O.J.: Made in America
For nearly ten years ESPN’s documentary series 30 for 30 has been the source of some of the most important docs on sports ever made. What usually makes them transcend the sports doc genre is the complexity of the subjects beyond athletics. And now, turning that transcendent quality up to an eleven in ESPN’s nearly eight hour, Academy Award-winning epic O.J.: Made in America they have created a true all time masterpiece. It's directed by Ezra Edelman, who previously made the terrific basketball doc Magic & Bird: A Courtship of Rivals for HBO Films, another good source for sports docs. Beyond the story of a trial, this is the story of a culture and its obsessions with race, celebrity, lust and politics. It's so rich in detail and history, it takes a couple hours before we even get to the murder of Nicole Brown and Ron Goldman.
Even within its first two hours the film stands up to the measure of greatness, explaining O.J. Simpson’s story, his relationship to fame and racial conflict in America (especially in Los Angeles) -- a conflict he does everything he can to stay away from. For all intents and purposes the story begins with O.J. becoming a superstar college running back at USC. His life as a young black man in Los Angeles comes on the heels of the Watts Riots (or uprisings, if you will). While the backdrop of political assassinations and the Vietnam war dominates most university experience in this era, the mostly white and well-off world of USC is deep into O.J.-mania. And O.J., a kid fresh out of a San Francisco housing project, adapts perfectly. He has a million dollar smile and articulates all the right clichés, including a clean-cut marriage to his high school sweetheart, Marguerite, making Madison Avenue advertisers drool. As a pro player stuck in Siberia (or Buffalo, NY), it takes a few seasons for O.J. to break out, but when he does, he becomes a superstar player and an early icon of athlete-as-advertising-pitchman. He also dabbles in film, taking not-too-embarrassing supporting roles with the all-star casts of The Towering Inferno, Roots and The Cassandra Crossing and the solid B-casts of The Klansmen and Capricorn One. By the time O.J. retired from the game at the end of ’79, he had a number of NFL records on his resume, as well as a solid looking post-football life lined up.Continue Reading