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Amoeba SF Acquires Unique Collection of Euro-Prog, Proto-Metal, Hard Rock, Stoner, Psych, Punk & Krautrock LPs

Posted by The Bay Area Crew, February 18, 2018 07:45pm | Post a Comment

Amoeba SF, Rare collection

Join us at Amoeba SF on Sunday, February 25th, at 11am when we unleash a recently-acquired Leaf Houndcollection of over 1,000 highly sought-after Euro-Prog, Proto-Metal, Hard Rock, Stoner, Psych, Punk, and Krautrock LPs. Most of the records are first-issue imports, and are in pristine condition. Titles include works by Leaf Hound, Ashkan, The Stooges, Television, Harsh Reality, Neu!, Flower Travellin' Band, Sir Lord Baltimore, Quiet, Riot, WEED, Cirith Ungol, Dust, High Tide, Gravytrain, Solar Plexus, Gomorrha, Twink, Zior, Orange Peel, Orang-utan, Agnes Strange, Asterix, Bacilus, The Litter, and many more obscure rarities and radical oddities from across the globe.

Get here early because these records will be first come, first serve. Head to our stage (in the northwest corner of the store) to browse these gems. There will be staff on hand to help you view bagged items and to bring your choices to the cashiers. You must be in the store to purchase items for this one-day event. We won't be taking phone orders and we won't be putting these items on hold.

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New "What's In My Bag?" Episode with Clark

Posted by Amoebite, December 12, 2017 04:24pm | Post a Comment

Clark What's In My Bag? Amoeba Music

English electronic musician Clark visited Amoeba Hollywood recently and picked up some vinyl reissues and limited edition releases, many of which were quite dear to him, such as the debut album by Krautrock super-group Harmonia. Comprised of members of the influential groups Cluster and Neu!, Musik Von Harmonia was a big influence on Clark's record Body Riddle. "It's really warm, slowly evolving Krautrock with lots of synths," he tells us. Clark ruminated on each record he chose during our interview and found something insightful to say about them all. 

English electronic artist and producer Clark (né Chris Clark) began making music as a teenager, creating experimental works on homemade instruments. He would go on to attract attention from Warp Records while performing at one of their parties under the moniker Chris From St Albans. (Clark grew up in St. Albans, England.) He subsequently signed to the label, releasing his debut LP, Clarence Park, under the name Chris Clark.

Clark Death Peak Amoeba Music

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RIP Holger Czukay

Posted by The Bay Area Crew, October 3, 2017 03:05pm | Post a Comment

Holger Czukay

by Michael Henning

Can founder and bassist Holger Czukay died September 5, 2017. The band posted the following on Facebook: "We are very sad to confirm that Holger passed away yesterday, in his home, the old CAN Studio in Weilerswist. His wife U-She passed away only weeks before. Holger was devastated by the loss of his beloved partner, but was looking forward to making more music and was in good spirits. His passing has come as a shock. We will post more information about funeral arrangements shortly."



In the mid-1960's, Czukay studied under electronic music pioneer Karlheinz Stockhausen in Cologne. Can, Tago MagoCan's soon-to-be keyboardist Irmin Schmidt was another student of Stockhausen at that time, and it was not long before the two joined forces, recruiting guitarist Michael Karoli and drummer Jaki Liebezeit to round out the core Can lineup in 1968. Malcolm Mooney, an American living in Germany at the time, became their singer for the first few years. Can recorded their dynamic and fiery debut album, Monster Movie, with him. Mooney was later replaced by Damo Suzuki, a long-haired Japanese hippie who the band notoriously found busking on the street the day of one of their gigs. They convinced Damo to join them later that night for a performance and he stayed a member of the band for the next three albums. It was an excellent match, one that yielded some of the band's best work, including their sprawling psychedelic double LP masterpiece Tago Mago, the now-heavily sampled funky grooves of Ege Bamyasi, and the endearing ambient-rock classic Future Days.
Holger Czukay
Czukay did most of the engineering and producing of the early Can albums, shaping their sound with his incisive tape cutting technique, and turning group improvisations into finished pieces. No less important to the group's sound, he also played the bass with a unique style which might be best summed up as "minimalist avant-funk." Of his chosen instrument, Czukay once said “the bass player’s like a king in chess. He doesn’t move much, but when he does he changes everything.”

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One Album Wonders: Organisation's Tone Float

Posted by Eric Brightwell, September 22, 2014 01:31pm | Post a Comment
 Here is an additional edition of my series of great, mostly obscure, one album wonders. In the album era (roughly the mid-1960s until the mid-2000s), the album was the dominant format of recorded music expression and consumption. It seems that most musicians from that era, if able to scrape together the funds for the recording of one studio album, generally returned with at least one more.  Some, like Sun Ra, somehow released more albums than I've had hot dinners. Even most excellent bands, in my opinion, would have done well to find something other to do with their time rather than keep making records after their fifth album or twelfth year (although there is the Go-Betweens Exception). The following acts mostly date fromthe Golden Age of the LP -- and yet were unable or unwilling, in all cases, to record more than one. 

*****

Can Reissues Headed Our Way Starting in September

Posted by Billy Gil, August 5, 2014 10:44am | Post a Comment

can bandCan you believe it??

Krautrock titans Can will reissue 14 catalog albums on vinyl for the first time in more than a decade, starting with the classics Ege Bamyasi, Tago Mago, Monster Movie and Soundtracks. Those are out Sept. 2 on Mute.

Oct. 7 brings Future Days, Soon Over Babaluma, Landed, Flow Motion amd Saw Delight (the latter of which includes a CD).

Oct. 21 we have Can, Delay, Out Of Reach (including the album for the first time on CD), Rite Time and Unlimited Edition.

On Nov. 4 the band will release The Lost Tapes as five individual LPs. Previously it was only available as a box set.

Can was formed in 1968, releasing their debut album, Monster Movie, in 1969 with Malcolm Mooney on vocals, first introducing their sense of experimentation and layering that would go on to be perfected on the band’s masterpieces, 1971’s Tago Mago and 1972’s Ege Bamyasi. Soundtracks, released in 1970, marked the beginning of Damo Suzuki as the band’s vocalist and compiled tracks written for various films.

Can’s influence would of course go on to be felt immediately, creating the so-called “krautrock” sound alongside loosely associated German bands of the late '60s and early '70s like Neu! and Faust with driving 4/4 beats and layers of sound built around simple structures, as well as later, influencing acts such as Radiohead, Stereolab, Portishead, New Order, Kanye West and countless others. If it’s your first time to the band, these Sept. 2 releases are a good place to start.

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