Class of 1984
As a remake of Blackboard Jungle, with a lot of A Clockwork Orange thrown in, the ’82 punk rock revenge flick Class of 1984 is still a surprisingly effective piece of exploitation pulp. With a theme song called “I Am the Future” sung by Alice Cooper (shockingly written by long time film and TV composer Lalo Schifrin!) prophetically announcing its intentions— this is a new youth nightmare. Entering the school through metal detectors (now a standard in many urban schools) the hero/teacher in this story, Andrew Norris (Perry King), is shocked at the conditions at his new school, and the kids are much more aggressive and nasty. Blackboard Jungle’s Glenn Ford had it easy compared to this guy. Yes, these aren’t your father’s punk kids anymore.
Shot in Toronto, but sitting in as any mixed-race urban jungle USA, Mr. Norris just wants to teach the good kids music (including a nerdy young Michael J. Fox). But the school seems to be dominated by a punk rock gang led by its genius psychopathic pretty boy, Peter Stegman (Timothy Van Patten), who instantly takes a dislike to Norris for having the gall to want to teach while other teachers like Mr. Corrigan (Roddy McDowall) have just given up. Norris wants to put together a classical music school band and though Stegman can play the piano like that dude in Shine, Norris denies him a spot because of his bad attitude. This begins a deadly showdown between the two.
Unlike the antics of most tough youths in older films, Stegman and his crew are not laughably dated. Their “punk” outfits may look clow...
Escape from the Planet of the Apes
Once you can get past the absurdity of the set-up of Escape from the Planet of the Apes, the movie turns out to be the best of the sequels to the original brilliant sci-fi film Planet of the Apes. To recap, in that first film, an American astronaut, Taylor (Charlton Heston) traveled through space and returned to earth deep into the planet’s future where apes ruled and humans were just stinky wild mutes. In the less exciting but still watchable first sequel, Beneath The Planet of Apes, another astronaut, Brent (James Franciscus) follows Taylor into the future as ape hostility towards man is growing. Brent and Taylor finally meet up in an underground city where humanoids worship an atom bomb. Eventually apes attack and a dying Heston sets off the bomb, destroying earth and seemingly putting an end to the franchise. But, like Rocky III, the third film found a fresh take on the story and turns out to have a lot of fun on its own terms.
In this one, to the shock of the world, three apes in space suits land on present-day Earth (a very groovy early 1970s) in Taylor’s spacecraft. It turns out it’s archaeologist Cornelius (Roddy McDowall) and his wife, animal (human) psychologist Zira (Kim Hunter), the two apes who risked their careers to help Taylor in the first film, along with the brilliant Dr. Milo (Rebel Without a Cause’s Sal Mineo). (Okay, so get over the set-up.) The three apes somehow salvaged Taylor’s ship from the bottom of a lake, managed to re-blast-off, and while watching the earth’s destruction from the sky, were sent into a time warp back to modern day. Silly. But now the fun starts....Continue Reading
Planet Of The Apes (1968)
This is a rant. Make your kids watch Planet Of The Apes. If you have not seen it yet, then you watch it. It is the greatest Science-Fiction film of all time. Some will argue for Blade Runner or 2001 or maybe an old timer would vote for Metropolis, maybe a hipster would call out Solaris (the Russian version from the '70s). But me? I’ll take Apes.
Just check out the crazy all-star pedigree it carries: - Directed by Franklin J. Schaffner who, on his next film, Patton, would win the Oscar. - Written by Michael Wilson (Lawrence Of Arabia) and the legendary Rod Serling, creator and sometime writer of the cult TV series, The Twilight Zone. - Based on a novel by the acclaimed French writer Pierre Boulle, author of The Bridge On The River Kwai. - Starring Moses himself, Charlton Heston, Oscar winner for Ben Hur. This would start his run of action and Sci-Fi flicks that would make him almost a combination of Harrison Ford and Arnold Schwarzenegger of the early '70s. - An exotic original score by Jerry Goldsmith and make-up by the innovative designer of the Star Trek TV series, John Chambers. Etc. Etc.Continue Reading
The Loved One
Besides being one of the funniest, yet strangest comedies ever made, The Loved One may be the greatest satire of life in Los Angeles during the 1960s and has one of the most eclectic, but well used casts of all time (including Jonathan Winters in dual roles, Robert Morse, Milton Berle, Rod Steiger, John Gielgud, Paul Williams, Tab Hunter, Roddy McDowall…oh, and Liberace). Morse plays Dennis Barlow, a young British poet who shows up in Los Angeles to visit his uncle, Sir Francis Hinsley (John Gielgud), a film studio worker. After the uncle dies Dennis gets involved with Aimee (Anjanette Comer), an employee at the sinister funeral home, Whispering Glades.
Based on the book by the big-time British novelist Evelyn Waugh (Brideshead Revisited), The Loved One was adapted for the screen by the American satirist Terry Southern (Dr. Strangelove) and the haughty author and critic Christopher Isherwood (A Single Man). To make this motley crew even more improbable it was directed British filmmaker Tony Richardson who arose to much acclaim during the “angry young man” movement of British filmmaking in the late '50s and early '60s and won an Oscar for Tom Jones. But after The Loved One, he was never able to find his filmmaking footing. The film was shot beautifully in black and white, giving a crisp, yet gothic look to the Los Angeles locations, by legendary cinematographer Haskell Wexler (One Flew Over The Cuckoo’s Nest, Who’s Afraid Of Virginia Woolf?, Bound For Glory) and it was edited by the soon-to-be-major director of the '70s, Hal Ashby (Harold And Maude, Coming Home). All of these very improbable voices came together to create one of the more unique films of the decade.Continue Reading
The Poseidon Adventure
After the phenomenal success in 1970 of Airport (“Grand Hotel on a Airplane”), disaster films became all the rage of '70s pop cinema. The formula consisted of a melodramatic, soapy script with a handful of Oscar winners slumming, stuck in some kind of disastrous situation ranging from earthquakes to meteors. The best of the genre was The Poseidon Adventure, about a luxury liner that gets toppled by a tidal wave and the group of passengers trying to escape (by reaching the bottom of the boat). Besides excellent special effects and a great cast, what makes The Poseidon Adventure especially unusual is the underlying religious subtext; in some ways it’s also an allegory about the story of Jesus Christ and his followers.
On its final voyage across the Atlantic, passengers celebrate New Year's Eve on the SS Poseidon. We are introduced to a cross section of archetypes that will become the group we will stick with as they are all invited to sit at the captain’s dinner table (played with a straight face by Leslie Nielsen). A teenage girl (Pamela Sue Martin) and her obnoxious little brother (Eric Shea) travel without their parents; a brash New York cop (Ernest Borgnine) and his ex-hooker wife (Stella Stevens), on their way to meet their grandson in Israel (via Greece?); a sweet, old retired Jewish couple (Shelley Winters and Jack Albertson) play to the appropriate clichÃ©s; a lonely, soft-spoken bachelor (Red Buttons); and, most importantly, an outspoken renegade priest, Reverend Scott (Gene Hackman). Eventually, after being forced to fall in love with the cast, a massive tidal wave strikes the ship, flipping the boat upside down; a great scene of destructive mayhem follows, with some amazing stunt work.Continue Reading