Out of Sight
Out of Sight is the story of a bank robber (Clooney) and his loyal sidekick (Rhames) who bust out of prison and abduct a U.S. Marshal (Lopez) on their way to heist millions in diamonds from an ex-con billionaire (Brooks).Steven Soderbergh (Traffic) directs a film that defies genres, making one of the most unique crime films in modern cinema. It’s both an interesting double-crossing caper and a brilliant romantic-comedy. Elliot Davis’ cinematography is fluid, mainly hand held, capturing wonderfully large and small moments alike. He makes great use of the color palette to differentiate the many locations, from the humid plains of a Florida prison to the gritty streets of steely Detroit. Scott Frank’s screenplay is smart, funny, and filled with crackling dialogue delivered by wonderfully colorful characters. There is no novelist who creates more endearing, seedy underworld characters to adapt to the big screen than Elmore Leonard. There is always a haze of gray in the morality of the characters-- whether it is the law or their criminal counterparts. It’s worth noting that some of the best scenes are additions made by Scott Frank. They fit so well within the paradigm of the world that it is impossible to discern which ones they are.
Anne V. Coates’ great use of non-linear editing throws us around in time and space, dolling out dimension to the large cast of personalities. Making great use of jump cuts and freeze frames, Out of Sight has the rhythm and style of a French New Wave film. David Holmes’ score is ultra-hip and reminiscent of crime cinema of 1970s, giving it a happy-go-lucky air.Continue Reading