Before the success of Fast Times At Ridgemont HIgh and John Hughes’ condescending acne epics, the teen movie genre barely existed. In the late 1970s, the early teen years were usually either scary (Over The Edge) or whimsical (A Little Romance). The terrific film, My Bodyguard, manages to combine both and then split the difference. Journeyman actor Tony Bill made a very effective directing debut with My Bodyguard, it’s now considered a minor classic of the teen genre. He would follow it up with the awful Dudley Moore/Mary Tyler Moore weeper, Six Weeks, but then redeem himself with the interesting cult flick, Five Corners. Since then he has become a reliable TV director.
Clifford Peache is a typical teen movie nerd - shy, sensitive, and unpretentious (played by Chris Makepeace who did an even wimpier version of this character a year earlier in Meatballs). Clifford’s father manages a fancy Chicago hotel where he lives with his kooky Grandma (played by Martin Mull and Ruth Gordon, their eccentricities are a little sitcomy and are the least memorable parts of the film). The good stuff happens at school where Clifford, the new kid, gets off to a rocky start with the resident bully, Moody (Matt Dillon), who continues to sadistically harass Clifford and the other school nerds. One kid at school has even the bullies spooked, Ricky Linderman (Adam Baldwin), a hulking outcast who was said to have killed his brother. After Clifford learns from a teacher that his brother died by accident, he begins to stalk Ricky, eventually employing him as his bodyguard against Moody. The two end up bonding and help each other become better people and all that.Continue Reading
Along with the original versions of The Texas Chainsaw Massacre and Night Of The Living Dead, Rosemary’s Baby was one of the most frightening film-watching experiences of my life. And what really makes Rosemary’s Baby an even more special film is that if you took the "horror" elements out of it and you just had a film about a young couple in New York City in the late '60s it would still be completely entertaining. It’s a great lesson in storytelling: interesting characters first will make the "horror" more powerful.
The perfectly taut screenplay credited to director Roman Polanski follows Ira Levin’s novel almost scene for scene, line for line. There is not a loose shred in the script, which may sound simple enough on paper - newlyweds Guy (John Cassavetes) and Rosemary (Mia Farrow) move into an old Manhattan building where they become friends with the elderly couple next door (Ruth Gordon and Sidney Blackmer). Slowly the pregnant Rosemary begins to suspect that they and their creaky posse are part of a witch’s covenant of devil worshippers who are hungry for her unborn baby.Continue Reading