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Album Picks: Plaid, Conor Oberst, The Roots

Posted by Billy Gil, May 20, 2014 10:49am | Post a Comment

Plaid - Reachy Prints (LP, CD)

plaid reachy prints lpBeloved Warp Records duo Plaid return with their eighth album, a perfect apotheosis of the IDM sound they helped pioneer. Plaid excel at extrapolating emotional material out of whirling synthesizer landscapes, thanks to a reliance on simple melodies beneath the surface of tracks like the melodic “Hawkmoth” or synth-poppy “Matin Lunaire.” Songs like “Nafovanny” and “Wallet” seem to tell a story as the band layers extensively over singular lead synths, perhaps inspired by their recent soundtrack work (including the anime Tekkonkinkreet), whereas songs like “Slam” create mini-epics of house-inspired beat work. Though Plaid never rose to the level of fame of contemporaries like Squarepusher, their remarkably consistency should encase their legacy as IDM greats, as their work on Reachy Prints is nothing short of inspired.

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Mahssa's Massive CD Round Up - Theo Parrish, Walls, Plaid, Lawrence, DJ Shadow & more

Posted by Oliver / Matt / Jordan, October 7, 2011 05:05pm | Post a Comment
Theo Parrish
Theo Parrish
Ugly Edits
Ugly Edits 



Hello world, they're here. Unavailable for like, ever, now in one package complete with a hand-painted cover. Theo Parrish is one of Detroit’s most wanted exports especially in the past few years, but not too long ago, like many future techno-rebels that came before him, he was just another hustling Detroit DJ trying to make waves in the shadow of the city’s rich techno history. His indelible mark on the underground were highly limited, hand-labeled bootleg edit records of some of his favorite classic funk and disco tunes. The series of edits appropriately titled Ugly Edits, became highly desired rarities on the DJ and collector’s circuit. Rarities no more... as everyone should and can now hear his versions of Jil Scott, Harold Melvin & The Bluenotes, Freddie Hubbard, and Sylvester edits just to name a few somewhere other than YouTube. Cool.
Lawrence
Lawrence
Timeless

Cocoon  

Sweet Sweet Music

Posted by Mike Battaglia, April 16, 2007 12:43am | Post a Comment
    At Amoeba SF's electronica section, we've usually got at least four or five titles each month that we're extremely hyped on. Here's our current batch:



    First we've got Gui Boratto's Chromophobia on Kompakt. Boratto's Brazilian heritage gives him an edge when making his brand of tech-house, and that's an ear for rhythm. Straddling between minimal and electrohouse, Chromophobia avoids any LP pitfalls by working equally on a dancefloor as on headphones, it's got enough oomph to sound fantastic on a large sound system, but intricate enough that you notice small details while listening at home. I love his way with melody, particularly the swooping tones of "Terminal" and the bleep counterpoint in "Gate 7"; it gets quite emotional. The rhythms are key, though, and it's clear from the first track on that Boratto has a good grasp of syncopation and funk. Between the Hug and Field albums and now this, Kompakt are on a bit of a roll, again!



    Next up is We Are Together by Japanese producer Kuniyuki Takahashi, released on Mule Musiq. This is an album that is a unanimous vote amongst the electronica staff - everybody loves it (well, at least four of us). It's jazzy house music only in the loosest sense of the phrase, managing to perfectly walk the tightrope between noodly and stiff. The thing I like best about this album is its sense of space, the production on every track sounds so expansive and widescreen as to conjure up images of the music's physicality. In that sense it reminds me of the Burial album where there's a very conscious sense of three-dimensional space - it's a real "smokers delight". Check Kuni's MySpace page to hear more of this excellence.

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