Before the success of Fast Times At Ridgemont HIgh and John Hughes’ condescending acne epics, the teen movie genre barely existed. In the late 1970s, the early teen years were usually either scary (Over The Edge) or whimsical (A Little Romance). The terrific film, My Bodyguard, manages to combine both and then split the difference. Journeyman actor Tony Bill made a very effective directing debut with My Bodyguard, it’s now considered a minor classic of the teen genre. He would follow it up with the awful Dudley Moore/Mary Tyler Moore weeper, Six Weeks, but then redeem himself with the interesting cult flick, Five Corners. Since then he has become a reliable TV director.
Clifford Peache is a typical teen movie nerd - shy, sensitive, and unpretentious (played by Chris Makepeace who did an even wimpier version of this character a year earlier in Meatballs). Clifford’s father manages a fancy Chicago hotel where he lives with his kooky Grandma (played by Martin Mull and Ruth Gordon, their eccentricities are a little sitcomy and are the least memorable parts of the film). The good stuff happens at school where Clifford, the new kid, gets off to a rocky start with the resident bully, Moody (Matt Dillon), who continues to sadistically harass Clifford and the other school nerds. One kid at school has even the bullies spooked, Ricky Linderman (Adam Baldwin), a hulking outcast who was said to have killed his brother. After Clifford learns from a teacher that his brother died by accident, he begins to stalk Ricky, eventually employing him as his bodyguard against Moody. The two end up bonding and help each other become better people and all that.Continue Reading
The Wild One
Though that amazing string of performances in A Streetcar Named Desire, Viva Zapata!, Julius Caesar, and On the Waterfront earned Marlon Brando four straight Oscar nominations (finally winning for Waterfront) and made him the most celebrated acting talent of his generation, it’s actually his work as Johnny in The Wild One that made him an icon of rebellion and helped inspire the youth culture that was just beginning to emerge in America (and abroad). The Wild One was the first “biker picture” to penetrate mainstream consciousness, a genre that would become very popular in independent film ten lean years later.
Though produced by issue-director/producer Stanley Kramer, giving the film an overly dramatic “this is important” vibe, it’s actually a really fun B-movie, carried by Brando’s cocky performance. His Johnny leads his biker gang almost like a cult leader. The gang, with their rowdy antics, tries to impress their messiah, but Johnny, with his southern/ be-bop accent, is a man of few words. Hitting the road looking for kicks, Brando and his gang stumble on a small town where they instantly catch the attention of the law and some uptight citizens, and a saloon owner invites them to stay for beer and sandwiches. The innocent young barmaid Kathie (the very beautiful Mary Murphy) catches Johnny’s eye. It doesn’t help when he declares “I don’t like cops,” even though her dad is the town’s sheriff (Robert Keith, father of Brian), and is actually very evenhanded and sympathetic to Johnny and his pals.
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