On Her Majesty’s Secret Service
Until the more recent Daniel Craig Casino Royal, it would have been easy to call On Her Majesty’s Secret Service the strangest James Bond film ever. This, of course, is not counting the original Casino Royal, a mostly unbearable, unfunny disaster. But like the original Casino Royal, On Her Majesty’s Secret Service almost plays like a spoof with its bizarre villains and story-lines, but it’s much more than that. It has some of the best action sequences of any Bond film. It has the most character driven story and romance (until the more recent Casino Royal). It’s considered a bona-fide cult film. And even with Sean Connery on a one-film hiatus, it deserves its more recent status as maybe the best Bond film ever.
On Her Majesty’s Secret Service is the sixth film in the Bond series, it's said to follow Ian Fleming's 1963 book as closely as any of the films have. But it’s most famous as the film Connery sat out. A big shouldered Australian ex-car salesman, George Lazenby, with little acting experience, replaced him. One of the new Bond’s first lines of dialogue is, "This never happened to the other fellow," referencing what, at the time, was an abrupt shift in actors - something we have become accustomed to since. Lazenby would prove to be one and done as Connery would return for the weak Diamonds Are Forever and then years later repeat the role one last time with the utterly pointless Never Say Never Again, basically a remake of the much better Thunderball.Continue Reading
Southside with You
Maybe the best thing to emerge out of the Armageddon that is our current state of politics is an exciting new budding movie subgenre: the Barack Obama dramas. (Remember kids, it only takes two films for an official subgenre to be declared). First up is the wonderful Southside with You, which chronicles one night in Chicago in 1989. As far as modern romance goes it's an important night, even if it’s just platonic at first. It’s the would-be first date between twenty-eight-year-old law firm summer intern Barack, on a break from Harvard Law, and his supervisor, law firm associate Michelle Robinson, then twenty-five (who, of course, would one day become superstar first lady Michelle Obama). And then rounding out the Obama origin story is another film: a Netflix original called Barry, which follows the young future president while attending graduate school at Columbia in New York. Both films give sneak peeks as to what would make our future hero tick.
The smooth-talking, street-smart and cigarette-smoking Barack (Parker Sawyers) had in mind a date; the much more serious and seemingly ambitious Michelle (Tika Sumpter) supposedly thought they were just going to a community meeting. Instead, Barack first leads Michelle on a stroll down Michigan Avenue and a stop at the Chicago Institute of Arts, where he impresses her with his knowledge of the work of black artist Ernie Barnes and his iconic piece The Sugar Shack (familiar to pop culture nerds from being featured in the credits to television's Good Times and on the cover of Marvin Gaye’s ’76 album, I Want You). But Barack really gets to impress when they get to the meeting, where black neighbors are disappointed the city has turned down their request for a community center. Barack woos the crowd with his speech-giving magic. Interestingly, instead of going for the usual and obvious us-vs-them take, he asks the crowd to think about the city’s point of view and what the two views have in common (shades of his famous 2004 Democratic Convention speech, that really put him on the map nationally). Here Michelle has two evolutionary moments -- and the film really is through her eyes -- first, she sees the political gifts that Barack has and secondly, after years at Princeton, Harvard and working corporate law, she realizes how out-of-touch she has become with the daily problems of the poor. Barack inspires her to get involved.Continue Reading