Network has cemented its place as one of the finest and most enduring examples of American cinema. A satirical look into the media industry and its effect on the human condition, a film that unflinchingly makes points and claims that, in 1976, may have seemed like comedic exaggeration, yet today are accepted norms. Prophetic and eloquent, a film whose undying relevance seems to resonate with growing intensity as time moves on...
"This story is about Howard Beale, who was the network news anchorman on UBS-TV." This is the narrated introduction to the film. Beale, played by Peter Finch, has recently learned of his imminent firing from the station and announces his plan to commit suicide in a future broadcast, live on television. This creates a huge uproar at the corporate level and, soon after Frank Hackett, the Executive Senior Vice President of the network, appears (played by Robert Duvall) to fire Beale on the spot.Continue Reading
The all-time great director Sidney Lumet is often associated with his ear for the New York streets (The Pawnbroker, Serpico, Prince of The City). He's also acclaimed for his skill at balancing his films’ often loud histrionics (12 Angry Men, Dog Day Afternoon, Network). So, ironically, he hit a home run late in his career with a legal drama that actually gets its power through silence.
The film is written by a master of gritty verbal sparring, David Mamet. Upon its release in ’82, The Verdict instantly joined the ranks of the all-time great courtroom dramas — an elite company, with flicks like Anatomy of a Murder and Witness for the Prosecution. And the role of alcoholic lawyer Frank Gavin gave Paul Newman his best role in 15 years (at least since Cool Hand Luke in ’67).Continue Reading