For a second, it felt like No Age was the solid resurgence of noise rock as the American indie rock scene became more genteel and sedated in the 2000s. But No Age lost their contract with the mammoth label Sub Pop and the trends of music changed. Rock seems to have become increasingly niche in the era of mega hip-hop stars selling out entire stadiums. It's moved to tighter knit communities, DIY venues, and a certain type of resistance to the mainstream. So it seems only right that No Age's fifth album (and their first in five years) found a home on Drag City, a creative haven for special musicians like Jim O'Rourke, Royal Trux, and Ty Segall. In what sounds like a reaction to trends of modern music, No Age's Snares Like a Haircut has less to do with their punk roots and seems to be the closest to dream pop that they've gotten to. Though the duo still believes in blistering guitars and clean drum riffs, here everything feels more spacious and melancholy with inflections of strange guitar looping and unexpected weirdness throwing everything in new directions. "Soft Collar Fad" embodies this perfectly as the song has the rhythm and pace of punk, but also some strange feedback, clangs and repetitive guitar clicks that place them closer to art rockers. In just two-and-a-half-minutes, the track pounds on you with all these elements in a song that makes you remember what risks sounded like in indie rock. But "Send Me" is a better example of how the band has matured in the last five years. The song is pure sonic bliss that does some guitar experimentation that could've come right out of an Eno/Fripp album of the late '70s. These flourishes just add so much complexity and depth to these perfect rock songs and elevate them over most sub par, amateur hour groups. It's a dreamy ballad, and even in all its lyrical and melodic sincerity, there's still this experimentation that works beautifully. Snares Like a Haircut might be their strongest effort to date and nothing today sounds quite as perfect as this.