Che: Part One
Everyone can come up with their "overlooked for an Oscar nomination" mis-justice list. Such a list may start with the fact that Martin Sheen wasn’t nominated for Apocalypse Now. And if you want to dig deeper, my list would point out that Orson Welles’ brilliant performance (and direction) in Touch of Evil was overlooked by awards givers. But out of the last ten years the performance and film that had Oscar pedigree written all over it and got no love was Benicio Del Toro and the film Che: Part One. Frankly it barely even got a theatrical release. Of course Che was director Steven Soderbergh’s epic story of the revolutionary Ernesto Che Guevara and, like Tarantino’s Kill Bill double bill, it was so big it was lopped into two different films (and its awards consideration, totally mishandled). They are two very different movies, and Part Two is worth seeing (though much harder terrain if you don’t already know the history of Che’s involvement in trying to bring a revolution to Bolivia). Like history itself, Part One is a more easily digestible piece of pure entertainment, though in the end, the two together help give Che a bigger arch. Like the Cuban revolution itself, the romance is in the buildup, the planning, and the underdog story. The actual governing, not so pretty. But don’t think this is some kind of boring homework assignment, it's wonderful filmmaking anchored by Del Toro’s brilliant performance as the future college dorm-room poster superstar.
The film picks up almost where Walter Salles’ much more popular The Motorcycle Diaries ended. Exiled in Mexico the young Argentinian doctor, Che, is introduced to the budding Cuban intellectual revolutionary Fidel Castro (the also excellent Demian Bichir, who scored a forgotten Oscar nomination for the film A Better Life). Like everyone else Che is mesmerized by the charismatic leader and he agrees to join up. Cut to the jungles of Cuba where a weak Che eventually learns the ropes of a fighting guerilla (wonderfully spoofed in Woody Allen’s Bananas, thirty years earlier). He slowly earns the respect of his comrades and the peasants he meets along the way, to whom he gives free medical care and insists on educating. And though Che becomes a tough talker, he seems to be a poet at heart, a quality Del Toro always brings to his roles -- no matter the part there always seems to be a hipster softy lurking in there. Che also develops a relationship with a young protegee, Aleida March, who actually became his second wife (played by the beautiful Catalina Sandino Moreno, an Oscar nominee for her harrowing work in Maria Full of Grace).Continue Reading
Fast Food Nation
It stands to reason that if you can get people to eat s*** and like it you can pretty much get away with anything. This is the sentiment I took away from Eric Schlosser's devastating expose of the fast food industry, Fast Food Nation: The Dark Side of The American Meal (Houghton Mifflin Company, 2001). The book was compared to Upton Sinclair's The Jungle for its gritty glimpse into an industry that has a stranglehold over our agriculture, our declining health, and our government. (And he really does point out that because of the American beef industry's dedication to doing things as cheaply as possible sometimes feces make their way into hamburger patties. Seriously.) Eric Schlosser connected the dots as to why fast food is so cheap and omnipresent and what he discovered was a vast system of interrelated factors that have been set up to dominate and degrade almost every aspect of our society - from the disgusting ways in which cattle are treated, to the exploitation of undocumented workers, to the disease and obesity epidemics currently plaguing this country. Schlosser wrote the definitive account of why American ideals are so compromised by the dominance of fast food culture. Making a documentary based on the book seemed to be the most logical way to visually depict Schlosser's investigative findings but director Richard Linklater had a different approach. Instead of filming Fast Food Nation as a muckraking documentary he uses the general narrative structure of Steven Soderbergh's ensemble film about the international drug trade, Traffic, as a device for exploring the business of fast food and its negative effects on all of us from multiple viewpoints.
The film follows lots of different characters caught up within their own troubling relationship to fast food production. Greg Kinnear plays an executive for a fast food chain called Mickey's. We follow him as he meets different people affiliated with the hamburger chain. He's shocked when he's told by his superior that they have worries about public outcry over their product. "There's shit in the meat," he says. He talks to scientists paid by Mickey's to craft the taste of liquid smoke in test tubes. He meets the kids who work at a Mickey's in Colorado. A young idealist named Amber (Ashley Johnson) working at Mickey's after school starts to realize that she doesn't want to be a part of what Mickey's is selling. Bruce Willis has a cameo as a cynical meat processing plant owner who warns Kinnear's character about sticking his nose in their business when he hears rumors about mistreatment of workers at the plant. We follow the experiences of Mexicans who crossed the border illegally into Colorado and work in the factory who are taken advantage of at every turn. Some turn to drugs to cope with the long hours and brutal work. Patricia Arquette, Ethan Hawke, and even Avril Lavigne pop up in different roles. Amber meets up with a group of college students determined to raise public consciousness about fast food's toll on the environment but have their illusions shattered when they see it's more complicated than they realized.Continue Reading