Let me just lay it out there: not only is Kate Winslet the best actress of her generation, she’s probably reached all time top ten for me. After some British TV work she burst in to movies while still a teenager with her haunting performance in Peter Jackson’s Heavenly Creatures and then established herself as a major young adult actress with her wonderful work as Lucy in Ang Lee’s Sense and Sensibility. Winslet then capped off this early period of art house auteurs with Michael Winterbottom’s adaption of another victorian novel Jude the Obscure (shortened to just Jude for the screen) and the best on-camera interpretation of the role of Ophelia in Kenneth Branagh’s underrated Hamlet. And then her career exploded with the cultural and box office goliath Titanic making her a giant international star. But she did an interesting thing; she didn’t chase the money, and (until recently) she mostly stuck to smaller character driven films, never again working with another A-list brand name director like James Cameron or even Lee. (With smaller exceptions being Nancy Meyers, Michel Gondry and Jane Campion, while directors like Philip Kaufman and Roman Polanski were well past their primes. She only had a small role as part of a large ensemble in Steven Soderbergh’s Contagion.)
With Hideous Kinky in ’98, (Winslet’s first post-Titanic role) she really laid down the gauntlet for the kind of career she would map out for herself: challenging, surprising, anti-star and often unsympathetic. Based on Esther Freud's autobiography about her childhood being raised with her sister by her free-spirited British mother in Morocco, Winslet plays the mom, Julia. Disillusioned by life in stuffy London and with a hippie attitude, in a search for some kind of spiritual enlightenment, she packs her eight and six year-old daughters up for a Middle East quest. The two little girls are played by Bella Riza and Carrie Mullen, and they deliver a pair of outstanding performances. Julia, though loving, is also young and selfish, with only fleeting concern for her children’s needs for stability. The girls actually want to go to school, but Mom keeps whisking them off on busses across the desert landscape to romance her Moroccan boyfriend, Bilal (the charismatic Said Taghmaoui), who also seems to be a lost soul, unwilling to live up to his community's expectations. It’s never fully clear if Julia is truly spiritual (her enthusiasm usually feels naive) or if it’s all a pose to rebel against her family and the girls’s father, a London poet. (The question of their marriage is also blurry.) The film provides an insightful and fascinating look at Moroccan city life; this, of course, is before the full-blown Islamic revolutions would make Westerners a little less comfortable being strangers in a strange land.Continue Reading
Growing up an avid comic book fan, I always fancied myself a Marvel kid over a DC kid. It’s not that I didn’t appreciate the cinematic versions of both Superman and Batman, I loved those, but I often found myself relating more to the characters of the Marvel universe, in particular Spider-Man who was always my favorite superhero. Through Spidey, I of course discovered The Incredible Hulk, Iron Man, and the X-Men books to name a few, but I honestly never found myself into any of The Mighty Thor material. Sure, I read The Avengers and also dug when Thor would interact with the other superheroes of the Marvel Universe, but I never found myself a “fan” of the character or intrigued by his mythology, which in actuality is Norse. So with that in mind, when I watched the movie version of Thor, I had very little expectation or trepidation. I just wanted to enjoy it as a piece of straight-forward popcorn entertainment, and hope that it played to me the way it would to a general audience. Thankfully Marvel Studios managed to take a character that I’d never really been all that interested in and produce a thoroughly enjoyable action flick.
After a very brief introduction on Earth with Natalie Portman’s character Jane Foster, Erik Selvig (Stellan Skarsgard) and their assistant Darcy (Katt Dennings) first encountering Thor (a scene that will repeat itself later in the movie), we’re brought to Asgard, the home of Odin Allfather (Anthony Hopkins) and his people and given a short history of the great war between the Asgardians and the Jotuns aka the Frost Giants, a race of monster-like creatures determined to bring about a new ice age to the mortal world. Odin led the great battle which drove the Frost Giants back into their own world of Jotunheim with their great source of power taken by the Asgardians and brought back to Asgard, hence bringing about peace to the Nine Realms. Odin raised two boys, Thor and Loki, with the hope that one day one of them would ascend to the throne and take his place as the new king. Thor is the chosen one, but during his ceremony, a handful of Frost Giants manage to sneak into Asgard in an attempt to steal back their power source. Considering it an attack on their people, Thor rashly and arrogantly takes a small group of his finest and most trusted warriors to seek retribution on the Frost Giants' home.Continue Reading