The mega success of Flume's first album set the expectations high. But Harley Streten avoided the sophomore slump by upping the ante on all his contemporaries. Picking up on all sorts of cues from electronic glitchiness, dub, trap music, house, and even psych, Skin is the perfect combination of all sorts of flavors and the result is an epic album bursting with style. And that doesn't even scratch the list of guest artists: Beck, Vince Staples, Tove Lo, Little Dragon, AlunaGeorge, Vic Mensa, and even Raekwon. Things get glitchy and the music distorts on-and-off while layers of synths swirl and discombobulate. After hearing and Shazam-ing a track by Tove Lo at a Los Angeles bar, he created "Say It" with her voice unique voice in mind. The track has all the makings for a classic anthem, but the bizarre, popping programmed loops and drums fizzle, giving it the type of depth most radio/streaming pop hits lack. "Wall Fuck" takes a few tips from the experimental, with in-your-face bizzaro synth sounding like a deconstructed dubstep track. The rhythm is there, but the song continuously hiccups and the drops are off so much that it could almost disorient you before it cascades into a dramatic and screechy finish. The ending track, "Tiny Cities," which creates a chorus using only loops of Beck's voice, is beautifully dramatic with soft sonic layers and features some of Beck's best singing in years. The four year wait for his next album was worth it. This is the album electronic artists will be trying to copy for years.