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Mahssa's Massive CD Round Up - Theo Parrish, Walls, Plaid, Lawrence, DJ Shadow & more

Posted by Oliver / Matt / Jordan, October 7, 2011 05:05pm | Post a Comment
Theo Parrish
Theo Parrish
Ugly Edits
Ugly Edits 



Hello world, they're here. Unavailable for like, ever, now in one package complete with a hand-painted cover. Theo Parrish is one of Detroit’s most wanted exports especially in the past few years, but not too long ago, like many future techno-rebels that came before him, he was just another hustling Detroit DJ trying to make waves in the shadow of the city’s rich techno history. His indelible mark on the underground were highly limited, hand-labeled bootleg edit records of some of his favorite classic funk and disco tunes. The series of edits appropriately titled Ugly Edits, became highly desired rarities on the DJ and collector’s circuit. Rarities no more... as everyone should and can now hear his versions of Jil Scott, Harold Melvin & The Bluenotes, Freddie Hubbard, and Sylvester edits just to name a few somewhere other than YouTube. Cool.
Lawrence
Lawrence
Timeless

Cocoon  

June 15 - New Electronic/ Dance CD Releases

Posted by Oliver / Matt / Jordan, June 15, 2010 01:18pm | Post a Comment



Wolfgang Voigt
Freiland Klaviermusik
Kompakt

Wolfgang Voigt returns to stranj for his left-of-center Kompakt label offshoot, Profan. As GAS, Voigt composed ethereal, blue-hued, deep-forest metaphysical techno 'head music', but now under his own name he injects the dance floor with a dose of well tempered madness. If you like your techno birthed out of a slightly crooked disposition, thought provoking and borderline psychotic, please check this out.












Ellen Allien
Dust
BPitch Corp

Berlin's first lady of techno drops a solid release for 2010. Her trademark razor-sharp spooky production is complete with bleeps n bells, throbbing bass house, squidgy electro tech-pop, and even what could be taken as an homage to the Exorcist theme.











Ichisan and Nakova
Yugo Tempo
Nang

Between them, duo Ichisan & Nakova have toured the cream of the new disco stables with releases on Nang, Eskimo and Airtight. They present their debut album together for Nang, collecting thirteen Balkan disco grooves spiked with sparkling spacewise synths, cosmic guitar licks and dubbed basslines for the connoisseurs. Fans of Lindstrom, Ilija Rudman or Todd Terje should have a peek.

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Electronic New Releases 02/01/10 - Four Tet, Mark E, Lindstrom, Pop Ambient, Monolake & more...

Posted by Oliver / Matt / Jordan, February 4, 2010 03:43pm | Post a Comment

Four Tet
There Is Love and You
Domino

Kieren Hebden embraces the sharp and brazen musicality of his 2003 album Rounds, but with a more club-friendly feel. Hebden's
interdisciplinary sonic collage is at full force here, with melodious house, 80s synth design, repetitive minimalism a la Cluster and Steve Reich, italo disco, and dusty jazz records chopped up and redefined. (MT)

Listen - "Angel Echoes":




King Midas Sound

Waiting For You
Hyperdub

This debut very much sounds like a ghostly carnival procession out of a psyche ward -- and in line are wayward dub daydreamers and heart-broken lovers rockers'. A deeply narcotic album reminiscent of Tricky's Maxinquaye, crooked hip hop nodding to RZA's darkest productions, with male female vocals densely lacing the songs in smoked paranoia. A magnificent killer of noir-like austere grandeur, a modern classic. (MT)


Listen - "Outer Space":


Electronic New CD Release 10/23/09

Posted by Oliver / Matt / Jordan, October 22, 2009 04:21pm | Post a Comment

TODD BODINE

Forms
Highgrade CD

After Todd's recent LA performance we've been anticipating the release of his third studio album, and it was well worth the wait...

Forms is perhaps the most complex and mature album to date from Berlin producer and DJ Todd Bodine. As a DJ playing around the world and as a producer in the highest ranks of consistency, Todd Bodine has constantly developed as an artist. Releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. In 2007, he finally began to perform as a live act, and, as Todd shows with Forms, his innate knowledge of the two sides of electronic dance music has only exponentially increased. This is a meeting of peak-time euphoria with the relaxing bliss of the hazy morning light. A meeting of hypnotic natural rhythms and driving, cut-up sounds. Todd can impress you with dancefloor bombs and also with his sophisticated sound visions. The sound of Detroit would probably be the best comparison. All of the tracks are cleverly designed to work without being overly intellectual. Everything flows and is filled with a subtle density of character that is well-known to those familiar with Todd Bodine. This album speaks its own language -- a rare and unique form of communication that very few other producers are able to replicate. Minimal tech-house at its most severely pumping and addictive.


MATIAS AGUAYO

Ay Ay Ay
KOMPAKT

This is Matias Aguayo's second full-length for Kompakt. Chilean born, German raised Matias Aguayo is one of those rare talents you come across that genuinely works in music for the sake of loving music. Kompakt's long love affair with Matias Aguayo runs all the way back to his first official act (together with Dirk Leyers) as Closer Musik back in 2000. Though short lived, their releases were foundation builders for the label and still stand as relevant as the day the songs were recorded. Following their demise, Matias felt the urge to abandon the rules that he felt techno imposed on him and moved toward a more organic approach to making music. His first foray into this would be with his 2005 debut solo album Are You Really Lost (KOM 044CD). Matias returned to Kompakt in 2008 with 2 12" bombs -- the club anthems "Minimal" and "Walter Neff." Feeling refreshed and inspired from travelling throughout Latin America, Aguayo was back to end the cycle of boredom that was permeating dance music! That brings us to his sophomore full length Ay Ay Ay. Recorded in Buenos Aires, Santiago de Chile and Paris together with Vicente Sanfuentes (Original Hamster), Matias has conjured an impossibly unclassifiable full-length that is certain to surprise and elate anyone that should come across this true breakthrough of a recording. Take opener "Menta Latte" -- countless layers of his voice revel in a psychedelic dream park together with a simple xylophone chord. The chorus of Matias' unpretentious first single "Rollerskate" is damned to stay on auto repeat in your head for days. His leanings to traditional African music resonate with the beautiful crooner "Koro Koro." Fans of his recent singles will rejoice to the rhythm of songs "Me Vuelvo Loca" and "Juanita" -- Latin harmonies embraced with Matias coaxing you to get up and dance. To call Ay Ay Ay ambitious would be an understatement -- Matias Aguayo has managed to come up with a recording that is undeniably all his own and a landmark release for Kompakt.

New Electronic CD Releases 9/15/09

Posted by Oliver / Matt / Jordan, September 15, 2009 04:30pm | Post a Comment
flat lux
HAITO GOPFRICH

Fiat Lux
Boxer

This is the debut full-length release from Berlin producer/DJ Haito Gopfrich -- the man of innumerable faces and the Doctor Mabuse of German dancefloors. Hooked by the eclectic early DJ-work of Hans Nieswandt and Eric D. Clark, Haito is now well-trained on Berlin's Loveparade vehicles, and as a result, his work has been pressed onto vinyl by labels such as Kickboxer, Malatoid, Spagat, Low Spirit and Acker Records. With Fiat Lux, Haito tells us his stories from the club in a colorful, thrilling and filmic way, emphasizing a diversified, round dance of styles, genres, ideas, sounds and beats. From the exhilarated groove of a gritty high-school comedy ("I Ro Love"), over the sticky heat of a foreign marketplace demolished by a wild chase with James Bond ("Pusher"), to the fizzling noise of a motor in a SF manga road movie, Haito seems to know how to set everything to the music he's got in mind. The hardcore continuum is cultivated by elegantly-rushed drum patterns ("Drugpeople"), Alfred Hitchcock's shower curtain knife-scene is shot into the universe via electro-funk ("Freedub"), and a harmonized depth of field meets a roughened, saw-tooth discourse ("Disconnect"). Even the Yakuza smasher with Renaissance costumes filmed in Andalusia finds its true destiny in the spinet rave of "Non Plus Ultra." And above all, intelligent sample editing, four-dimensional, fluffy synths and springy percussion sounds can't be wrong. The peak of the album is the 2009 version of "E-Love," a revised version of the 2008 hit released on Kickboxer: a couple of tricky samba piano sounds are smuggled into the pockets of a subtly-bouncing clapper trailing a comet-tail of synths. Last but not least, after the Wall Street psycho thriller "Mummy," and "Komm Mal Klar," you'll find "Good Times, Bad Times" -- a hymn for the closing credits with vocals by Eric D. Clark that pulls out all the emotional stops to keep the audience enthralled and teary-eyed.

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