Addams Family Values
Since they all seemed to spring from The Honeymooners and I Love Lucy, early sitcoms mostly followed the same basic comedy concept: the battle-of-the-sexes, men-vs-women formula. Breaking that rule is one of the many traits that made The Addams Family TV show and the two big screen movies so different and special. Here instead of bickering and plotting against each other, the married couple have a passionate and deeply sexual love, leaving most comedy hacks at a loss for creating conflict. And in the case of the films directed by Barry Sonnenfeld, the even bigger ace-in-the-hole is the brilliant casting of the couple, Raul Julia and Anjelica Huston as Gomez and Morticia Addams (taking over for John Astin and Carolyn Jones who were pretty fantastic themselves on the small screen). The first Addams Family flick was the directing debut of Sonnenfeld, who had made a name for himself as the cinematographer of the first three Coen Brothers films (Blood Simple, Raising Arizona and Miller’s Crossing, which had a then completely fresh look to them). Here he combines his zapped-up camera energy with a Tim Burton-like appreciation for the comically macabre (the first film was written by some of the writers of Edward Scissorhands and Beetlejuice). That first Addams Family movie was good but the second one, Addams Family Values, proves to be one of the rare sequels that is even better than the original.
Based on Charles Addams' now legendary cartoon for The New Yorker depicting the bizarre and wealthy family that skewered traditional family values, they horrified all the straight people who encountered them, and although not self-aware were totally confident in their own beings. The first film gave us the basic update of the show; Gomez and Morticia are the heads of an eclectic family clan of eccentrics that includes their daughter, gloomy Wednesday (Christina Ricci, born to play the role), their son Pugsley (not as funny as the chubby kid on the show) and the witchy Grandmama (played by Judith Malina in the first one and Carol Kane in the sequel). Also hanging around are their Frankenstein’s monster-looking valet/butler Lurch (the film version is not nearly as memorable as the TV version played by the giant actor Ted Cassidy) and their devoted assistant Thing, a disembodied hand, who really gets to shine in the movies with the help of technology. Both films really revolve around Gomez’s brother, Uncle Fester, played here by Christopher Lloyd much more grotesquely then Jackie Coogan’s TV version. Lloyd, with his gravely voice, comes off like a sheepish version of Murnau’s Nosferatu as opposed to Coogan, who is just a fat guy with a high pitched voice, but who is very funny. The first film revolved around crooks trying to swindle the Addams’ fortune by having a guy pose as Fester (similar to the plot of the second Brady Bunch movie, A Very Brady Sequel), and in the end it turned out the impostor was actually the real Fester.Continue Reading
Black Snake Moan
Black Snake Moan opens in the deep, poor South, as “Ronnie” (Timmerlake) leaves to join the Coast Guard. He leaves, in his wake, his white trash girlfriend, “Rae” (Ricci) - a young woman of dubious morals. As soon as his bus has left, Rae falls under “the sickness” and spreads her legs all over the small town. She is left for dead in the middle of the rural countryside, and found by a God-fearing former blues man turned farmer named “Lazarus” (Jackson). He nurses her back to health, keeping her hostage in hopes of curing her wicked ways, with the help of the Lord. In her salvation from sin, he hopes it will also be his own.
This is truly a unique, bizarre, and well-crafted story about a very specific slice of life. Although it takes place in present day, the film feels almost like a work of the 1970s.Continue Reading
Few would dare to say that the films of Vincent Gallo are romantic. Certainly not when it comes to the ghostly plot of The Brown Bunny, and perhaps is even a stretch with Buffalo '66. Supposing you've seen these films (and this is more the case with Buffalo '66), you will have one of two reactions that says a lot about your own romantic relationships and you as a person. This, among other things, is something that brings me to view them more than any other drama. In all seriousness, Gallo's character studies—while vain due to the fact that he plays the leading male—are absolute works of genius; where transgression finds forgiveness and those of us who pine about the seemingly impossible task of finding someone just as strange as you can find solace and, I dare say, hope.
In the film we find Billy (Vincent Gallo), a young man released from prison after a five year stretch and understandably numb due to this experience. He seems to be someone who is cursed with bad luck and for a moment you're under the impression that his angst will lead him back to prison within a day. His first order of business is to call his mother to bring closure to a grandiose lie. He's informed his parents throughout his stint that he's actually been away on a top secret government assignment. Being a compulsive liar, he's also told them that he's married and promises to visit with his new wife. Through a random circumstance he meets Layla (Christina Ricci) and kidnaps her, though his efforts are more desperate and childish than violent. Intrigued by his efforts, and perhaps a bit smitten, Layla puts up a modest fight before hearing out his plea to get her assistance. He wishes to see his parents, which would mean introducing them to his non-existent wife. She agrees to play the role, and here their bizarre romance begins.Continue Reading
The Ice Storm
Set over 1973’s Thanksgiving weekend, The Ice Storm is the tale of a group of suburban families in Connecticut dealing with ever shifting social mores and sexual desires.
Based on the acclaimed novel by Rick Moody, James Shamus’ screenplay adaptation is a dark but truthful examination of the American family. It is well structured with highly dimensional characters, never bowing down to the oversimplification of human behavior. Rather, he gives them each their own voice and distinctive point of view.Continue Reading