Dan Curtis is an unsung television legend. He cut his teeth as the creator of the beloved spooky soap opera Dark Shadows that ran from 1966-1971. He also wrote and directed it. Then he produced the two classic TV movies The Night Stalker and The Night Strangler (directing the second) which eventually evolved into the cult series Kolchack: The Night Stalker. He went on to direct more '70s horror films for the small screen that today are looked back on as seminal and groundbreaking, including The Norliss Tapes, Trilogy of Terror, Dead of Night and Dracula (with Jack Palance). By the '80s he would also make his mark producing the enormous WWII miniseries The Winds of War and War and Remembrance. But surprisingly, other than a pair of quickie Dark Shadows spin-off movies made to cash in on the success of the show, he only directed one theatrical film, his own adaptation of Robert Marasco’s 1973 best-selling horror novel Burnt Offerings. Seeing it today, it is hard to believe it was a theatrical film, with its washed out colors and fade-outs after each act as if commercials are about to come on. It looks just like one of Curtis’ '70s TV movies -- and that’s just one of the reasons I love it.
Marasco’s novel and Curtis’ film predate two massive books and movies with similar threads, The Shining and The Amityville Horror, by a few years. In fact, along with titles like Don’t be Afraid of the Dark, The Legend of Hell House, Let's Scare Jessica to Death, The Sentinel and (from Japan) Nobuhiko Obayashi‘s House, as well as countless TV movies, they help make the '70s the golden age of haunted house flicks. One of the many points that gives Burnt Offerings the edge over its competition is its cast made up of all-time scenery chewers; as the nice family in peril you have Karen Black, Oliver Reed and Bette Davis. Yes, Bette Davis! And she’s fairly contained compared to the other two. As the kid you have perennial '70s TV kid Lee Montgomery. (At this point, the fifteen-year-old was already an on-set veteran and probably ready for Reed’s mugging, having acted alongside George C. Scott in his self-directed vanity ham-off The Savage is Loose).Continue Reading