Dog Day Afternoon
Known for his New York street realism, director Sidney Lumet opens Dog Day Afternoon with sunny shots of the streets of Brooklyn while Elton John's "Amoreena" plays on the soundtrack. Creating a documentary-like feeling under the fluorescent lights of an urban bank, Lumet creates a tense "you are there" feeling. Doing so, Lumet has made one of the great bank robbery films, as well as a powerful character study and a taut drama. Apparently based on a true story, it marks career peaks for Lumet and the young Al Pacino, in maybe his most likable performance.
Trying to raise money for his boyfriend's sex-change operation, Sonny (Pacino) and Sal (John Cazale) rob a bank (there is a third cohort who gets cold feet and walks away at the start). After wasting time letting the bank employees use the bathroom, the police get involved and turn a simple robbery into a hostage situation. With news crews hovering, this was the beginning of instant news turning criminals into stars. Sonny plays to the crowds who have gathered to gawk outside the bank by yelling at the cops and shouting Attica (a prison riot that turned into a massacre by a trigger happy state trooper, that was still hot in the day, another reason for folks to question the authority of "the man."). The working class Sonny also has a big fat shrew of a wife (whom he abuses) and a ton of kids, as well as a pushy, emotional mother - you can see why this Vietnam vet is so tightly wound.Continue Reading