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Heat is a self-proclaimed “Los Angeles crime saga” about a master crew of thieves and the dedicated police officers who try to keep them in check.

Based on a real criminal and inspired by his own TV movie, L.A. Takedown, Michael Mann directs one of the all-time great cop and robber films with Heat. He takes a highly established genre and digs in deeper—finding the truth and parallels between those who enforce the law and those who break it. Heat explores the sacrifices both sides have to make in order to do the job—mainly causing dysfunction at home. You can see years of preproduction that goes into Mann’s vision—building from earlier works as director of Thief (1981) and producer of TV’s Miami Vice.

Jackie Brown (Grier) is a struggling middle-aged flight attendant who gets popped smuggling laundered cash into the country by a two eager-beaver cops (Keaton & Bowen). They give her two choices—prison or her help nabbing weapon’s dealer, Ordell Robbie (Jackson). But they don’t account for a third option—with the help of stand up bail bondsman, Max Cherry (Forster), Jackie plans to out con everyone one of them.

Based on Elmore Leonard’s Rum Punch, Jackie Brown is a beautifully woven intermixing of characters and styles of two very talented dark comedy writers. Tarantino’s most significant change was with the title character—making her a black woman, rather than Italian. I think this change made the film almost like a Blaxploitation movie for the modern age. It’s as if Grier’s character, “Coffy,” had to conform as she grew older, but was still not a woman to mess with. The plot is clever and the dialogue, razor sharp.