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One album wonders: Diane Hildebrand's Early Morning Blues and Greens

Posted by Eric Brightwell, October 27, 2014 01:34am | Post a Comment
DIANE HILDEBRAND - EARLY MORNING BLUES AND GREENS (1967) 

Diane Hildebrand - Early Morning Blues and Greens

It's surprisingly hard to find much information online about singer-songwriter Diane Hildebrand, who was a professional songwriter who penned numbers for none other than The Monkees and released a single, wonderful solo album in the 1960s.



Hildebrand was apparently about eighteen when one of her compositions, "I'm On My Way," was sung by singer Barbara Dane on an episode of The Alfred Hitchcock Hour titled "The Captive Hour." Her first credit was 1964’s “He Walks Like a Man” for singer Jody Miller — a song which though only a modest hit in the US was nevertheless released in FrenchGerman, and Italian cover versions. 

 
A story about Hildebrand from a 1968 edition of Monkees Monthly

Whilst working as a staff writer at Screen Gems Music Publishing (and Colgems), Hildebrand and Jack Keller co-wrote several songs for the ABC series and band, The Monkees, including “Early Morning Blues and Greens,” “Your Auntie Grizelda,”and “Goin’ Down.” Hildebrand also wrote (with Dominic Frontiere"Felicidad" and "Paint Me a Picture" which, along with "I'm On My Way," were all featured on another ABC series, The Flying Nun.


Hildebrand recorded just one solo album, Early Morning Blues and Greens, in 1967. It was recorded at Ami Hadani and Tom Hidley's T.T.G. Studios in Hollywood, then-new and previously used by only The Animals and The Mothers of Invention. Hildebrand's album was released by Elektra and seems to have relied on a lot of in-house talend including engineer Bruce Botnick, famed for his work with Love and The Doors, co-producers David Anderle and Russ Miller, and "presenter" Jac Holzman. Musicians who participated in the album's recording include David Dawson, Fred Myrow, James Decker, Malcolm Elsensohn, Russell White, Sheridon Stokes, Tony McCashen, and Hildebrand's boyfriend, Colin Cameron, who then-lived with her in the Beachwood Canyon neighborhood.



After the release of Early Morning Blues and Greens, a promo single, “Early Morning Blues And Greens” b/w “Come Looking For Me,” was released the in 1968 but doesn’t seem to have actually been much promoted. It was followed by “Jan’s Blues” b/w Early Morning Blues and Greens” which though excellent, seems to have somehow gotten lost in the shuffle. Someone at Elektra must've believed in it in Hildebrand as the album was re-released in 1968 and '69. It was finally released on compact disc in 2006 by Collectors' Choice Music.


After her single solo release Hildebrand returned to writing for others, providingsongs for country-rockers The Lewis And Clarke Expedition and Stone Country (both of them also one-album-wonders), Texas’s The Fountain of Youth, and hot-rodders The Hondells. Hildebrand’s continued collaboration with Kelly produced “Easy Come, Easy Go,” which was a hit for Bobby Sherman in 1970, and "Apple Bend" for Johnny Tillotson, which was not. In the mid-1970s, she was still composing, writing songs for "When We're Singin'" for The Partridge Family in 1974 and (with Jackie Mills) the theme for The Ghost Busters in 1975. After that trail goes cold and Hildebrand, who seems to have always shied away from the limelight, seems to have left her Hollywood life behind.



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California Fool's Gold -- Exploring Laurel Canyon

Posted by Eric Brightwell, December 16, 2009 03:30pm | Post a Comment

Pendersleigh & Sons Cartography's map of Hollywood, showing the approximate location of Laurel Canyon

This blog entry is about Laurel Canyon. To vote for other Los Angeles neighborhoods, click here. To vote for Los Angeles County communities, click here. To vote for Orange County neighborhoods, vote here.


The woodsy area in the Hollywood Hills now known as Laurel Canyon was originally inhabited by the Tongva. A spring-fed stream attracted Mexican shepherds in the 18th century. After the region became part of the US, Anglos arrived. About 100 years ago, the area was divided up, cabins were erected and the area was marketed to vacationing tourists. The first movie made in Hollywood was shot in Yucca Corridor in 1910. Though the film industry remained centered in Edendale for a few years, it gradually shifted to Hollywood and Laurel Canyon became the home of some of the burgeoning industry's photo-players.


Famed cowboy star Tom Mix bought the Laurel Tavern and converted it into his residence. Mary Astor had a love nest on Appian Way. Gay Mexican "Latin Lover" Ramón Novarro lived there until his murder in 1968.


Though better known as an escapologist, Hungarian magician Harry Houdini sometimes acted in the silent era and was another resident to Laurel Canyon. Other stars of the silent screen who made Laurel Canyon their home include Louise Brooks, Clara Bow, Theda Bara, Bessie Love, Wallace Reid and Norman Kerry.


After most of the movie stars left, the rustic neighborhood was still a draw from some bohemian types. It was there, in 1948, that actors Robert Mitchum and Lila Leeds were busted for possession of jazz cigarettes. Mitchum moved away in the '60s. The next influx of inhabitants were more often part of the music industry.


"she lives on Love Street"





 
Located as it is, just up the hill from the famed hippie and folk-rock nexus The Troubadour, the nearby bucolic setting attracted members of that scene. In the 1960s, many musicians moved to the neighborhood including Love’s Arthur Lee, The ByrdsRoger McGuinn and David Crosby, The DoorsJim Morrison and Robby Krieger, the Mamas & PapasDenny Doherty and Cass Elliot, The TurtlesMark Volman, The Monkees’ Micky Dolenz and Peter Tork, Troy Donahue, Fabian, The Beach BoysBrian Wilson, Buffalo Springfield’s Neil Young and The Mothers of Invention’s Frank Zappa.

Laurel Canyon Country Store - "the place where the Creatures meet."

In 1968, Laurel Canyon's navelgazing period truly began -- That year, Crosby, Stills and Nash formed one of the first supergroups, named after themselves, of course. The amount of musicians who referenced the neighborhood in their works is pretty humorous. The great, underrated Jackie DeShannon was first, with Laurel Canyon.  Two months later, John Mayall released Blues from Laurel Canyon. The following year, Joni Mitchell began recording Ladies of the Canyon. David Geffen moved to the neighborhood hoping to exploit the increasingly mellow singer-writer and soft rock scene embodied by new residents like Jackson Browne, Carole King, James Taylor, Judee Sill, Linda Ronstadt and members of The Eagles and America. In 1970, Crosby, Stills, Nash & Young sang the highly irritating "Our House" about Nash and Mitchell's home. The transition from acid rock psychonauts to self-worshiping cocaine cowboys was completed in 1973, when The Roxy opened down the hill in West Hollywood.

By the ‘80s, most of the singer-writer scene had dried up and blown away but the coke hadn’t. In 1981, four members of The Wonderland Gang (Laurel Canyon’s premier coke distributors), were murdered, leading to the arrest of porn star John C. Holmes. The sleaze quotient rose further when shock jocks Adam Carrola and Tom Leykis moved there (not together).
 

In the '90s, the neighborhood became the home of mainstream darlings including Jennifer Aniston, Neve Campbell and Trent Reznor. A new generation of cocaine cowboys began to wax about the good old days of Laurel Canyon. In 2001, British band The Charlatans released their album Wonderland. Accepted into the scene, by the time of his solo debut a couple of years later, singer Tim Burgess seemed to embody the Laurel Canyon revival. In 2002, in true Laurel Canyon fashion, a movie about Laurel Canyon was released, titled Laurel Canyon.


 
World's largest dog park 

Today, Laurel Canyon still exudes considerable charm. The whimsical houses are in a variety of styles, although their current residents are unfailingly scowly types with dogs in their purses and yoga pants on at all times. Their chilly expressions are somewhat fitting in a neighborhood that, despite being surrounded by urban Los Angeles, conveys an undeniably autumnal vibe.





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