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The Internet Out Now

The Internet’s new album, Hive Mind, has just been released on CD and 140-gram double vinyl.

Pre-order Death Grips

Death Grips' Year Of The Snitch is out September 7th on vinyl and indie exclusive clear vinyl.

Pre-order Nicki Minaj

The fourth studio album by Nicki Minaj, Queen, will be available August 10th on CD.

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July Events at Amoeba Hollywood

Check out our schedule of sales, in-store events, and special happenings at Amoeba Hollywood in July. View

The San Francisco Jewish Film Fest July 19 - August 5

Amoeba is proud to co-present five films at the San Francisco Jewish Film Festival, which runs 7/19-8/5. View

New Music We Like Books Out Now

The Spring 2018 book of staff picks is available now. Pick it up for free in our stores or order one online. View

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Upcoming Shows

Ryan Porter Live at Amoeba

Watch a smokin' hot set of modern LA jazz from Ryan Porter, Kamasi Washington, and The West Coast Get Down jazz collective.

Joe LoDuca/Evil Dead Reimagined - Live

July 26th 6pm - Hollywood

Makrú

July 29th 2pm - San Francisco

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Music We Like

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Irish architect Eoin French applies the form, balance and structure taught by his trade to the soaring emotional hooks of his indie pop project Talos. His striking new album Wild Alee , recorded in Dublin, Cork and Iceland with co-producer Ross Dowling, builds on the series of catchy, powerful singles Talos released over the past three years. These slow-building anthems evoke melancholy and inner fire, carefully crafting spare northern soundscapes from guitar, drums and electronics, all guided by French’s skilled, yearning falsetto. Songs like "Tethered Bones," "In Time" and "Your Love is an Island" express deep struggle and the tenuous but all-consuming connections that link separate souls, in the vein of James Blake or Jon Hopkins. Powerful meditations that move between autumnal warmth and glacial isolation.

Bon Voyage (CD)

Melody's Echo Chamber

After a six year hiatus, Melody’s Echo Chamber returns with the lovely Bon Voyage . Clocking in at a tantalizingly brief thirty-three minutes that’ll have fans immediately hitting the “repeat” button, the tracks are lush, layered, and hypnotic, occasionally melancholy, sometimes strange. The production of the album was a collaborative effort between some of the most cosmically-inclined, genre-bending indie artists working today; members of Pond and Dungen join songstress Melody Prochet in piloting this spaceship. Bon Voyage is a dream you won’t want to end.

Endless Scroll (CD)

Bodega

NYC art punk band Bodega traffics in throwback post-punk meets jangle pop meets riot grrrl jams with a sometimes satirical edge. Co-fronted by Ben Hozie and Nikki Belfiglio, their latest, Endless Scroll , is rife with serious riffs, punchy vocals, and smart, silly lyrics. The band sings about the character of Jack in the movie Titanic (yes, on the track “Jack in Titanic”) and out-of-date left-wing slogans (“This machine you know it don’t kill fascists/This machine you know is just a guitar” on “How Did This Happen?!”) One moment the focus is on the rollicking vocals and entertaining lyrics; the next it’s on the super tight, angular melodies. Thoroughly enjoyable.

Scout (CD)

Calpurnia

Calpurnia’s Scout LP is jam-packed with classic California garage rock tunes, six tightly-crafted songs bathed in nostalgia and coastal sunshine. The band also happens to feature Stranger Things actor Finn Wolfhard as frontman. Wolfhard may be young, but he certainly knows his stuff, creating smart, catchy indie tracks that would fit in well amongst the Diiv, Real Estate, and Mac DeMarco on your record shelf. Produced by Cadien Lake James of indie fellow travelers Twin Peaks, standout tracks include the melancholy “Greyhound,” instant ear worm “City Boy,” and dreamy “Louie.”

Annihilation [OST] (CD)

Geoff Barrow

In Alex Garland’s visually stunning new psych/horror/sci-fi epic, a team of female scientists must explore a lysergic no-mans-land called The Shimmer, populated by increasingly bizarre and terrifying hybrid creatures and weird flora. Paranoia, lost time, freaky colorfields and interpersonal melding abound, and it’s not clear whether anyone who enters can escape. Key to the hypnotic power of this mesmerizing tale is the spare, eerie, brooding score, crafted by Bristol buds Ben Salisbury and Portishead’s Geoff Barrow. Having studied the soundtrack work of the ‘70s and ‘80s masters, they abide by the spacious, less-is-more blueprint, using acoustic guitar, a touch of electronics, strategically deployed orchestration and a haunting four-note motif. Subtly mirroring the journey from ordinary suburbia to glowing hallucinatory swampland, the score gradually mutates and decays into an understated but nightmarish experimentation. Let Ben and Geoff guide you through.

Living Proof (CD)

State Champs

State Champs have what might be the most pop-punk band name of all time, fitting with the genre’s winking obsession with high school athletics and sports. Fortunately, they live up to it, as they display full command of the cathartic, sugar-rush ecstasy that makes pop-punk so uniquely addictive. Living Proof is full of shout-along choruses and arena rockin’ guitar heroics; a giant high five of a record. Listening to this record should entice you to grab some Vans slip-ons, flip up your hat brim, and do a backflip off of the stage. State Champs have earned it.

Sundays (CD)

Tanukichan

Oakland-based Tanukichan makes a hazy, blissed-out debut on her first full-length, Sundays . It’s an evocative listen — dreamy and slightly melancholy, the perfect soundtrack to those strange in-between days, the end of summer, and yes, lazy Sunday afternoons. Steeped in nostalgia with a timeless sound and contemporary vibe, Sundays is a welcome addition to the modern dream pop scene. This is the type of album ideal for whiling away the day, for enjoying the small pleasures in life and absorbing all the beauty in the world.

No Sounds Are Out Of Bounds (CD)

The Orb

Pioneering English outfit The Orb return with the eclectic, exciting No Sounds Are Out Of Bounds , a fitting title for this joyfully genre-bending album. “Rush Hill Road” is an instant classic, featuring the vocal talents of Hollie Cook while “Wolfbane" is soulful and sultry. Also along for the ride: Jah Wobble, Youth, Guy Pratt, Gaudi, and Roger Eno. These tracks were meant to be turned up loud and it doesn’t take a lot of imagination to see these songs in their proper context: at a summer music festival somewhere in the British countryside, the audience with their hands in the air, singing along to every word, loving life.

The Make It All Show (CD)

Skating Polly

Skating Polly makes riot grrrl-influenced lo-fi punk with a mastery that belies their age (stepsisters Kelli Mayo and Peyton Bighorse launched the band when they were nine and fourteen) and a youthful urgency that gives the genre a timely update. On The Make It All Show , they alternate between playful and sweet, aggressive and formidable. The band has cited luminaries like Kat Bjelland, Kim Deal, and Exene Cervenka among their idols, and their impact is clear in both the stylized, raw vocals and the heavy guitar riffs. (Cervenka even makes an appearance on “Queen for the Day.”) A much-needed jolt of electricity that’ll have punks young and old alike stand up and take notice.

Annihilation [OST] (CD)

Ben Salisbury

Noble Ape (CD)

Jim Gaffigan

After releasing several self-deprecating comedy specials, Jim Gaffigan finds himself treading new territory with Noble Ape . When his wife was diagnosed with a brain tumor last year, Gaffigan was forced to contemplate major life changes including possible retirement to take care of the couple's children. The resulting catharsis in finding humor during a medical crisis is the main focus of Ape , adding a more personal resonance to the proceedings alongside the laughs.

Errorzone (CD)

Vein

Little can prepare you for the ferocity of Vein’s debut record. The Boston metalcore band has been touring and self-releasing material for years now, and their first full-length sounds appropriately sharpened for battle. “virus://vibrance” unleashes a tornado of swirling metal chords played for maximum velocity, reminiscent of At the Drive-In at their nastiest. “Doomtech” offers a more straightforward entry point, its detuned anchor point and shrieked vocals giving way to a melodic vocal counterpoint, recalling post-hardcore heroes like Converge and Deftones. But, like aforementioned acts, Vein aren’t merely interested in pulverizing noise — though they do that pretty well — lacing its songs with dynamics and experimentation. On “Demise Automation,” the band sounds like it’s simultaneously playing and destroying its guitars, its shredded vocals going toe-to-toe with bludgeoning riffs and squealing feedback. Brainy yet accessible enough for the average metal fan, Vein’s debut LP is a stiff gut punch of barely controlled chaos.