If you're a fan of Charlie Kaufman you'll find plenty to love and adore about Adaptation, a film written by Kaufman (and oddly credited to him and his non-existent twin brother, Donald) who is behind such films as Being John Malkovich, Synecdoche, New York and Eternal Sunshine of the Spotless Mind. If you are not a fan of the larger name celebrities in the film's cast--which would be Nicholas Cage and Meryl Streep--and have avoided the work due to them being in it, I'd urge you to see this often overlooked masterpiece where they give their finest and most revealing performances.
Told by way of jumping through a three year time frame, the film surrounds the mystery and truths involving several characters on the brink of self-discovery. Charlie Kaufman (Nicholas Cage) is an eclectic but shabby screenwriter trying to grow as an artist and a person. Susan Orlean (Meryl Streep) is a writer for The New Yorker who is assigned to write a piece on John Laroche (Chris Cooper), an eccentric agriculturalist on trial with three Seminole natives for removing a series of plants, mostly orchids, from a federal reserve. Her article is expanded into a book, The Orchid Thief, and the publicist (Tilda Swinton) wants to take it further by adapting it into a film. Kaufman is the man given the job, following the success of his script for Being John Malkovich and an ingenius reputation for his craft.Continue Reading
Cecil B. Demented
There was an attractiveness to having this be my first John Waters movie. As a growing cult fanatic, I found it odd that I'd never seen any of Waters' films, and, I'll admit, I assumed that he was too much of a staple in the cult-world; his fans seemed to be fond of him more than the movies. Moviegoers and Waters fans, from many different tastes, claimed that this was his worst movie. The steadfast remarks intrigued me, so I went and saw it at a revival theater thinking, "…well, it can only get better, apparently." The struggle to not judge the film too harshly was diminished as soon as the introduction credits came on. Mismatched red and black marquee letters (common for revival theaters) poked fun at mainstream cinema by having fake titles like Forest Gump 2 appear on the lineup and dissolve into a cast or crew members' name. From the beginning it was clear that Waters was a man who liked details, and I was allowed to then be rid of doubt. The movie opens with a buzz over actress Honey Whitlock's (Melanie Griffith) premiere of her latest mainstream flop. The premiere is in Baltimore, and she turns just about every silent moment to herself into an occasion of bantering and disrespect of the town and its civilians. Meanwhile, a young group of misfits has infiltrated the theater's staff at the venue which is to house the event. Whispering mini-manifestos into walki-talkies for encouragement and prepping their alarming amount of explosives and ammunition, they eagerly await Honey's arrival. Their mission, headed by Cecil B. Demented (Stephen Dorff), is to kidnap the star and force her to act in their one and only underground film. Their message: take back the cinema, or more appropriately, death to bad cinema (as in blockbusters). The kidnapping is completed, but there is a casualty, so soon the group is wanted for murder. Still, they ...Continue Reading
Donnie Darko is one of the quintessential cult film of the 21st century. It maintains style and story while simultaneously asking the most existential questions relating to God, good and evil, purpose and place. All the while it presents the music, pastimes and feel of the '80s better than films made during the time did. More realistically, at least. It also showcases and/or introduces the talents of an ensemble cast and has a truly righteous soundtrack.
Our protagonist shares the same name of the film. Donnie, the middle child of a wealthy family in Middlesex, Iowa, stands out from his peers and community in many ways. His earlier years, we later discover, were quite troubled. He sees an expensive shrink twice a week and takes medication. He's bright, though hard to discipline in school. He sleepwalks, ending up all over town in various places - compelled by an imaginary man in an eerie rabbit costume who calls himself Frank. One particular sleepwalk allows him to cheat death when a mysterious jet engine crashes into his bedroom on the same eve. The event changes Donnie's life and the lives of everyone around him forever. This is the film's skeleton, more or less. The flesh is much more enticing and can be considered a religious fable of sorts, where Donnie could easily represent Christ and all supporting characters provide an amalgamation of arch-angels, prophets, messiahs, and the anti-Christ.Continue Reading