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Saul Williams Performs Live in Oakland June 2

Saul Williams performs selections from Martyr Loser King June 2 at Duende in Oakland, presented by The Bay Area Book Festival, Amoeba Music & MATATU. View

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Julien Baker brought only her guitar and her heartbreaking songs to the Amoeba Green Room for this excellent performance.

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Music We Like

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Hopelessness (CD)


Just as the artist formerly known as Antony has chosen to go by the name ANOHNI in her personal and professional life, Hopelessness , her debut sans the Johnsons, dramatically refashions the artist’s sound world. With production by Oneohtrix Point Never and Hudson Mohawke, ANOHNI takes her socially conscious lyrics to the world of experimental synth-pop. “Let me be the one, the one that you choose from above,” she sings darkly in “Drone Bomb Me,” one of many politically pointed songs on the album. Similarly, she takes on the role of the victim on the sparkling, Kate Bush-inspired “Execution,” which refers to its titular act as “an American dream.” Over the pounding drums and synth-orchestral pomp of “4 Degrees,” ANOHNI decries the environmental atrocities we’ve enacted with the blackest of black humor (“I wanna burn the sky, I wanna burn the breeze/I wanna see the animals die in the trees”). “I know you love me, ‘cause you’re always watching me,” she sings on the stunning “Watch Me,” an indictment of PRISM and America’s obsession with surveillance. As its title suggests, the album can run dour, as on bleak pieces like “Obama,” which is daring but feels a little on the nose, lyrically. Luckily, Hopelessness balances its dire subject matter with spectacular, pop-minded production that retains touches of the chamber-pop style on which ANOHNI built her musical stature. And on experimental pieces like the electro-jazz of “Violent Man,” her music also has never been more vibrant. Though not exactly full of sunshine and rainbows, by turning a bright light on the things we’d rather ignore, Hopelessness finds triumph.

The Bastards (CD)

Radical Face

Radical Face isn't just a clever name. He radicalizes the singer/songwriter, indie solo mold of the solitary sound of a person and his guitar, melding it with textured atmospherics and haunting lyrics. Working on his project The Family Tree for the past five years, he found himself with extra tracks that were incredible but didn’t find a home on his LPs. So the aptly titled album The Bastards brings together his three bonus EPs of musical stragglers that he included with his last few albums along with couple of extra tracks. These are no toss-offs, but rather are tracks that were too good to end up on the cutting room floor. The Bastards tells the continuing story of the fictitious Northcotes family that feels part Southern gothic, part ghost story. "Nightclothes" wears its emotions so clearly on it's sleeve that it might make Nick Drake blush, but it also has a spooky quality, with psychedelic waves of oscillating strings and field recording crunch. Meanwhile, something like "Servants and Kings" is more joyous, with a funk-drum rhythm, ambient sounds zapped right from '80s meditation tapes and spaced lyrics. Despite being a small collection of extra tracks, you will be hard-pressed to find more personal or more revealing songs on other albums released this year.

1983-1988 (CD)

The Egyptian Lover

He of relentless hi-hats, campy Egyptian lore and robot voices comes at us in this non-stop party of a compilation. “EGYPT IS THE PLACE TO BE!!” Yes! “PYRAMIDS ARE OH SO SHINY!” If you say so! Who cares? We’re listening to king of the 808 Egyptian Lover and our sarcophaguses won’t stop shaking. Freaky Afroretrofuturistic electro jams from one of hip hop’s originators that rock from the tomb to the outer limits.

Strangers (CD)

Marissa Nadler

With her seventh album, Marissa Nadler refines her poetry and dense sound in a way that is the envy of every other singer-songwriter. Her emotions are on clear display as she steps further away from the world of folk and goes for more tragic and haunting moods crafted by her sparse guitar and lush layers of synths and strings. All the while her delicate voice echoes with endless reverb until it just dissolves. Every track is a lamentation of love gone toxic and when her voice pierces right into you it almost feels like her pain is aimed directly at you. Two tracks into the album and "Katie I Know" can easily break you. She is so blunt and clear about her conflicts that it's almost too much to take. Her voice sounds like it could break into tears any second over the strings serenading her. "All Of The Colors Of The Dark" is so bare and personal that it's as if you are peeking into her subconscious with her beautiful imagery. "Janie In Love" has crackling guitar that feels right out of a Roy Orbison track until it blows you down with sonic drone that turns into a chaos that her previous albums never did. It's no surprise that she collaborated with Sunn O))) producer Randall Dunn as her instrumentation gets heavier and louder and starts to feel fiercer than other folk artists. Strangers  continues Sacred Bones' perfectly curated and genre defying sound that seems to create trends instead of follow them. It's Nadler's most mature album  yet and something people will try to emulate for the next few years.

Will (CD)

Julianna Barwick

Julianna Barwick doesn't just create music, but she creates sonic chambers that feel like warm, cozy places you can live in. Falling into a sort of weird lineage that started with the electronic minimalists like David Borden and Pauline Oliveros, continued on with Harold Budd's collaboration with the Cocteau Twins and now the nouveau new age musicians who have rediscovered how to make discount synths sound groundbreaking and modern, Will ’s atmospherics continuously dissolve into a pleasant, pink haze that hypnotizes the listener. Recalling the '80s dream team of Julee Cruise, David Lynch and Angelo Badalamenti, with warm, peaceful sine waves and mysterious vocals you can barely make out, the music has the spectral grace of ambient music, but the strange instrumentation and voices still give it one foot in the world of song-based pop music. "Nebula" literally raises a cacophony of spacey synths, droning cello and hallowed crying that climaxes in pure aural bliss before just disappearing into the ether like a memory. Along with Tim Hecker and William Basinski, there aren't many like Juliana Barwick who can transform and reinvent what the word "ambient" means to music, but she does it with unbelievable grace and poetry.

Kindness For Weakness (CD)

Homeboy Sandman

With his third album on Stones Throw, Homeboy Sandman makes b-boy needle scratches, ancient funky rhythms, loops and drum breaks feel wackier and more fun than what a major label artist can do with a dozen producers and a million-dollar studio. Kindness for Weakness is a direct reference to his mantra "mistaking kindness for weakness is a weakness I need to have more kindness for" and just gives you an idea of the personal depth of his album. Directly addressing the stereotypes expected from MCs, societal insecurities, religion and injustices in the world, Homeboy Sandman is particularly scathing in a 2016 in which everything around you feels like it's crumbling. While tracks like "God" and "Eyes" are darker and more direct about his politics and emotions, the real album highlight might be the single "Talking (Bleep)" with it's '50s sci-fi beat and a classic flow that just cuts so cleanly, jumping from topic to topic so that it barely giving you enough time to breathe. Culling from the elite team of Stones Throw producers like Jonwayne, RJD2 and Edan, the album drips with library-sound weirdness and mysterious P-funk that sounds like it was delivered straight from outer space to be blasted directly into your ears.

Holdin' The Bag (CD)

The Supersuckers

Veteran rockers continue to make strides into country. The touches of Morricone and Tejano only serve to add to the general baddassery of a band that has never cared much to fit into a genre or scene. 

All Yours (CD)


Widowspeak’s All Yours is just what we need to cool off during this hot, hot summer. The duo’s tunes are cool and meditative, evoking the feeling of watching a fading sunset over the forested hills of New York’s Hudson Valley, where the band resides. Molly Hamilton’s sweet vocals whisper over Robert Early Thomas’ dusky licks and a touch of organ on the sultry title track. The band mostly keeps things spare and dreamy, but they plug in to give tracks like “Dead Love (So Still)” a little raunch, coming off like the Velvet Underground’s third album reimagined as stoner country music. Elsewhere, Hamilton plays Nancy Sinatra to Thomas’ Lee Hazlewood on the sumptuous “Girls,” generating plenty of heat from a spacious, two-chord jam and Hamilton’s narcotic drawl, while “Borrowed World” sees Thomas take the mic for a spry duet (something the band should consider doing more often). Somehow, All Yours is both Widowspeak’s mellowest album and its most exciting. With a sharp focus on songwriting over ambiance and more room for Hamilton’s vocals to shine, they end up with their best, most distinctive album yet.

Fury (CD)

Sick Puppies

As bands like Tool and Rage Against the Machine take what feels like a permanent vacation, Sick Puppies perfectly fill the void. Originally conquering the airways in Australia, they traveled out west to do the type of alt-metal that has been missing since the early 2000s. Now featuring a line-up change with new lead-singer and guitarist Bryan Scott, Sick Puppies is ready to blast your ears into oblivion with the appropriately titled Fury . Entering a new phase of their career, they listened to the fans and gave them what they wanted: power. It's an album that can barely contain all the rage and emotion they've kept bottled up since their previous, and much softer, album, Connect . Single, "Stick To Your Guns" blends metal with the '90s industrial sound of Ministry and Nine Inch Nails, and grabs you by the throat, spins you around, and slams you straight into concrete. "Earth To You" feels like a take on Led Zeppelin with its bluesy slap-bass over tribal drums before Bryan Scott practically yells in your face. Fury  is relentless as it tears down everything in sight, barely giving you a second to breath. As heavy as heavy gets.

Ocean By Ocean (CD)

The Boxer Rebellion

Fifteen years in, The Boxer Rebellion shows no signs of losing an ounce of creative energy. Their first album since adding guitarist Andrew Smith, Ocean By Ocean finds them at a crossroad somewhere between U2 at their most minimal and Coldplay's fusion of rock and electronic ambiance. With an in-yer-face '80s wink 'n' nod with their neon-colored style and new wave aesthetic, they're now at their most mellow, and their chilly synths lay a blanket of cold air over guitars that sound like surf by way of Robert Fripp. Each track combines the popularization of electronics in '80s music with a feeling of nature and the ocean to create a spiritual Philip K. Dick concept of an album that belongs as much in 1982 as it does in 2016. "Big Ideas" is moody and perfect radio pop that hits you like a breeze on a cold night with its tender lyrics and an atmospheric tapestry of glossy and shinny sounds. "Weapons" is punctuated by slamming electronics and spacious guitars — you could be convinced it was a deleted track off the Drive soundtrack. Ocean by Ocean finds The Boxer Rebellion at their most mature and perhaps at their best musically. With VR becoming increasingly real, this is the aural embodiment of a digital beach that you'll never want to leave.

Allas Sak (CD)


Swedish psych-rockers Dungen indulge in some proggy theatrics on their latest, upending dad rock clichés to make classic sounding rock ‘n’ roll cool and mysterious again in the process.

Potential (CD)

The Range

Brooklyn producer James Hinton aka The Range scours YouTube for obscure samples of people singing and around them builds stunning tapestries of dubstep, jungle, and ambient music. Brilliant and very much of the moment.

Colored Vinyl

Add some color to your vinyl collection! This section also includes picture discs.


Wristbands for special Tegan and Sara Love You To Death events in LA & SF will be available at Amoeba Hollywood & SF on June 3.

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