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The Art Of The Lp Cover- Dogs

Posted by Mr. Chadwick, January 13, 2013 09:35pm | Post a Comment

And drouthy neibors, neibors meet - Drinking and dining and drinking at the Tam o' Shanter Inn

Posted by Eric Brightwell, December 19, 2012 09:55pm | Post a Comment
Tomorrow I'm dining at the Tam o' Shanter Inn in the Northeast LA neighborhood of Atwater Village. I needed to write about something and haven't yet been able to finish my piece about Irvine so here you go...


A tam o' shanter is a 19th century nickname for a traditional sort of brimless, usually wool, Scottish bonnet topped with a toorie (pom-pom). It, in turn, is named after "Tam o' Shanter," the eponymous hero of the poem by the late, great Robert "Robbie" Burns written in 1790.

"Tam o' Shanter" is part of a once-popular, comic, chiefly British poetic subgenre known as the "Wild Ride." The best known example of which is Lord Byron's "Mazeppa. " A later example is William Cowper's "The Diverting History of John Gilpin." 


 


In the Our Gang films, Spanky wears a tam o' shanter. In the opening sequence of the Mary Tyler Moore Show, the titular heroine wears one -- known (because she's a woman) as a "tammy" or "tam."



The Tam o' Shanter Inn was opened by Lawrence L. Frank, Walter Van de Kamp, and Joe Montgomery in 1922 as Montgomery's Country Inn and is one of Los Angeles's oldest restaurants. In 1923, though Montgomery left the partnership, the restaurant was re-named Montgomery’s Chanticleer Inn. In 1925 it was transformed into a Scottish restaurant (although the restaurant also serves English cuisine such as Yorkshire pudding) called The Tam o' Shanter Inn.





The restaurant was reportedly the first to offer "car service deluxe" in which waitresses would serve car-obsessed patrons in their automobiles, beginning in 1935.



Lawrence Frank went on to establish Lawry's Restaurant in 1938 in Beverly Hills with Walter Van de Kamp after marrying into the latter family (the one behind Van de Kamp Bakery). The same year they began selling Lawry's seasoned salt in retail shops.


In 1950, Frank's son, Richard N. Frank, was added to the ownership staff. He added the "ale & sandwich bar," and in 1968 changed the name of the restaurant to "The Great Scott." It remained The Great Scott until 1982, when it reverted to The Tam o' Shanter. 



More than just a Scottish restaurant, the Inn was meant to have a thoroughly Scottish theme. It was probably the simulacrum as much if nor more than the food that turned Walt Disney into the restaurant's best known champion. It was designed by Hollywood set designer, Harry Oliver. That's certainly the main reason that I go! Other famous frequenters reportedly included Dorothy and Lillian GishDouglas FairbanksFatty Arbuckle, Gloria Swanson, John WayneMary PickfordRudolph Valentino, Theda Bara, and Tom Mix -- though the list of celebrity fans seems to grow each time a new menu is published.

Although I was just there a couple of weeks ago, I will return tomorrow night!



Inspiring bold John Barleycorn!
What dangers thou canst make us scorn!
Wi' tippeny, we fear nae evil;
Wi' usquabae, we'll face the devil!?

(from "Tam o' Shanter")

*****

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R.I.P. Robert B. Sherman

Posted by Job O Brother, March 6, 2012 12:21pm | Post a Comment


Robert B. Sherman
December 19, 1925 – March 5, 2012



Robert B. Sherman, Richard M. Sherman and Walt Disney


 
Robert Sherman, half of the sibling songwriting team known as The Sherman Brothers, passed away in his London, England home, yesterday, at age 86.

His credits read like a beautiful memory encompassing an entire childhood. In addition to his film work, he and his brother wrote many of the famous songs played at Disneyland, including the (some say) most-played song of all time, "It's a Small World".

It's entirely appropriate to feel bummed out about this.












Major film scores

  • The Parent Trap, 1961
  • In Search of the Castaways, 1962
  • Summer Magic, 1963
  • The Sword in the Stone, 1963
  • Big Red, 1963
  • Mary Poppins, 1964
  • The Happiest Millionaire, 1967
  • The Jungle Book, 1967
  • The One and Only, Genuine, Original Family Band, 1968
  • Chitty Chitty Bang Bang, 1968
  • The Aristocats, 1970
  • Bedknobs and Broomsticks, 1971
  • Snoopy, Come Home, 1972
  • Charlotte's Web, 1973
  • Tom Sawyer, 1973
  • Huckleberry Finn, 1974
  • The Slipper and the Rose, 1976
  • The Many Adventures of Winnie the Pooh, 1977
  • The Magic of Lassie, 1978
  • Magic Journeys, 1982
  • Winnie the Pooh and a Day For Eeyore, 1983
  • Little Nemo: Adventures in Slumberland, 1992
  • The Mighty Kong, 1998
  • Winnie the Pooh: Seasons of Giving, 1999
  • The Tigger Movie, 2000

California Fool's Gold -- Exploring Los Feliz, The Mideast Side's Pill Hill

Posted by Eric Brightwell, November 16, 2010 12:00pm | Post a Comment


Pendersleigh & Sons' Official Map of Los Feliz

Los Feliz is a neighborhood in Los Angeles' Mideast Side and Hollywood area, neighbored by Beachwood Canyon, Griffith Park, Atwater Village, Silver Lake, Franklin Hills, Sunset Junction, Little Armenia, Thai Town and Franklin Village. To vote for other Los Angeles neighborhoods to be covered on the blog, vote here. To vote for Los Angeles County communities, vote here. To vote for Orange County communities, vote here.

Continue reading...

Happy Birthday, Gustaf Tenggren!

Posted by Eric Brightwell, November 3, 2010 12:01am | Post a Comment
Today is the birthday of Gustaf Adolf Tenggren, a Swedish-American illustrator who worked on some of Walt Disney's most famous films. Had he not died in 1970, he would be 114 years old today.

    

Tenggren was born November 3rd, 1896 in  Magra Parish, in Västra Götaland CountySweden. His parents Aron and Augusta had seven children -- Gustaf was the second youngest. Gustaf 's father, Aron, was a painter and decorator, just like his father, Johan Teng, had been. After relocating the family to Göteborg in search of steadier support, he left the family and moved to the US.

  

Gustaf began working as a runner boy and as an apprentice by a lithographer's shop at eleven, to help support the family. After his artistic talent was observed, he obtained a scholarship in 1910 to, at only thirteen, attend the local art school, Slöjdföreningens skola.

In 1914 he received a scholarship at Valand, an art school in  Göteborg. His earliest subjects were Swedish through and through, illustrating Swedish folk and fairy tales for the annual Bland Tomtar och Troll, although their style was heavily indebted to Englishman Arthur Rackham's style. In 1918, he married his first wife, Anna Peterson. He first exhibited his work publicly in 1920. After that, he and his wife promptly moved to Cleveland, Ohio to join his sister. 

  

Two years later he moved to New York City. There, like fellow-future Disney employee Kay Nielsen, he began illustrating children's books, especially fairy tales, including Tanglewood Tales, A Wonder-Book for Girls and Boys and The Christ Story for Boys and Girls. At the same time, he began working for Milton Bradley, where he remained until 1939. In 1930, he also re-married another Swedish-American, Malin (or Mollie) Froberg.


In 1936 Tenggren was hired as chief illustrator and art director on Walk Disney's first feature-length animated film, Snow White and the Seven Dwarfs. Although Tenggren was a natural choice for the Brothers Grimm adaptation, most of the fine detail characteristic of his illustrations was evident in the background paintings. In fact, most of his work for Disney would be as a background artist.


He worked as an uncredited inspirational artist on 1937's The Old Mill and on the conceptual designs on 1940's Pinocchio. However, my favorite work he did at Disney was the Night on Bald Mountain/Ave Maria segment of 1940's Fantasia. For it, he, Vladimir Peter "Bill" Tytla, Kay Neilsen and others based their visuals on the story of Modest Mussorgsky's 1867 piece, Ночь на лысой горе ("Night on Bald Mountain"). Mussorgsky first began work on the piece in 1858. It was originally set on St. John's Eve (June 23), a Midsummer holiday on which, since pre-Christian times, various Northern and Eastern Europeans burn massive bonfires. The witches came in in 1860. In the cartoon, Chernabog, a Slavic demon, summons demons, ghosts, skeletons, witches, harpies, and other monsters for a sabbat before it segues into Franz Schubert's Ellens dritter Gesang for, in my opinion, a much less memorable segment (that I don't remember).

Tenggren quit Disney in 1940. A year later, he was followed by Alfred Abranz, Basil Davidovich, Bernie Wolf, Bill Meléndez, Bill Tytla, Bob Wickersham, Claude Smith, Cornett Wood, David Hilberman, Ed Love, Emery Hawkins, Frank Tashlin, Grant Simmons, Howard Swift, Jack Bradbury, John Hubley, Kenneth Muse, Maurice Noble, Preston Blair, Ray Patterson, T. Hee, Ted Bonnicksen, Tyrus Wong, Virgil Partch, Volus Jones, Walt Kelly, Walter Clinton, William Hurtz, Zack Schwartz and others. His last work at Disney was as an atmosphere sketch artist on 1942's Bambi.


    

After leaving Disney behind, he left his established style behind too. From 1942 till 1962, he worked for  Little Golden Books, illustrating with his new look books like Tawny Scrawny Lion, Little Black Sambo and The Poky Little Puppy. The latter became the best-selling English Language hard cover children's book of all time. In the well-known story, the titular puppy is repeatedly punished for indulging in his curiosity and individuality. He did still tackle fantasy subjects, including Canterbury TalesKing Arthur and the Knights of the Round Table, The Giant with the Three Golden Hairs and Snow White and Rose Red.

Gustaf Tenggren died in 1970 at Dogfish Head in Southport, Maine. After his death, some Tenggren's art was donated to the University of Minnesota to be included in the Kerlan Collection of Children's Literature. In his memory, a nine-meter-tall bronze sculpture of Pinocchio, designed by artist Jim Dine, has been erected in Borås, a town near Tenggren's birthplace.
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