Though it almost shares a title (but little else) with director Enzo G. Castellari’s 1978 spaghetti-war flick The Inglorious Bastards, which was just a dirtier Dirty Dozen knockoff, Quentin Tarantino knows a good title when he sees it. With a minor spelling change he gave us his own comic book WWII movie, Inglourious Basterds. With a definite nod to François Truffaut’s The Last Metro, it’s like a Powell & Pressburger (49th Parallel, One of Our Aircraft Is Missing) piece of propaganda, if those guys were still making those flicks in the 1970s. What at first glance may seem like a nasty and mean Nazi revenge fantasy is actually a tribute to the power of cinema and the power of Tarantino’s beautifully composed dialogue. This may be the most talky war script ever written, but unlike the pointlessly inane ramblings of the film he made two years before this, Death Proof (his half of the double feature movie Grindhouse), this dialogue is used to constantly build suspense, and in the hands of an expert actor like Christoph Waltz, it often sounds like an evil poetry. Aided by the clever score, pirated from other films, and the sharp period detail, Inglourious Basterds proved to not only be one of Tarantino's most ingenious creations, but is a film that has aged well (in the brief years since) and is sure to take its place with the best of the genre (lets call ‘em Naziploitation flicks).
Inglourious Basterds is an equally shared international ensemble piece divided into chapters. First you are introduced to a cat n’ mouse playing German SS man, "Jew Hunter," Col. Hans Landa (Waltz in a mannered piece of scenery chewing that deservedly won him an Oscar). The film opens with him interrogating a French dairy farmer who is hiding a neighboring Jewish family in his floorboards. He toys with the man before his soldiers shoot up the floor, but the teenage daughter Shosanna (Mélanie Laurent) manages to escape into the countryside. Meanwhile an American unit commanded by a very Southern Lt. Aldo Raine (Brad Pitt acting like a cross between Yosemite Sam and Foghorn Leghorn) leads a group of Jewish soldiers known as the "Basterds" on a dirty trick mission to torture and wreak havoc on Nazis, becoming legends and the thing of nightmares to Nazis, including even a flummoxed Hitler (Martin Wuttke). A few years later, Shosanna, now known as "Emmanuelle Mimieux" (and resembling a young Catherine Deneuve), runs a hip cinema in Paris and is any movie geek’s dream girl. Unfortunately she has the unwanted attention of a young German war hero, Fredrick Zoller (Daniel Brühl of Good Bye, Lenin! and The Edukators). He is even starring as himself in a recently completed film about his sniper exploits called Nation’s Pride, directed by head Nazi propagandist Joseph Goebbels (Sylvester Groth). Zoller convinces the higher-ups, including security-chief Hans Landa, to hold the premiere at Shosanna’s cinema, with the German high command in attendance, including the Führer himself. Shosanna and her boyfriend hatch a plan to burn the theater down during the screening.Continue Reading
A writer (Duchovny) and his girlfriend-photographer (Forbes) make a cross-country trip documenting famous murder sites along the way. Their ride-share companions are two hillbillies (Pitt and Lewis) who add their own crime scenes along the way.
Dominic Sena (Gone in 60 Seconds), of music video fame, made his directorial feature debut with his hard-boiled tail of American crime and the obsession of the masses for bloodshed and carnage. He is successful in making a road film that feels unlike any other as we follow the foursome westward across the plains, leaving misery in their wake.Continue Reading
Mr. & Mrs. Smith
After five or six years, John and Jane Smith find themselves in a marriage gone stale. That is until a little spice is thrown into the mix, and they come to realize they are both professional assassins, working for rival outfits.
In Doug Liman’s (Swingers, Bourne Identity) Mr. & Mrs. Smith, Brad Pitt and Angelina Jolie play the suburban couple with some serious skeletons in their closest. The film opens as the couple seeks marriage counseling and it becomes clear that the passion has all but drained from their love life. But when they are both sent out to neutralize the same target, their gun sights become turned on each other, with good comic effect.Continue Reading
True Romance is the story of a young down-on-their-luck couple who comes across a suitcase full of cocaine and makes their way across America to sell it in Hollywood. As they do so a colorful group of cops and criminals hunt them down.
Quentin Tarantino (Kill Bill) wrote the film with un-credited voiceover by his Pulp Fiction co-author, Roger Avery (Killing Zoe). As with all of Tarantino’s scripts, the story is filled with unique characters, explosive action, and very memorable dialogue.Continue Reading