This Month's Picks

Friends (CD)

White Lies
Post-punkers from across the pond White Lies are back with an album that can only be described as elegantly catchy. Since forming in 2007, the band has successfully married the neo-new wave of bands like The Killers and Interpol with the more anthemic rock normally associated with American acts like Kings of Leon and Mumford & Sons. Having ridden the wave NME -fueled hype there and back again, the band now hones its sound even further, dishing out perfect sounding synths, quickly clipped guitars a la The Cars, and Harry McVeigh’s Ian Curtis-esque intonations. Though it may be well-trod territory, the band sticks it out by writing memorable tunes throughout. The album’s first three tracks could all easily be radio hits, while songs like “Is My Love Enough?” dig deeper as McVeigh admits “I overthink all my thinking” over a fluttering synth tapestry. Mostly, White Lies give you the kind of tracks you want to hear while poolside sipping a martini—or dreaming about being there, as songs like “Don’t Want to Feel It All” alternate between silky synth lines and lighter-waving moments that beg to be heard from festival speakers. With the band’s strongest set of songs yet, Friends should be the album that finally wins White Lies the U.S. fanbase it deserves. More
Genre: Rock

Remnants (CD)

LeAnn Rimes
Leann Rimes gets confessional on Remnants , a powerhouse hybrid of adult pop, lounge jazz, and torch songs. Lead singles “How to Kiss a Boy” and “The Story” (a Brandi Carlile cover) are slow burning, classic diva numbers with a brave vulnerability. The album’s sound is as big and bold as its themes — this is one smart, cohesive album. It’s clear from Remnants that the singer continues to evolve as a woman and as an artist. More
Genre: Rock, Country

Occult Architecture Vol. 1 (CD)

Moon Duo
Moon Duo returns with O ccult Architecture Vol. 1 , a gritty, psychedelic descent into the underworld. Inspired by the Chinese concept of yin and yang, dark and light energies, Vol. 1 is an exploration of the darkness — as alluring as it is dangerous on tracks like “Cold Fear” and “Creepin,’” a couple of the album’s highlights. The album dives headfirst into occult themes of magick and the supernatural, the perpetual spin of day into night, and hidden forces, both in our minds and in the larger world. This hypnotic, hazy album is the perfect soundtrack for those deep, dark winter nights before the earth’s axis tilts us all closer to spring. More
Genre: Rock

Snowdonia (CD)

Surfer Blood
Surfer Blood are back with the very strong Snowdonia . “Six Flags in F or G” is a potential ear worm with a slight tinge of melancholy, employing a Smiths-like relish with a veneer of surf rock rumble. The title track is a mellow, beach-y love song that instantly evokes the golden days of youth. Taken as a whole, the album is a pleasant throwback to ’60s sunshine pop and garage, plus a steady helping of ‘80s jangle pop and paisley underground thrown in the mix. This latest release is an immersive, enjoyable experience. More
Genre: Rock

Fresh Air (CD)

The last two years have seen artists like Ariel Pink and Julia Holter step away from their roots of making ultra low-fi albums, instead turning to more polished, carefully produced tracks. As these avant-pop weirdos of the highest degree move into new directions, Homeshake's Fresh Air fills the void that they left. Previously part of Mac DeMarco's band, Peter Sagar split to focus on his solo career as Homeshake. Crafting cartoon sounds, digital bare synth riffs, and R&B vocals, Fresh Air deviates from the indie rock vibe of his previous albums and goes into full funk deepness with riffs trying their best to sound like George Clinton jamming out on a children's Casio. Homeshake removes the corny stigma from "smooth" as his complex, artsy take on funk is taken into mellow depths that feel like a contact high upon first listen. "Khmlwugh" opens up with tinny, drum machine samples with synths that sound like they're being processed through a Commodore 64. When Sagar's vocals come in, his calm, cracking voice is almost antithetical to R&B virtuosity, but it works perfectly to create a psychedelic, computerized landscape. And as quickly as the song starts, it suddenly ends on a minute long drone that sounds more like Terry Riley than Parliament. "Call Me Up" gets as close to the private press, electronic weirdos of the '80s than anything else on the album. The instantly catchy melody is perfectly suited to the raw, unprofessional audio quality and creates a hypnotic jam that feels like a stoned, late-night drive. It's strangely sexy and romantic, but almost too crazy to be a mood setter. Homeshake is the perfect continuation of the future-looking, groundbreaking electronic artists who created unique worlds and sounds with the bare minimum equipment. Spacey and crazy. More
Genre: Rock

Jardin (CD)

Gabriel Garzón-Montano
Many music fans know the name Gabriel Garzón-Montano because Drake sampled his early track “6 8” on “The Jungle,” but the Brooklyn-born French Colombian singer proves his own power on Jardin . Put out by Stones Throw, the album is lush and vibrant, with a bit of ‘70s haze and urban funk to round things out. It’s no wonder that labelmate Mayer Hawthorne is a fan; both artists traffic in the vivid musical traditions of the past while still managing to sound fresh and intriguing. The music on this debut effort is multi-layered and exquisite; put your headphones on, turn it up, and let yourself be transported. More
Genre: Soul

Life Without Sound (CD)

Cloud Nothings
Thanks to the addition of a second guitar, Cloud Nothings have moved from the sound of a youthfully explosive power-trio to a more focused and thickened wall of guitar. Album opener "Up To The Surface" starts with a lonesome piano line, but quickly builds to a Strokes-y strut, with its staccato guitar strumming and mid-tempo driving beat. Unlike the Strokes though, Dylan Baldi's vocals are less detached, downtown cool, and more suburban, longing angst. "Enter Entirely" is an indie chugger with catchy, fuzz guitar, while the band turns ferocious with songs like "Darkened Rings" and album closer "Realize My Fate," which starts with shimmery, vibrato-ed guitar, but is led, via the marching drum beat, into an apocalyptic descent, with much guitar weeping and gnashing of strings. More
Genre: Rock

All These Countless Nights (CD)

Deaf Havana
Filled with emotion, sincerity, and exquisitely polished alt-rock melodies, Deaf Havana’s All These Countless Nights is an evolution for the band. The band doesn’t shy away from themes of heartbreak, heavy drinking, and regret; frontman James Veck-Gilodi lets the raw vulnerability of his lyrics shine through. Yet, in spite of the sometimes challenging subject matter, this is far from a downer of a record. The songs are earnest, hopeful, and catchy, and the album as a whole is rock solid. More
Genre: Rock

Epoch (CD)

Is Tycho's Epoch the ambient feel-good album of the year? Are those words mutually exclusive? After giving Epoch a spin, it's clear that Tycho main dude Scott Hansen has created a vibrant, evocative work that's simultaneously vivid and alive and very, very chill. The San Francisco producer's beats and smooth production style are epic, conjuring whole worlds before effortlessly segueing into the next step of the journey. A very relaxed toe-tapper of a record. More

Hang (CD)

On Foxygen's Hang , the Westlake Village duo dive into soul and sunshiney '70s rock to create complex yet catchy indie pop gems. Opener "Follow the Leader" will instantly transport you to a funkier time, with swelling strings, ebullient horns, and ultra-confident vocals. Four tracks into the album, the band swerves into lilting '60s crooner territory with "America." This is a polished, sophisticated, eclectic excursion you'll never want to take off your turntable. More
Genre: Rock