Kim Gordon Signing


Amoeba Hollywood - October 11th @ 7:00pm



Kim Gordon celebrates the release of her solo debut album, No Home Record (Matador Records) with an in-store signing at Amoeba Hollywood!

 

Purchase No Home Record on CD or LP in-person at Amoeba Hollywood on 10/11 to attend.

 

Details:

- In-store purchases only for this special event. No online/phone orders.

- Signed items limited to two copies of No Home Record per person (no additional/outside items).

- In an effort to ensure there is time for all fans have a chance to get their record signed, individual photos during the signing process will not be allowed.

- Signing space/time is limited. Signing begins promptly at 7 pm. First come, first served.

 

With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music.

 

Gordon continues this pursuit on No Home Record, her first-ever solo release, produced by Justin Raisen (Angel Olsen, Yves Tumor, John Cale, Charli XCX, etc.) and recorded at Sphere Ranch in Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless “Sketch Artist,” where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. “Even Earthquake,” perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you / I’d lay awake for you / I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. On “Cookie Butter” (produced by Shawn Everett), Gordon’s vocals jut out insistently over a tinny raindrop beat: “You fucked / You think / I want / You fell.” The song continues, hectic and driving, until finding resolution in the lines “Industrial metal supplies / Cookie butter,” perfectly illustrating Gordon’s singular lyric capacity to meld cultural critique, divulgence and humor. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it.  

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