Few would dare to say that the films of Vincent Gallo are romantic. Certainly not when it comes to the ghostly plot of The Brown Bunny, and perhaps is even a stretch with Buffalo '66. Supposing you've seen these films (and this is more the case with Buffalo '66), you will have one of two reactions that says a lot about your own romantic relationships and you as a person. This, among other things, is something that brings me to view them more than any other drama. In all seriousness, Gallo's character studies—while vain due to the fact that he plays the leading male—are absolute works of genius; where transgression finds forgiveness and those of us who pine about the seemingly impossible task of finding someone just as strange as you can find solace and, I dare say, hope.
In the film we find Billy (Vincent Gallo), a young man released from prison after a five year stretch and understandably numb due to this experience. He seems to be someone who is cursed with bad luck and for a moment you're under the impression that his angst will lead him back to prison within a day. His first order of business is to call his mother to bring closure to a grandiose lie. He's informed his parents throughout his stint that he's actually been away on a top secret government assignment. Being a compulsive liar, he's also told them that he's married and promises to visit with his new wife. Through a random circumstance he meets Layla (Christina Ricci) and kidnaps her, though his efforts are more desperate and childish than violent. Intrigued by his efforts, and perhaps a bit smitten, Layla puts up a modest fight before hearing out his plea to get her assistance. He wishes to see his parents, which would mean introducing them to his non-existent wife. She agrees to play the role, and here their bizarre romance begins.Continue Reading
Though it appears to be the love child of Ronald McDonald and William Shakespeare, Scotland, PA is only the most innovative adaptation of Macbeth, which was forgotten about after it went to Sundance. Its satire, while crude and greasy, just like the worst fast food server, is so un-artsy and plain that it can honestly be called upon frequently when you have a craving for some simple, yet refreshing comedy. To add to its charm is an already off-beat cast that gives, perhaps, their funniest and most quirky performances. I must commend Maura Tierney for her role as the modern Lady Macbeth, which she played with excellent style, and her co-star, James LeGros, for his depiction of Macbeth. For the sake of being interesting, their last name is McBeth, and everyone calls her Pat and him Mac. Instead of being regal characters during the Renaissance, they are two ordinary folks in the '70s who work at Duncan's, a former donut shop owned by Norm Duncan. Notice the catchy play on an actual food chain. Duncan is trying to branch out and get new ideas for fast food, and under his employ are a ton of outrageous characters, including his sons, and many whom you'll recognize. Like most people in food service, the McBeths are extremely restless, causing the dynamic of their marriage to be bittersweet. Their sex life is at its peak (the two go at it like rabbits), but the romance turns sour when Pat constantly nags Mac about his inability to break away from Duncan, or at the very least, stop blurting out good ideas and letting him take the credit for them. While Mac is wandering around an empty carnival site, he is approached by two intoxicated hippies (the Greek chorus), who lead him to a fortune teller (the prophet, played by Amy Smart). She shakes her toy 8-ball and mentions a concept that has never been invented: drive-tru. Dismissing the entire ordeal, Mac returns to work the next day and hears of an employee being fired, which could mean a promotion for...Continue Reading