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Hardwired...To Self-Destruct (CD)


Though Metallica might have influenced generations of punk, grunge, thrash, and metal bands, they're surprisingly unprolific. And so each new Metallica release isn't just hotly anticipated, but comes like a cataclysmic event of shrieking guitars, banging bass drums, furious rhythms, and guttural yelps. Their first album in eight years,  Hardwired...To Self- Destruct  is a return to form. And not a return of form to Load or St. Anger . It's a return to the form of Kill 'Em All and Master of Puppets . The slow, brooding, and portentous style of their late-career is mixed in with classic, clean, clear, and furious thrash that's so intense and technical, it will get your adrenaline pumping. Metallica themselves are treating it like a behemoth of an album, with special concerts, promos, and a music video for EACH song on the album.   "Hardwired" opens with a precision sharp riff that explodes with sweat and fury. The bitter, ironic track feels apt for these chaotic times as James Hetfield unleashes into the microphone in a cathartic rant. The fury of the track feels closer in spirit to "Whiplash" than to anything they've done on their last few albums. "Moth Into Flames" is far closer to the post-'80s Metallica of long, steady ballads that build and build on short, technical riffs until the song kicks it into 100mph. When the guitar solo comes in a minute and a half into the song, it almost dissolves into a modern skate punk track before going back to classic Metallica intensity. It also shows off Lars Ulrich's endless energy and showcases some of his most powerful drumming on the album. Being a Metallica fan can be a real trial sometimes when they take unexpected directions while simultaneously trying to please fans, but Hardwired is probably the closest they've gotten to something that should appease the die-hards, the casual listeners, and even those new to metal. The most brutally intense album of 2016.

Boots No. 1: The Official Revival Bootleg (CD)

Gillian Welch

Gillian Welch's Revival was the album 1996 needed. Even though she was born in New York City and was raised in Los Angeles, the Appalachian sound of a century past became part of her DNA. Despite being thousands of miles away from the sound of barefoot stomping, jug music, soapbox drumming, and hillbilly rock, Gillian Welch absorbed the sound, even to that sassy, iconic country twang that's so associated with her voice. Twenty years later, Welch's sound seems as ageless now as it did in 1996. To commemorate the 20th anniversary of her debut, the outtakes, alternate, and live versions are being reissued as an official bootleg compilation, much like in the vain of Bob Dylan's famous Bootleg Series . Welch's songs are soaked in a sense of American tragedy and joy that might feel more relevant in 2016 than it did twenty years ago. Her original demo of "Orphan Girl" is a plain and simple ballad that brings mist to your eyes. Its sadness feels rawer and more poignant as her solo version lacks the richness of a fully produced track and the complexity of musicians accompanying her. Alternatively, "455 Rocket" marks the influence of rockabilly queens like Wanda Jackson as the track goes for a major key, upbeat rocker that sounds like a perfect 45 single. But the real highlight might be her primitive home demos of tracks like "Tear My Stillhouse Down." You can hear her figuring out her sound somewhere in the flat, mono landscape of a bedroom tape. What folk music is and what authentic folk music should sound like has been a hot debate since the Greenwich Village scene of the '60s, but Gillian Welch keeps traditions of uniquely American music alive and fiery.

57th & 9th (CD)


Since The Police dissolved in the mid '80s, Sting has continued on with an eclectic solo career ranging in genres from classical to jazz to Celtic folk music, all the while gaining a reputation less associated with rock 'n roll and more associated with terms like "progressive," "experimental," and "adult contemporary." 57th & 9th finds the veteran in perhaps his most raw and rockin' mode since his pre-solo days. The tense, staccato and dirty guitar on "Petrol Head" is propelled forward by the driving beat and Sting's urgent, tattered vocals. "I Can't Stop Thinking About You" channels the shimmery guitars, thumping bass, and catchy choruses of The Police, while still maintaining a unique sense of self, and "50,000" is a poignant look at mortality as we lose more and more of our, seemingly-immortal, musical heroes.

Awaken, My Love! (CD)

Childish Gambino

Things move fast in the internet age. Only three weeks ago did Childish Gambino announce his new album and now here it is. His second album, Because The Internet , was more complex and sensitive than any other hip hop album of 2013 as Gambino would jump moods from self-loathing to good humor to long passages of loneliness and 21st century angst. Now, at nearly three years since that album and at the end of the first season of his television show, Atlanta on FX, comes his hotly anticipated third album. In the wave of Kendrick Lamar's and Kamasi Washington's spiritual journey of African-American music that's simultaneously spiritual, retro, and futuristic, Awaken, My Love!  shows more influence from George Clinton, Prince, and even King Crimson than it does with the world of modern hip hop. The epic three-part track "Me and Your Mama" opens with a chorus crying out against some new agey rhythms that suddenly cut out amid a glut of drum machines and prog drums that turns the song into classic psych funk by way of gospel. Childish Gambino cries out with real pain "This is the end of us / Sleeping with the moon and the stars" as his voice distorts into a cacophonic echo of insanity. But the song mellows out by the end with a soft melody that feels right at home in the world of The Isley Brothers. "Redbone" is a smaller, less ambitious song that instantly catches you with a simple melody that trots along at a more leisurely mood. Channeling Prince, he turns up his falsetto into a screechy performance that shows off his chops as an R&B singer. The minimal funk gives him a chance to show off his real range that stretches beyond what he's shown on other albums. 2016 has been a great year for hip hop and Awaken, My Love  caps the year off beautifully with new directions and more far out ideas than anyone else.

Run The Jewels 3 (CD)

Run The Jewels

El-P and Killer Mike return with another gorgeous, hard-hitting turn as Run the Jewels. The beats are cinematic and distinctive; the lyrics are bold, political, and timely. The genius of the LP is in its seamless blend of thought-provoking lyrics, whip-smart production, and seriously catchy songwriting. Run the Jewels 3 is top notch work and features an equally excellent crew of guest artists, including Danny Brown, Kamasi Washington, Joi Gilliam, Trina, Boots, and Tunde Adebimpe.

Starboy (CD)

The Weeknd

The Weeknd's Starboy represents a further evolution in the alternative R&B singer/producer's sound. Featuring guest appearances from Daft Punk, Kendrick Lamar, Lana Del Rey, and Future, the album is brighter, splashier, and more polished than his early, ultra underground mixtapes. Fortunately, it works and that's due to Mr. The Weeknd himself, Abel Tesfaye's impressive ability to merge pop culture into his own dark vision. Want to know what an album inspired equally by The Smiths, Prince, Bad Brains, DeBarge, David Lynch, and David Cronenberg sounds like? Take a listen to The Weeknd's latest LP of artfully produced dystopian afterparty jams.

The Wave [Deluxe Edition] (CD)

Tom Chaplin

Since Keane announced their hiatus in 2013, their brand of tragic pop has been missed. Try listening to their seminal hit "Somewhere Only We Know" without getting emotional with all its baroque beauty. Lead singer Tom Chaplin's first album, The Wave , comes from an emotional place itself. Famously, he battled a cocaine addiction in the mid-2000s, and relapsed in the anticipation leading up to his first solo album. But The Wave feels like a victory in the wake of that type of terror and horror. If you miss the forward-thinking and simultaneously nostalgic Brit-pop sound of 1995, this album sounds like a spiritual successor. The Wave has a lovely production with luscious string parts and drums that are as elegant as Hal Blaine's famous drumming on The Beach Boys' Pet Sounds . The lead single, "Quicksand," opens with a small orchestra playing thick harmonies against a twinkling piano. Chaplin sings about being beaten, worn and exhausted by the world, but sees optimism at the end of the tunnel. He smoothly croons that there's victory and happiness to be had in small failures, and that you can eventually find success, even in your darkest moments. "Hardened Heart" comes from a similarly optimistic viewpoint, unfortunately born out of sadness. In a quiet intro, he questions how he made it to this point and how he maintains his existence in this world, and then the song hits a crescendo that feels like happiness made into soundwaves. There's a type of fragility in his vocal bravado that is almost on par with similarly introspective albums like Frank Sinatra's famous September Of My Years . With his upcoming Los Angeles performance at the El Rey Theater in February, The Wave is a perfect way to feel the spiritual connection and power of his music.

Do Hollywood (CD)

The Lemon Twigs

Get ready for a surreal, collage of pop music past, present, and future. The duo of brothers Brian and Michael D'addario, and producer Jonathan Rado (of Foxygen), have mined the '60s and '70s pop-scape and created a Franken-sound that will, perhaps, remind you of the likes of Harry Nilsson, Pet Sounds -era Beach Boys, ELO, and the Beatles solo work, all squeezed into the erratic mold of Frank Zappa and the Mothers. The musicianship and interpretations of their influences are all expertly done, to an almost Tom Ripley level of impersonation, all while creating a unique sound for what's to come of baroque pop and indie rock.

Woman (CD)


French electronic duo Justice are back with another ‘80s funk, house, and disco-inspired album guaranteed to put a smile on your face and your feet on the dance floor. Woman is vibrant, alive, and glittering; it’s a tribute to the power of dance music to improve our lives. “Safe and Sound” is shimmering with an uplifting disco diva chorus. “Alakazam!” is propulsive and hypnotic, and “Randy” is a throwback to the French Touch scene of the late ‘90s and early ‘00s. This is life-affirming, hands-in-the-air electronic music. Do something good for yourself and turn it up loud.

Reflection (CD)

Brian Eno

At 68, Brian Eno constantly takes incredible leaps and new experimental risks with every album. It only makes sense that one of the godfathers of electronic music has been making some of his most forward-looking music since signing to the similarly forward-looking Warp Records. The Ship 's structure was somewhere between dream pop and ambient poem and his collaborations with Underworld's Karl Hyde recalled the Afro-future sound of his experiments with David Byrne. Reflection continues his fascination with sculpting ambient music in surprising ways that feel like a completely different experience with each album. His previous ambient albums were created through various methods including tape loops, manipulation, and computers or through his famous "Oblique Strategies" cards. Reflection is the recorded version of his new ambient music and visual app for iOS and AppleTV that creates a constant stream of sound and sonic serenity. This version made for CD and vinyl represents one of the possibilities the app can create through various algorithms. This is all very heady and out-there stuff for one of the most peaceful and meditative albums in recent years. Unlike some of his prior ambient works that required you to almost not listen and to let it create an acoustic soundscape for you to inhabit, Reflection has a thicker, heavier sound that is like a thunderous wall of organ ambiance. It shifts somewhere between computerized drone and church organ as the heavy bass creates a zone of clear thoughts and angelic sound. It's anti-chaos that can make you stop and really calm down in our increasingly insane world. After the dire nightmare that was 2016, it's wonderful to have the first major album of the year be as contemplative and relaxing a listen as this.

Kairi Chanel (CD)

Dave East

Dave East brings it hard on his tenth mixtape (and first album on Mass Appeal Records). Kairi Chanel feels like a return to the rough, gritty sound that defined the artists of New York rough past: Ghostface Killer, Nas, and Cam'ron. The beats are shamelessly old school with heavy bass, vintage drum machines, high-pitched synths, samples with gun shots, and even an element of Middle Eastern sounds. He flows like the great street storytellers who talk of wannabe Scarefaces and gangsters who sell drugs, kill, and deal with their newfound wealth. His rhymes are clean and feels like a poet giving a ghetto oratorio or soliloquy. "Type of Time" is reminiscent of the underground sound of the early naughts. Rife with violent imagery over a melancholy piano riff, there's a lonely mood to all the killing and street-earned arrogance that it teeters between straight-out condemnation and joy. "Can't Ignore," which features 2 Chainz, is almost deranged with their flagrant selfishness over all the stacks they got. It's almost an ironic statement over how much expensive stuff they have and what it represents, as 2016 has been a year that's disenfranchised the poor even further. But the much more relaxed "Keisha" is also a fiery-filled rant where he vents about a woman he loved and how it fell apart. Behind the machismo and hard attitude, there's a type of regret and sadness in the song as he obsesses over her. Ruthless and direct, Dave East is going to start sneaking on the radio more and more by doing an album like no one else does anymore.

Masterpiece (CD)

Big Thief

Brooklyn indie-band Big Thief's first album is a steady rockin' gem. Take title track, "Masterpiece," for example: this somber anthem fills every corner of your wintertime apartment with a sentimental warmth and cool comfort. "Real Love" starts with guitars reminiscent of Kid A / Amnesiac -era Radiohead and ends with a thick-as-mashed-potatoes freak out, while "Paul" should be a favorite last call number on the jukebox.

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Pre-order the new Allah-Las album, Calico Review on Amoeba Exclusive White Vinyl! Limited Edition of 500.

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Jacques Tati's 1953 comedy is remarkable for its themes of physical slapstick comedy and subtextual social commentary.