At one time Burt Reynolds was a megastar. By 1987 the shine was thinning, as his hair piece was thickening. Just two years after his arch '70s box office king rival Clint Eastwood made his obligatory quasi-Shane remake Pale Rider (the least of the four Westerns Clint directed), Reynolds did his own less blatant variation of Shane, with an equally simple title: Malone. Updated, instead of an old-timey oater, Malone is more of an '80s muscle film. This could have been a by-the-numbers vehicle for any number of steroidy non-actors of the day; the ace up the sleeve here is the lovely British Columbia backdrop and Reynolds' considerable charm. Even when he seems to be barely trying he’s much more likable then most of the action stars of the period. Back in his salad days (the '70s) Reynolds starred in two bona-fide classics, Deliverance and The Longest Yard, and had a massive box office hit with Smokey and The Bandit. But by the '80s--though Reynolds was still a very popular personality--none of the vehicles really matched his talent. Looking back years later, as the smoke has cleared, Malone is probably his most entertaining film of the decade.
Burt plays Malone, an ex-CIA hitman trying to escape his past (is there any other kind?) and make a break from his sexy handler (Lauren Hutton). After hitting the open road, his car ends up breaking down in a small mountain town where he befriends a clean cut gas station owning family, the Barlows. Father and his teenage daughter (Scott Wilson and Cynthia Gibb) take him in and luckily for them Malone also happens to be handy with a wrench for fixing engines. It turns out Malone happened to show up in the knick of time, as the town is being bought up by a nasty rich guy, Delany ( the alway dependable Cliff Robertson). The Barlows won’t sell, even under pressure from the town’s corrupt cops (lead by Kenneth McMillan) and Delany’s own band of thugs, plus the usual suspects of '80s B-creeps--including many familiar faces such as Tracy Walter (Batman) and Dennis Burkley (the lovable big mute biker from Mask). The bad guys try to exert muscle and Burt kills a couple of them. Shane had that famous tree trunk digging scene, but Burt doesn’t exert much sweat. Although he does get shot, giving Hutton a chance to come back to bandage him up and have a quickie romance before the creeps kill her. This leads to an all out war as Malone is forced to use his considerable killing skills to take out the security team and finally have it out with Delany. And then, very abruptly, it ends. But this was the '80s. Who wanted to sit through a movie much longer then ninety minutes? We had to get to the arcade.Continue Reading
After the mania of Evel Knievel-style daredevils and stuntmen entered the pop culture imagination and the American lexicon, stuntmen became the subject matter of a string of films in the late '70s. This includes the Burt Reynolds opus Hooper (which was the directing follow up to Smokey & The Bandit by big time stunt coordinator Hal Needham) and finally the genre’s masterpiece, The Stunt Man in 1980, which earned three Oscar nominations, including one for the director Richard Rush. However most of the films from the stunt craze usually fell somewhere between forgettable, like Animal, with Jean-Paul Belmondo and Raquel Welch (how have I never seen this?) and the bizarre, like Stunt Rock, starring the prog band Sorcery! Stunts in ’77 fell somewhere between the two. But now almost forty years later, Stunts -- while ignored in its day -- is a fascinating look at the filmmaking process, the stuntman brotherhood and an entertaining scorecard for genre box checking.
Many years later Quentin Tarantino would famously resurrect Robert Forster’s sagging career with Jackie Brown, but in this era, he would often pop up in some glorious B movies like Alligator and Vigilante. Stunts is another high point during his low years, and though the material may be lacking, you can see his easy charisma on display here. If you grew up in the '70s and '80s the rest of the cast is a virtual all-star team of B actors who had some hits, but are maybe more recognizable from episodes of Police Story or Fantasy Island. The cast includes Ray Sharkey (later fantastic in The Idolmaker), Fiona Lewis (The Fearless Vampire Killers), Joanna Cassidy (Blade Runner), Bruce Glover (best known for playing one of the pair of oddball killers in Diamonds Are Forever), Darrell Fetty (Big Wednesday), Candice Rialson (the talking vagina epic, Chatterbox!) and finally the great character actor Richard Lynch. (Lynch has a massive midnight movie resume; he’s always watchable in oddball films like The Ninth Configuration, but is best known for, I guess, playing the bad guy in Invasion USA).Continue Reading