THIS JUICE BUGZ Somewhere between Pee-Wee's Big Adventure and Batman there is Tim Burton’s feature length sophomore effort, Beetlejuice. Upon a recent rewatch, I realized I’d forgotten how truly amazing, wildly inventive and original this phantasmagoric odd-ball comedy was! It’s quite frankly the purest Burton experience for me. It’s just silly how much of JUICE’s visual language oozes with Burtonisms! Add to that the sweet (as in cool) dialogue and characters created by co-authors Michael McDowell and Larry Wilson. I’m kinda in love with it lately!
THE DIRT ON THE DEAD… Adam and Barbara Maitland just died. Played with great wholesomeness by Alec Baldwin (Adam) and Geena Davis (Barbara). So they die. But for a while they don’t know it. It becomes more apparent to them when they find a copy of the Handbook For The Recently Deceased laying around the house and the rude awakening that the Deetz’ are the new occupants and owners of their house! The Deetz family comprises of the artistically manic Delia (Catherine O’Hara), her uptight hubby Charles (Jeffrey Jones), and their ever morbidly morose daughter Lydia (Winona Ryder).Continue Reading
Once again, Darren Aronofsky has stunned us with another story about a person trying to make it to the top. I will admit that Requiem for a Dream is still my favorite, but his touch is evident in this film and in The Wrestler. One might not consider Requiem for a Dream to be a movie about achieving greatness, but it certainly is. The mother, the son, his girlfriend, and their mutual friend, are all trying to get back in touch with the person they were in their prime. They aren’t necessarily about age or youth, but the time when the characters were most fulfilled. The Wrester tackles the same thing, where a washed up wrestling star tries to prepare for a chance to get back in the ring. Black Swan is the story of a soft-spoken, prudish ballerina who attempts to get to the top without using sexual favors; choosing to focus on perfection and grace. The present prima ballerina of her company, Beth Macintyre (Winona Ryder), is being pushed out of the limelight and a fresh face is being scouted for their winter performance of Swan Lake. Nina Sayers (Natalie Portman) is hoping to be that fresh face. Her mother (Barbara Hershey) is an overbearing, retired ballerina who has been pushing her daughter to be the best and sheltering her naivety in an unsettling way. She gets the part and is overjoyed at the news of playing the Swan Queen. However, Thomas Leroy (Vincent Cassel), the director, worries that she won't be able to lose her inhibitions in time to pull off both sides of the role.
Swan Lake and the fantasy tale of The Black Swan both have a lot of history in the world of ballet. Aronofsky's film merges the two in order to create an emphasis on one character being both the hero and the villain, or more or less, her own enemy. When Nina begins to rehearse for the part, a spunky new dancer named Lily (Mila Kunis) comes to the company. While her form leaves much to be desired, her sensuality sparks interest in Thomas. The main reason her dancing is so alluring to him is because Nina's is so reserved. He believes that she dances the White Swan perfectly, but when it comes to the dance of the evil Black Swan, she fails to seduce. Nina becomes obsessed with Lily and sees her as a direct threat, not only in terms of the leading role, but also in terms of their director's affection.Continue Reading