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New 12" Electronic Releases at Amoeba Hollywood - 06/13/09

Posted by Oliver / Matt / Jordan, June 8, 2009 05:10pm | Post a Comment
 

New Electro/Techno 12"s Coming this Weekend:

Codebreaker

FOLLOW ME REMIX 12"
DDR002

The "criminally infectious" followup to "FIRE" is a mix of disco, electro, Italo funk and more and comes with remixes from THE JUAN MACLEAN, BOTTIN, and France's OUTRUNNERS. The original version from the fierce and funky 4 piece (who rocked it at SXSW) is also included.

Streetlife DJ's

VOLUME 2 (PIC DISC) 12"
SL004

Slick edits and remixes of "GET DOWN," "R U GONNA GO MY WAY," "MASSIVE BLACK HOLE," and "KISS." This exciting DJ duo can be described as SASHA meets COLDCUT meets SOULWAX. Basically, they rule. Great fusion of rock, electro, & crazy party music on a limited edition picture disc.

Herve BASEBALL BAT (FEAT MARINA) 12" CHEAP08X

Ruckus Roboticus HERE WE GO REMIX 12" GR003

Tal M. Klein DISCO VILLAINY 12" ALG028

Wild Cookie DRUGS EP 12" HOMEGROWN010

Pedro FEAR AND RESILIENCE RMX'S LP MELO025

Cesars Salad BATUCADA SURGIU 7" TR1017

Cha Cha Shaw KINGDOM COME LP KSRE6LP

New Electronic CD Releases 6/4/09

Posted by Oliver / Matt / Jordan, June 4, 2009 09:46am | Post a Comment

Holger Zilske
Holz
Playhouse

This is the debut full-length release by Berlin's Holger Zilske (aka Smash TV) for the Playhouse label. A leading proponent in the ascendancy of the BPitch Control label and the greater electronic landscape, Holger has cultivated his reputation as a techno visionary under the moniker Smash TV with over 8 years and nearly 30 releases to his name. Since then, Holger's distinct blend of complex arrangements and gargantuan bass lines has been refined incrementally. With ten productions laden with bubbling textures, sweat-fueled percussion and tropical artwork, Holz navigates us into summer climates with moist palms and deep, deep eyes. "Lichterfelde" transforms remote boroughs of Berlin into ecstatic wildernesses populated by looming insectoid tones and gusts of humid pad textures. Punctuated by stabbed Eastern melodies, bouncing bass drops and ritual drum patterns, the opener sets the climate perfectly. "Mes Yeux" pulses amidst decompressing pads and reverberant mechanical samples in a deep house descent, while the hazy beginnings of "Roter Rausch" swarm around steadily enveloping synth and bass progressions in an intoxicating techno mirage. Deep and penetrating synth tones define "Druckraum," which probes meticulously with lazy, clicked percussion and the distant chatter of echoing beats. "Work" commands your obedience with mesmerizing melodic passages and dystopian, metallic percussive accents. "Golden" builds a lazy pop lullaby with decaying samples, trickled percussion and the dulcet vocal contributions of Swedish artist August Landelius. "Metrodancer" builds a formidable house strut with poked bass and melodic punches of 8-bit synth. In a similar vein, "Olho Gordo" plunges into dark waters with ghostly pads, dry, percussive tones and enveloping beats to test your after-hour stamina. Under the pseudonym One Chef, August Landelius returns to team up with Holger on "Have A Cup Of This," which disorients with clattering percussion and certifiably dizzy synth lines that dance around plunging bass tones and ringing symbol rotations. Counting to close with resonant, clocked percussion, August reintroduces his intimate vocal reflections in another downbeat pop arrangement, "To Them To Me," providing the perfect soundtrack to the end of an evening, and an appropriate end to an album that signals a new dawn for Holger Zilske.

Continue reading...

HOUSE, EARLY 90's RAVE CLASSIC: JAYDEE "PLASTIC DREAMS":

Posted by Billyjam, September 16, 2007 12:46pm | Post a Comment

JAYDEE "Plastic Dreams"


Ever since last Sunday at the 14th Annual Clubhouse Jamboree when I heard DJ Spinna spin this classic early nineties house track (which, like most longtime electronic music fans, I own and have somewhere in my collection), the damn song has been stuck in my head non-stop. So consequently, I felt compelled to dig it up and play it on WFMU two days ago. And when I did I got a ton of  calls, emails, and comments from other music fans who shared my love for this everlasting funk-driven house classic from fifteen years ago. Odds are if you went to any clubs or raves or parties in Cali in the early nineites you too also know and love this song. It was released in 1992 on R&S Records, with the video (below) dropping a year later when Epic picked it up. The song was recorded by JayDee (no not J Dilla), the Dutch DJ/producer Robyn "JayDee" Albers, who consequently remixed/re-released it (including in 2004 --see 12" cover above), although the very original mix was just so perfect that it couldn't be topped (in my opinion). Look for it at Amoeba Music in various formats and on various releases. I own it on a 4-CD compilation from few years ago called Funky House No.1 -- one of many it can be found on.
And if you remember hearing this track at some club/party, please take a moment to share your memory in the COMMENTS box below. Thanks! 

The Cream of the Crop

Posted by Mike Battaglia, April 25, 2007 02:50pm | Post a Comment

That's right - I said hott - with two "t"'s please. Lots of great music only comes out on vinyl. Here's a few 12" releases that are killin' it for the SF crew:

























































Dub Pistols - "Rapture" (Sunday Best)
Chin Chin - "Toot D'Amore" (Dialect)

Two seperate 12"s here, with the connection being their solid Prins Thomas remixes. "Rapture" is indeed a cover of the Blondie classic with ex-Specials vocalist Terry Hall on vocals, and it works just fine with its bubbling underbelly of faux-acid, big beat guitar riffs and hip-house. Flip the record over, however, and you get some *actual* acid as Thomas' mix is where it's at, adding a smidge of swing and sounding like some proper Chicago action. Chin Chin, on the other hand, come out on top with no less than three PT mixes on one 12". The Diskomiks is a funky congo affair replete with horn section and hella-funky afrodisco percussion while you get two 'bonus beat' tracks that work great as DJ tools or full songs in their own right. SF Electronica floorperson Brian is super geeked out on this as well, so i'll give it two thumbs up.






























Random Factor - "Digitize - The Emperor Machine Remixes" (2020Vision)


Another funky, tripped-out disco remix from The Emperor Machine on this 12" from 20/20 Vision, out this week. Phased sounds begin the uptempo track which is immediately anchored by a gigantic bassline and chicken-scratch guitar licks that firmly plant this remix in rock territory. This groove is worked, heads-down, with vocal bits scattered here and there, straight down to the bone in a punk-funk stylee and it's excellent. As usual, it's the dub on the A-side which wins out, eliminating the vocal and introducing an equally-gigantic 4/4 kick while the track echoes off into space. I will be dropping this at a party this Saturday night, and I have no doubt it'll blow the place up.






Christian Prommer's Drumlesson - "Strings of Life" (Sonar Kollektiv)

Yep, it's Derrick May's stone Detroit classic, reworked in a dancefloor jazz style by Christian Prommer of Fauna Flash & Trüby Trio. I'll admit that I wish it had a bit more kick but it'll still induce dance moves, which I can testify to from hearing this tune played out on CDR in the club by folks like Alex from Jazzanova. After experiencing this on the floor, I picked it up the minute it came in.
Prommer has assembled a trio here, and they finesse their way through the tune in one go with exciting results. The drums are hitting all the right spots and *those* piano chords never sounded so good outside their original use as they do here floating on top a rolling, syncopated rhythm section. No real surprises here, but this will work a treat on more adventurous dancefloors. Flip for "Space Jam 2000.17", a more electronic affair featuring congas, an ethereal atmosphere and a steady house kick, very Joe Claussell and living up to its title.































Attias - "Nebukai" (Still Music)

Finally, we've got two dance-music-producing brothers from Switzerland named Attias. Alex Attias you may know from his high activity in the Broken Beat/Nu Jazz scene under a variety of different monikers and from working with folks like Dego McFarlane of 4 Hero. His brother Stephane is also accomplished, with a slew of releases under his belt for labels like Compost and Laws of Motion (including "Listen Luv", one of my favorite nujazz tracks, off of Compost's Future Sound of Jazz Vol. 7 compilation).
"Nebukai" is a missive sent straight to the heart of the "new deep house" movement, the major proponents of which are folks like Âme, Henrik Schwarz and Dixon and whose sound is a mixture of Detroit techno, NYC soulful house and German ingenuity. The tune sits well in tech-house & electrohouse sets, but also swings enough to compete with yer Osunlades and Kerry Chandlers. It's melodic, thumping, and sets the vibe perfectly. Grab this one now, as it keeps selling out!

More 12" reviews to come next week!


Sweet Sweet Music

Posted by Mike Battaglia, April 16, 2007 12:43am | Post a Comment
    At Amoeba SF's electronica section, we've usually got at least four or five titles each month that we're extremely hyped on. Here's our current batch:



    First we've got Gui Boratto's Chromophobia on Kompakt. Boratto's Brazilian heritage gives him an edge when making his brand of tech-house, and that's an ear for rhythm. Straddling between minimal and electrohouse, Chromophobia avoids any LP pitfalls by working equally on a dancefloor as on headphones, it's got enough oomph to sound fantastic on a large sound system, but intricate enough that you notice small details while listening at home. I love his way with melody, particularly the swooping tones of "Terminal" and the bleep counterpoint in "Gate 7"; it gets quite emotional. The rhythms are key, though, and it's clear from the first track on that Boratto has a good grasp of syncopation and funk. Between the Hug and Field albums and now this, Kompakt are on a bit of a roll, again!



    Next up is We Are Together by Japanese producer Kuniyuki Takahashi, released on Mule Musiq. This is an album that is a unanimous vote amongst the electronica staff - everybody loves it (well, at least four of us). It's jazzy house music only in the loosest sense of the phrase, managing to perfectly walk the tightrope between noodly and stiff. The thing I like best about this album is its sense of space, the production on every track sounds so expansive and widescreen as to conjure up images of the music's physicality. In that sense it reminds me of the Burial album where there's a very conscious sense of three-dimensional space - it's a real "smokers delight". Check Kuni's MySpace page to hear more of this excellence.




    The Black Dog's earliest works are Modern Electronic Music 101; their innovations created a new genre of music (the odiously-named Intelligent Dance Music or IDM) and opened the doors for others to make funky, body-moving yet cerebral tracks. The music bleeps like techno but rocks sampled breaks that up the funk factor by a power of 100, and large, rolling basslines that were an unmistakable influence on early Jungle (and influenced by the UK Breakbeat Hardcore that preceded it).
    The Black Dog of 2007 is a solo act for the most part, but back in the early 90's it was a trio. Ken Downie was joined by Ed Handley and Andy Turner for what is considered TBD's best material. There was dissent, though, and Handley & Turner eventually broke off to form Plaid, one of my personal favorite electronic artists ever and a mainstay of Warp Records' roster.
    Book of Dogma
is the release that longtime TBD fans have been waiting for - it collects all of their essential early EP's, remastered no less, in one place. Most tracks have never appeared on CD, and many of these records are worth upwards of $200 on vinyl, peaking in the EBay heyday of the late 90's at $300-$400 APIECE, so you can see how momentous this occasion is. This collection is as essential as it gets, so buy it.



Finally, we have The Greatest Hits of G.A.M.M., with G.A.M.M. being the superb Swedish label dedicated to reinterpreting and mashing up Soul, Funk, Disco, Reggae, Brazilian, Hip Hop and last but not nearly least, Jazz. G.A.M.M. is loosely affiliated with Stockholm's Raw Fusion label, and includes many nujazz artists moonlighting under fake names including Spiritual South, Panoptikon, Freddie Cruger and Todd Terje (though I won't tell you what their aliases are!). The music is frequently incredible and usually surefire dancefloor material - kicking off with Red Astaire's smash hit "Follow Me", which takes an obscure D'Angelo vocal off a Method Man & Redman track and rocks a sick, jazzy vibe lick underneath it for maximum effect. Other standouts include Beatfanatic's funky reggae rework of Beyonce's "Crazy In Love" and Tangoterje's subtle samba edit of MJ's "Can't Help It" - probably the best tune on a compilation where deciding which one is best is a very difficult prospect. Undoubtedly due to unofficial status, this will come and go quickly so get on it!
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