Totally F***ed Up
I grew up enjoying Gregg Araki's films, but I don't think I quite appreciated them until recently. I always saw him as a cult filmmaker--notable for helping to pioneer the New Queer Cinema movement of the early 1990s, but for also telling his stories with a gaudy, B-movie aesthetic that seemed equal parts Russ Meyer and John Waters. I didn't always relate to the lost, Los Angeles-inhabiting teenagers who made up the casts of his films, but I was fascinated by their world of drugs, sexual confusion, and goth/industrial music (and their complete boredom with all of it). Watching Totally F***ed Up now, I find myself compelled by all the same qualities, but also far more touched with Araki's understanding and concern for whom I can only describe as fairly typical teenagers.
The film focuses on a group of gay teens who all seem to have too much free time on their hands. They lounge around pools while chain-smoking cigarettes, take pills and stumble around in empty parking garages, and talk about their complicated relationships while playing children's board games. Andy, a firm believer that love does not exist, is starting to question otherwise after he meets an older college student who wants to be the next Dennis Cooper. Michele and Patricia want a baby, and decide to try their luck with a turkey baster and a bowl of their friends' semen. Tommy isn't looking for a serious commitment with anybody--casually hooking up with random strangers like it's the 1970s. Steven is a budding filmmaker documenting his friends' world, and undergoes a crisis with his lover, Deric, after an older man seduces him with a bootleg tape of a Nine Inch Nails show. "If it was any other band, I probably would have said no," Steven laments later.Continue Reading