Amoeblog

Dip Your Toes into Classical Music with Our Handy Conversion Chart

Posted by Amoebite, November 17, 2014 03:56pm | Post a Comment

Classical Music Conversion Chart

There is a type of customer at Amoeba Music that remains one of my favorites. Those brave souls who sheepishly make their way to the deepest, most remote area of the store: The Classical Section. They look vulnerable but hopeful, curious but intimidated. They come, knowing they want Classical music, but unsure how to find something they’ll like.

I’ve found the most efficient and fun way to lead folks is to learn about the other forms of music they love, and then use that to inspire selections. For every contemporary artist on the scene today, I assure you that there’s a composer in the Classical section with parallels. Beyond that, after working in record stores for over a decade, I’ve learned that people who enjoy certain acts – such as, let’s say, Black Sabbath – typically will also enjoy the string quartets of Dmitri Shostakovich.

It’s these interactions that led me to create the following "conversion chart." While no means infallible, think of it as a fun way to find a starting point in your adventure into the Classical music genre. But remember – no chart can replace a living, breathing, Amoeba Music employee. Don’t be afraid to come in and ask for suggestions. We love that!

The best time to come explore the Classical section will be November 28-30 when we're having a huge Classical blowout at our stores over Black Friday weekend. All red and green tag Classical CDs and vinyl will be 50% off! Sale details here.

(In which we mix up something good.)

Posted by Job O Brother, August 10, 2009 08:28pm | Post a Comment
music
Yum!

Today I’ve been doing one of my favorite things: making a mix-tape. Of course, I’m not using any tape in this process, but somehow saying “mix cd” feels awkward. Much like saying “dump Coke” and “poop shoulder” – those are also awkward to say.

Anyway, crafting a playlist for a pal is one of my great joys. I don’t have much free time these days, what with my stupid ol’ grown-up lifestyle, but I used to make mix-tapes for people at the drop of a hat. The most casual of relationships could be an excuse.

“What are you doing, Job?”

“Making a mix-tape.”

“For who?”

“A guy from the bakery.”

“What guy?”

“…The baker.”

“Oh. You’re friends with the baker? The old dude? Isn’t he, like, half deaf?”

“Is he? I dunno. I only just met him yesterday. Well, I mean, I saw him. Baking... things. I didn’t really talk to him. But there was music playing in his bakery – some Sarah Vaughn – so I thought I’d make him a mix of cool jazz and vocalists and maybe even throw in some early French cabaret…”

And so it goes.
tapes

A good mix-tape isn’t just an assortment of rad songs, though they’re the meat of it. I’m of the opinion that truly neat-o mixes are bound together by little, sonic amuse-bouches; snippets of odd, silly, or even spooky clips. A line from a movie, an excerpted musical flourish, an individual sound effect even – all these things work.