“We were born to tread the Earth as angels, to seek out heaven this side of the sky. But they who race alone shall stumble in the dark and fall from grace. Then love alone can make the fallen angel rise, for only two together can enter Paradise.”
The above quote has quite a bit of significance when uttered in the film Fallen Angel. It suggests a theme that had not really been explored much in cinema by 1945, and remains as sparse today: a man falls from grace when he betrays his betrothed, and their bond is the only thing that can redeem his wickedness. It's not uncommon for this to be something that occurs in a movie, but rarely is the man given the opportunity to make amends for his foul actions.Continue Reading
Along with the original versions of The Texas Chainsaw Massacre and Night Of The Living Dead, Rosemary’s Baby was one of the most frightening film-watching experiences of my life. And what really makes Rosemary’s Baby an even more special film is that if you took the "horror" elements out of it and you just had a film about a young couple in New York City in the late '60s it would still be completely entertaining. It’s a great lesson in storytelling: interesting characters first will make the "horror" more powerful.
The perfectly taut screenplay credited to director Roman Polanski follows Ira Levin’s novel almost scene for scene, line for line. There is not a loose shred in the script, which may sound simple enough on paper - newlyweds Guy (John Cassavetes) and Rosemary (Mia Farrow) move into an old Manhattan building where they become friends with the elderly couple next door (Ruth Gordon and Sidney Blackmer). Slowly the pregnant Rosemary begins to suspect that they and their creaky posse are part of a witch’s covenant of devil worshippers who are hungry for her unborn baby.Continue Reading
The Dirty Dozen
The Dirty Dozen, the granddaddy of action super-team flicks, took the sheen off the WWII big ensemble picture (The Longest Day, The Great Escape) and mixed in the military cynicism that was bubbling up (encouraged by doubt about the Vietnam War) with rowdy anti-heroics (MASH, Kelly’s Heroes). Like so many films to follow, the film breaks into two halves easily: first, assembling the team full of anti-authority types (Stripes); and second, the undercover suicide mission behind enemy lines (Inglourious Basterds). After years of dependable supporting performances in The Wild One, The Man Who Shot Liberty Valance and Ship of Fools, this may be silver haired, tough guy actor Lee Marvin's signature role (with apologies to the great crime thriller Point Blank and his Oscar winning work in the otherwise forgettable Cat Ballou). The Dirty Dozen gives Marvin the perfect opportunity to showcase his brawn as well as his sense of humor. As Major Reisman, he is assigned the task of putting together a WWII team made of 12 creeps and criminals, many of whom are facing the noose, to first train and then sneak into France before D-Day to kill a group of high-end Nazis (with their dates) at a fancy chateau shindig.
The team is made up of many future stars, or at least interesting cinematic curios...Continue Reading