his kookiest. "Always The Right Time" is structurally a simple, very sweet pop ballad, but is played around with enough that it never gets bland. Through the echoing drums, folk-guitar styling, and a gorgeous string arrangement, there's a real sense of love and joy that most musicians can't seem to get right. Nothing gets as close to contemporary comfy listening than this. Entrance's Book of Changes can almost make you forget the world is as crazy as it actually is.

Chalice Hymnal (CD)


Portland’s Grails continue to blur the hazy line between post-rock, world music, new age, and indie rock on their sixth album. The four-piece approach their songs as detailed tapestries, weaving in intricately detailed guitar lines, synthesizers, horns, and slow-burning beats, but with melodic intent, as the heaving melodies of songs like the title track burn into the back of your mind. Fans of gothy stuff like This Mortal Coil and the Twin Peaks soundtrack will groove to this just as well as fans of post-rock groups like Tortoise and world-blending rock acts like Calexico, especially on windswept, cinematic tracks like “After the Funeral.” Though vocal-free experimental rock might not sound like everyone’s cup of tea, Grails ensure their sound pieces are memorable, in the way the throbbing, deep synth of “Pelham” helps the band build to a satisfying climax, for instance. On Chalice Hymnal , Grails’ aching horns, swelling strings, and guitar crescendos do all the talking needed.

Graveyard Whistling (CD)

Old 97's

You could almost define the term "Alt Country" with the latest single from Old 97's, "Good With God," which takes the sonic aesthetics and lyrical themes that are hallmarks of country music and, with a sense of reverent sincerity, subverts the form for a more modern, rockin' audience. The track is drenched with twangy guitars and a galloping rhythm, but the song has more crunch than your usual George Jones hit, and a more urgent bite than your typical Waylon Jennings track. And while the song deals with the much written about subject of God and redemption, lead singer Rhett Miller's take on the almighty, in this song's case, is presented as female, with Brandi Carlile doing her voice. With "All Who Wander" Rhett and the rest of the gang find themselves in a bit of a more traditional approach towards the genre with its ethereal lap steel guitar haunting the catchy power ballad.

Now That The Light Is Fading EP (CD)

Maggie Rogers

Maggie Rogers has one of those music industry dream stories; the young dance/pop singer’s excellent “Alaska” intrigued Pharrell Williams when he critiqued student work at NYU’s Tisch School of the Art and buzz ensued. And for good reason — Rogers’ Now That the Light Is Fading  EP delivers on the promise of that first single. The tracks are shimmering, sunny, and organic, a far cry from the manufactured, generic pop sheen that seems to be radio’s fodder of choice. Rogers is definitely an artist to watch, especially if you’re keen on catchy tunes with intelligence, beauty, and heart.

Drogas Light (CD)

Lupe Fiasco

Lupe Fiasco returns with the uniformly-strong Drogas Light , which features guest turns from Ty Dolla $ign, Rick Ross, and Big K.R.I.T. There are a few down-tempo, low-key party jams but the rapper is at his best when he comes out with guns blazin’ on standout tracks “Tranquillo” and “Made in the USA.” The production and instrumental tracks are silky smooth, innovative, and very easy on the ears — Lupe’s rhymes are solid, but these elements really kick the LP up a few extra levels. This is Lupe’s first independent release after parting ways with Atlantic; the level of creativity here is all the evidence fans need of the rapper’s newfound freedom.

I'm Only Dreaming (CD)


Eisley returns with I'm Only Dreaming , another polished heartfelt LP full of indie pop gems. Album standouts include "You Are Mine," a slow-burning, yearning ballad and "Defeatist," a sweetly vulnerable and very catchy radio-friendly track. Sherri Dupree-Bemis's dulcet vocals sound like honey, linger in the mind, and punch you in the gut -- make no mistake, the melodies here are lovely, but the emotions beneath the tracks have a quiet, intense power. This is an album brimming with passion, earnestness, and beauty.

The Tourist (CD)

Clap Your Hands Say Yeah

While there is a full array of instrumental textures in The Tourist , Clap Your Hands Say Yeah's latest album, Alec Ounsworth's vocals seem to be the focus of the record; which makes sense since Ounsworth seems to be the only remaining member of the original lineup. In fact, he's the only member period. While this has changed certain elements of the band's original sound, it also gives the album a very focused precision. Less guitar driven, the backing tracks tend to be more ethereal and atmospheric, giving the vocals a distinct mood from which to emerge, like in "A Chance to Cure," an aural collage of electronic beats, synth, and sparse guitar. "Unfolding Above Celibate Moon (Lost Angeles Nursery Rhyme)," with its hard panned, staccato electric piano riff and irreverent, meandering melody sounds like a cross between Harry Nilsson and Thom Yorke. The album's lead single, "Fireproof," is a tensely cool dancer, with just the perfect blend of palm muted riffs, infectious shakers, and brief, inane guitar freak outs.

The Temple Of I & I (CD)

Thievery Corporation

The long-reigning kings of globally-influenced downtempo electronica are back with The Temple of I & I , another clear step forward in their evolution. This time around, Rob Garza and Eric Hilton found inspiration in Jamaican rhythms and settings. (The album was recorded at the island’s famed Geejam Studios.) Standout tracks include the Mr. Lif-starrer “Ghetto Matrix” and “Letter to the Editor,” which features ultra fresh Kingston MC and singer Racquel Jones. Fans of intelligent, jet setting trip-hop vibes won’t want to sleep on this one.

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We look back at our best moments from Record Store Days past in anticipation of the 10th annual event coming this April.