Let the Right One In
Aside from being regarded as one of the best vampire movies to date, Tomas Alfredson's Let the Right One In is also one of the most apathetic and emotionally involving coming of age films. Its ability to paint a literally frozen portrait of Sweden post-Red Curtain while zoning in on the woes of childhood issues ranging from bullying to first love goes beyond the confines of a genre and allows the work to reach a rare platform of relatability that is truly a pleasure to behold.
Taking place in a small suburb of Sweden in the early '80s, the film is told through the experiences of Oskar (Kare Hedebrant)—a lonely pre-teen whose friendless existence and somewhat helpless position of a bullied youth has instilled in him a fascination with morbidness while simultaneously nurturing his eccentric personality. When a middle-aged man and his daughter move into the flat next door, Oskar takes a chance at befriending Eli (Lina Leandersson), the little girl.Continue Reading
One of the most remarkable things about the movie Malevolence is how much it authentically captures the vibe and spirit of the early '80s “slasher” films it tries to homage with such reverence. In fact, after I initially saw it in its limited theatrical run back in 2004, I immediately jumped online to confirm that it was in fact a recently made feature film and not a long lost gem from the '80s that was only just then surfacing. Sure enough, upon a bit more research, I discovered that the goal of writer/director Stevan Mena was to emulate the horror films that had had such a profound impact on him growing up. And in that regard, he completely succeeded.
Malevolence opens with the kidnapping of Martin Bristol, a 6-year old boy from Pennsylvania who is forced to watch the evil deeds of his deranged captor, serial killer Graham Sutter. The film then cuts ahead 10 years later where we’re introduced to Julian (Brandon Johnson) and Marylin (Heather Magee) who along with Marylin’s brother Max (Keith Chambers) and Kurt (Richard Glover) are planning a daytime bank robbery. When things don’t go according to plan and the robbery is completely botched, the criminals flee with 2 hostages to their rendezvous point out in the countryside of Pennsylvania, just next to the old Sutter place and meat & poultry slaughterhouse. When they venture out towards the Sutter property, they inadvertently garner the attention of the long dormant killer at the house and uncover the horrors that have been going on there for over a decade. From then on, it’s just a matter of trying to survive the night.
What’s great about the film is not only how it manage...
Yes, yes, we’ve all heard of the celebrated Nosferatu – its cinematic importance, the legendary back-story of how it was almost lost to the ages due to legal injunctions, blah blah blah – and some people, having watched the film, know how bad many of the available DVD releases have been cropped and look/sound terrible, so it’s good news for jaded movie/horror nuts that Kino Video not too long ago released a specially re-done single-DVD “Restored Authorized Edition” (authorized by the F.W. Murnau Foundation, natch, NOT Bram Stoker’s widow) and a genuinely deluxe “Ultimate DVD Edition” two-disc badboy.
Ordinarily, I’m not a sucker for “re-master & re-package” jobs but I sing the praises of whomever did the deed of remastering the film elements for the DVD transfer; the movie looks gorgeous and crisp with new tinting, as per the original studio intent, and with the hi def-ready transfer many of the scenes look as if they’d been filmed just recently, not 85 years and counting. The super-treat on the two-disc edition for me, however, was the triple-whammy of the original German version (as original and complete as we’ll probably get, anyways) and an Anglo-phile version with improved English title-cards. That, and a terrific near-hour-long documentary, The Language of Shadows, laden with neat behind-the-scenes details of F.W. Murnau’s wicked life and of the failure of the producers to win in court and at the almighty box-office, really gives us some bang for our greenbacks.Continue Reading
“Goodness is only some kind of reflection upon evil...that's all it is.” --Anna, in Zulawski's Possession.
Possession, the feverish and mesmerizing masterpiece from Andrzej Zulawski, is a drama about a failed marriage that unexpectedly turns into a horror film; a bad trip that you sometimes wish would end only because you feel disturbed, or at the very least unbalanced, for enjoying it immensely.Continue Reading
Secret Adventures of Tom Thumb
The Bolex Brothers production, The Secret Adventures of Tom Thumb, is a creepy, yet enchanting, twist on the classic fairytale. It conjures up all sorts of menacing, unnerving, and violent imagery—unlike that of the traditional tale. It's set in a seedy tenement building where an unsuspecting couple conceive a tiny baby—a child so small that they name him Tom Thumb. We quickly see that the world is a harsh place, as Tom's mother is slain and he is kidnapped by sinister men who want to use him for experimentation and genetic research. The plot unfolds around how this tiny creature, with the help of some very unusual friends and the love of his father, escapes the evil forces holding him hostage; the subtext revolving around how this amazing child remains innocent and caring in a world full of fear, reactionary hatred, and prejudice.
The Secret Adventures of Tom Thumb uses stop-motion animation in ways that I have never seen before to create scenes of epic discomfort and fear. Live actors are combined in scenes with clay-mation figures, which causes an uncomfortable, almost anxiety driven performance by the actors, who move with a lurching stagger and speak with a mumbling coo. It took dozens of hours to animate the live actors for seconds of film—an amazing feat! But it's not just the way the live actors are animated that makes this a visual triumph. Every scene is covered in tiny animated insects, the walls seem to breathe, and the earth to shake. The sets are awe-inspiring, to say the least.Continue Reading
Sorority House Massacre
You've got your good slashers and you've got your bad ones, but when you really think about it, there is no such thing. It all boils down to a matter of taste. If you go to the movies for a good shock or scare, you probably think that movies like this are terrible. If you're going to see dimwitted or annoying people get killed and laugh at one-liners, then you'll love Sorority House Massacre. Before I mention the plot, if you know anything about this movie, you know that it has to do with a brother coming back to kill his sister after slaughtering the entire family. Many think of Halloween, just as you might have heard about its relation to dreams, which is linked with A Nightmare on Elm Street. If you've looked up this movie, or other slashers, only to find that people down it because it has elements of other horror movies, don't believe the hype. Every single genre in cinema will have elements of some other film, work of art, pop culture, you name it. Not that you shouldn’t praise what has been established as original, but don't get too hung up on it. This movie is terrible and it means to be. Everything is so over the top, particularly the fashion. The fact that nothing in the plot is believable and that there are so many pointless scenes only adds to how perfectly cheesy it is. The fact that the woman on the cover/posters is not even in the movie also adds to the cheese factor.
The plot is pretty straightforward: crazy older brother slaughters parents and three of his four sisters. Beth (Angela O'Neill), who was five years old at the time, escapes, is raised by others, forgets the incident, and joins a sorority in college. She does find a disturbing connection between her new sorority house and her childhood home where the murders happened. Of course, we discover that it's the same house. Meanwhile, her brother Bobby (John C. Russell) spends his time strapped to a bed in an institution. The center of the plot, besides people getting murdered, is her dreams. It is speculated earlier in the movie that brain waves can be transmitted through space just like waves of light and sound. Apparently her brother has got some pretty powerful brain waves and has filtered his way into her sleep. She begins to feel that he is after her and he eventually escapes - with stupendous ease - out of his mental institution. Thus, she and her sorority sisters are in for a big surprise when he comes home.Continue Reading
From the deranged mind that brought you Bad Lieutenant, Ms. 45 and King of New York comes a horror tale involving drug addicts, graduate students and vampires.
Not particularly scary or even bulging with production value, the film is still great fun for any fan of the vampire sub genre.Continue Reading
The Blood Splattered Bride
Feminist theory and the Sexual Revolution explode on screen for this fleshy and colorful vampire tale. It bends the rules quite a bit by allowing for vampires who roam around in daylight, as well as having a female lead and another who plays the vampire in erotic pursuit.
Susan (Maribel Martin) and her husband (Simon Andreu) are two newlyweds who decide to skip a hotel and take their honeymoon at his family's estate. Susan quickly becomes an admirer of his home and family until she realizes their attitude toward women. After noticing that the walls containing portraits of his ancestors only have paintings of men, she discovers that all the ones of the women in the family are hidden in the cellar. One in particular sparks her interest—the portrait of Mircalla Kerstein, a young bride with a blood-stained pearl dagger and a missing face, who murdered her husband on their wedding night, claiming that he requested she do despicable things.Continue Reading
A half decade before his breakthrough films Salvador and Platoon would make Oliver Stone a major director with a political conscience, The Hand proves to be an odd film for Stoneaphiles. It’s his second following his unwatchable low budget horror flick, Seizure, and it works well as a suspenseful psychological horror thriller, but more importantly it proves that no matter how ridiculous the material Michael Caine makes anything worth watching.
Caine plays a successful comic book artist in Vermont. He and his younger wife (Andrea Marcovicci) are having marital problems - his wife wants to go to New York City to study at a groovy yoga center, he just wants to be left alone. He loses his hand in a freak car accident, which is the worst thing that can happen to an artist. The hand is never found. He is forced to get a mechanical prosthetic glove. After his wife leaves him, he takes a job teaching at a central California college. He begins an affair with a student (Annie McEnroe) and gets a yahoo drinking buddy (Bruce McGill, D-Day in Animal House and later a respected character actor in films like The Insider). Suddenly people around him start to turn up dead (including director Stone playing a wino). They are murdered on screen by a walking hand, but it may all be in Caine’s head. Is he actually doing the killing?Continue Reading
The Hunchback of Notre Dame
A true ‘must-see’ of silent cinematic majesty, Hunchback stars the unbelievably talented Lon Chaney, an innovator of pantomime and makeup artistry. The film is based on the Victor Hugo novel about Quasimodo, the hunchbacked bellringer who falls in love with Esmeralda, a gypsy girl.
It is a classic story that is further accentuated by enormous sets, complex lighting and Chaney’s amazing ability to express suffering, humiliation,and desire for the understanding of a kindred soul. It should be noted that Chaney’s great skill at displaying identifiable human emotions under grotesque disguises can be partly attributed to the need to communicate with his deaf-mute parents. His body language and gestures are the center of this movie. He demonstrated his prowess at making us FEEL the character’s emotions in film after film until his death in 1930 after his final appearance in his only sound film The Unholy Three,a remake of an earlier silent film that he starred in. Anybody even remotely interested in the movies before they spoke should see this.Continue Reading