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It's Cheaper Used: Classic and Out-of-Print Goth & Industrial Titles in Stock at Amoeba Hollywood

Posted by Aaron Detroit, June 9, 2010 05:03pm | Post a Comment
Looking to stock back up on some dark classics? Maybe looking to try something you overlooked long ago? Well, if you’re a fan of classic Industrial or Goth, or just looking to be adventurous, we’ve got some great deals on some hand-picked, used and out-of-print titles for you in our little dark corner of the Goth/Industrial section at Amoeba Music Hollywood*.

Front 242 Tyranny >For You<
Ten years after the group’s genesis, Front 242 released their most commercially successful album with their 1991 major-label debut, Tyranny >For You<. Though not as solid as the band’s 1988 essential Front by Front , Tyranny is a relentless and charged slab full of EBM bangers including “Moldavia,” “Tyranny (for You),” and the club hit “Rhythm of Time, “ which some may recall from a memorable scene in the 1992 camp classic film Single White Female. The album has surprisingly aged very well and sounds pretty damn great nearly 20 years later -- the slow-burn “Sacrifice,” the minimal pulse and melodic sway of “Soul Manager,” or the chaotic blasts of hidden track “Untitled” (there are 3 unlisted ‘hidden’ tracks here –every bit as intense as the rest of the album). Listening to this album now, really makes me wish some youngins would mine these sounds again. Tyranny >For You< is currently out of print on CD but Amoeba Music Hollywood has it in stock used for just $4.99!*



The Creatures Boomerang
Siouxsie and Budgie returned to The Creatures in 1989 after putting the project on hold 6 years prior as The Banshees' popularity sky-rocketed. Boomerang was the result of sessions in a secluded barn in the capital of Flamenco music– Jerez de la Frontera, Spain. The album was probably The Creatures' most successful and includes some of their most well known songs, such as “Standing There” and “Pluto Drive.” Boomerang sweeps between dark breezy exotica with heavy brass arrangements to minimal bluesy crawls to the more atmospheric and chilly. The CD is out of print, but Amoeba Hollywood has several used copies in stock now for just $9.99*




Skinny Puppy Twelve Inch Anthology
A singles collection of sorts or an early ‘Best Of’, Skinny Puppy’s out of print 1990 compilation Twelve Inch Anthology brings together several tracks from their multiple ‘80’s 12 inch EPs. It includes full extended versions of “Dig It,” “Addiction,” and “Testure.” The jewel of this compilation, however, is the Tom Ellard-assisted remix of “Assimilate,” easily the best version of one of the band’s best songs. The collection highlights my favorite period of Puppy and nobody since has quite as successfully combined the sinister with the psychedelic and the groovy like Puppy. Amoeba Hollywood has several used copies of this now-deleted gem in stock for just $9.99*




Nitzer Ebb That Total Age
Relentless pounding and floor-filling aggression are the sounds to be found on this 1987 classic debut from the DAF-inspired Brit duo Nitzer Ebb. Punkish in attitude, That Total Age features the monster club hit “Join In The Chant,“ as well as the beloved, shouted singles “Let Your Body Learn” and “Murderous.” The band lost their way down the road, but this album remains a strong piece of work over two decades later. Amoeba Hollywood has used quantity of That Total Age in stock for just $7.99*.


*prices listed are valid for a limited time only and quantities are limited.

Amoeba Hollywood's New and Featured Goth / Industrial Releases

Posted by Aaron Detroit, May 26, 2010 05:15pm | Post a Comment

Rome
Nos Chants Perdus[Trisol] CD


Over a series of remarkable concept albums, the Luxembourgish band Rome has developed a totally unique ‘poetry of longing’ which rings out from the dark melancholic mist of rootlessness and which gives expression to a comprehensive feeling of modern forlornness. The protagonists of their music are the unintentional ‘rebels’ of Camus (L’Homme révolté), contemporaries from the turbulent epochs of the 20th century: the banished and the hunted, the despised and the misunderstood – ceaseless enemies of dictatorship. This is what the songs of Rome frontman Jerome Reuter are about, rooted firmly in the tradition of his declared heroes Jacques Brel, Léo Ferré, Tom Waits and Nick Cave. With regard to content, Rome derives inspiration from world literature and an observant listener will be able to detect references to Camus, Proust, Sartre and Jean Genet. Following hot on the heels of their EP L’Assassin, the band assiduously develops its sound further on a minimalistic yet richly textured, simple singer-songwriter album Nos Chants Perdus -- slowly leaving the apocalyptic realms behind them. Catchy melodies impress themselves on the memory and Reuter’s gothic tenor is currently peerless. Apart from the French song titles the lyrics are primarily performed in English, while the music is constructed primarily with acoustic instruments: piano, guitar, touches of strings, accordion. They have largely relinquished electronic elements, which marks Nos Chants Perdus out as a further and remarkable stride in the work of the band. Check out samples of Rome’s previous efforts here and here

Listen: Rome "L'Assassin" from Nos Chants Perdus



TriORE Three Hours [Cold Meat Industry]CD

Christian Erdmann (Triarii) and Tomas Pettersson (Ordo Rosarius Equilibrio) have given birth to a love child they call TriORE. Both participants go beyond themselves and step out of normal character, but TriORE is nonetheless the embodiment of all that which is Triarii, and all that which is Ordo Rosarius Equilibrio. The bombastic touch of Triarii is still there; the string sections, the choirs, the martial drums and much more; alongside the eloquence of Ordo Rosarius Equilibrio, musically, melodically, as well as lyrically. This is what all lovers of both bands have been waiting for, a complete forty minutes of downer-but-gorgeous Art Deco Industrial Pop.

Listen: TriORE "Pleasures & Tortures" from Three Hours

 

Combichrist Noise Collection, Vol. 1 [Out of Line] 2CD

Raw, brutal and forceful! Combichrist burst into the dark Electro scene in 2003 with a massive blend of Techno, Noise, EBM and harsh Industrial sounds that were as fresh as they were brutal. Noise Collection Vol. 1, a comprehensive 2 CD anthology, explores the wild early years of one of the most loved acts in modern dark club music. Disc one contains the now-deleted debut album The Joy Of Gunz, while disc two unites the ultra-rare Halloween release "Kiss The Blade," the long-deleted Sex, Drogen & Industrial EP, two tracks from the collectible Blut Royale 12 inch-single and an exclusive song from the Industrial For The Masses Vol. 2 compilation. Noise Collection Vol. 1 is the ideal opportunity for new fans to complement their Combichrist library and serves as a nearly complete insight into the first phase this most influential band.

Listen: Combichrist  "You Will Be The Bitch Now" from Noise Collection, Vol.1

 

Tying Tiffany
Peoples Temple [Trisol] CD


Italian Electro-Goth-Pop from the perspective of contemporary decadent lifestyles. True to the roots of the Goth-Pop genre, this vampy siren delivers a lesson in Punkish attitude, revolutionary gusto and a lot of electronic reinforcement with Peoples Temple and strengthens her reputation as an exceptional tunesmith and performer.

Listen: Tying Tiffany "Show Me..." from Peoples Temple




Still Fresh…

Thomas Nola et Son Orchestre
Très Pathétique [Disques de Lapin] CD


New release from Thomas Nola featuring rich and moody tracks with a French bent. Très Pathétique comes in a handmade sleeve with lyrics booklet. Each sleeve is made from Indian recycled cotton rag paper with random multi-colored swirls, making them all unique. Bring it to the dancefloor or the funeral parlor.

Ruby Throat Out of A Black Cloud Came A Bird [Sleepslikewolves/ The Lovers’ Will] CD

Black Cloud finds KatieJane Garside's (Queenadreena, Daisy Chainsaw) unsettling and psycho-sexual fairytale-stylings covered in ethereal-psychedelic dream-wrap courtesy of Chris Wittingham's instrumentation. Her voice is equal parts PJ Harvey, Alison Shaw (Cranes), and Hope Sandoval -- though sometimes a bit of Diamanda's babelogue madness creeps in.

Christ Vs. Warhol's Impressive Debut Disc

Posted by Aaron Detroit, May 20, 2010 01:15pm | Post a Comment

Although the members of Los Angeles-based Christ vs. Warhol all sport mohawks and/or various body modifications, there’s nothing scrappy about the quartet’s debut full-length disc, Dissent. Instead, one will find this well-oiled 4-headed beast firing on all cylinders on 13 solidly produced and politically-minded tracks.

There has been a glut of silly, style-focused and, frankly, dumb Deathrock bands vying for attention for the last few years and for a genre that isn’t all that crowded, that’s a pretty sad state. Christ vs. Warhol avoids these pitfalls by mostly avoiding navel-gazing and instead delivering incendiary, topical and thoughtful lyrics bathed in cascading riffs and wet bass lines. Vocalist and lyricist Eveghost (formerly of Scarlet’s Remains) aims her firing sights at a multitude of topics, like blind consumerism, media-manufactured beauty standards, talk radio windbags and their corporate bosses as well as those
“tossing tea into the harbor/…masquerading as the voice of the working man.” 
Her voice alters between a witchy affected howl to an occasional but impressive Liz Fraser-esque swoop.

Dissent was produced by Faith & The Muse’s William Faith, which probably explains some of the shimmer and gleam the album carries. His presence is certainly felt on the opening track, “A New Model of the Universe,” a dirtied Dream Pop instrumental, all tribal drums and soaring guitar effects bookended by chiming finger cymbals. “And If You Forget,” one of the few tracks concerning personal issues (here it’s a damaged lover) has a similar dreamy-lean with a swirling arrangement and Eveghost hitting the notes in her lovely upper register. The band excels on these airier tracks; it’d be interesting to see the band focus on and hone these elements for future efforts.

Classic Deathrock albums are not complete without an anthem, and Dissent has one. “Fool’s Gold” captures the urgency of O.G. Gothic Rock Anthems like the Skeletal Family’s “Promised Land” and JuJu-era Siouxsie. Christ Vs. Warhol is a cult band in the making for sure.


Amoeba Music Hollywood has quantity of Christ Vs. Warhol’s Dissent and it is a featured pick in our Gothic / Industrial section this month.


'Out of a Black Cloud' Comes a Great Album: Ruby Throat's Sophmore Triumph

Posted by Aaron Detroit, May 12, 2010 08:15pm | Post a Comment

Last week, I posted details
about the new limited deluxe vinyl edition of Folk-Noir duo Ruby Throat’s cult-classic debut, The Ventriloquist. This week , Amoeba Hollywood has just received quantity of Ruby Throat's sophomore full-length recording, Out of a Black Cloud Came a Bird. The album was released in a limited Special Edition CD run in November 2009, but has now been issued in this standard digipak CD edition.

Ruby Throat vocalist KatieJane Garside became quite prolific this past decade with three separate musical projects running in tandem  with each other (as well as a one-off LP with Hector Zazou - R.I.P); the long-running Queenadreena with former Daisy Chainsaw cohort Crispin Gray, her solo project Lalleshwari, and Ruby Throat with guitarist Chris Wittingham. While Queenadreena is a bombastic, cathartic and lustfully-charged rush bemoaning innocence lost, Lalleshwari revealed a more rudimentary, internal and transitive process of the artist. With Ruby Throat, Garside draws the characters in her songs as reflective, self-aware and with a sense to the nature of their struggles, though still very much struggling.

Black Cloud finds Garside's unsettling fairytale-stylings firmly rooted in her usual but always powerful psychosexual minefield of hushed lullabye, bluesy belting and bat-shit babelouge. Wittingham's psychedelic soundscapes and dreamy dark Americana-influenced arrangements are richer and fuller here but with the same minimalist bent and care as on the group’s debut.

The album opens with quiet murmurs over angelic harmonies and chimy picking that sets the tone and fully captures the warm yet unnerving atmosphere that most Ruby Throat songs exist inside of and which fans are now very familiar with. “Shark” lyrically suggests a solace in the feeling of being cared for, even when danger is very much present. Wittingham’s foreboding rhythm guitar adeptly mimics this feeling, while Garside’s voice slightly cracks with a knowing fear. The search for solace, wellness and stability each appear as strong veins within Black Cloud. However, Garside also paints her characters as pessimistic and as their own worst enemies. On “Beneath My Undress” she purrs:

“Same time I escape the rope / So I put it back about my throat /
Blunt, Cold, hard hit /  On angels feet beneath I slip”



And on “Bolt The Horse”:

“When someone breaks you / The terrible truth is /
You want no mending /
…I bolt the horse / I grip the gate /
I split the meat /I take the bait”


The album’s centerpiece comes in the form of a striking, if not surprising, reading of Townes Van Zandt’s classic lament “Nothin,’” which stands strongly next to the original with a shadowy blues arrangement by Wittingham. Garside’s voice clings pensively to the song’s final lines:

“Sorrow and solitude / these are the precious things
And the only words  / that are worth rememberin'”

But as the album title suggests, during great struggle is when one may find their wings– beauty, art, and love – all the things that make life worth living. On the album’s final and title track Garside’s subject finds a bird of love and hope emerging from the Black Cloud of self-doubt and emotional baggage.
"Out of a black cloud /
Came a bird / Out of a black cloud / Came a bird..."


Amoeba Hollywood has quantity of the Out of a Black Cloud Came a Bird import digipak CD featuring hand-drawing artwork by KatieJane Garside at a very fetching domestic price of $10.98. The vinyl release is being planned for winter via The Lovers’ Will imprint.

Xasthur and Marissa Nadler Collaborate On Genre Bending New Album

Posted by Aaron Detroit, April 23, 2010 08:00pm | Post a Comment

Fresh in the racks at Amoeba Music Hollywood just today is the wonderfully bleak and dissonant Portal of Sorrow (via Disharmonic Variations), a truly collaborative effort by the one-man depressive black metal band Xasthur and ethereal folkie Marissa Nadler. Scott Conner, aka Malefic, the man behind Xasthur, recently announced that this would be the absolute final release under the Xasthur banner. Oh! And what a glorious end it is! Upon first spin, Portal is easily recognizable as the best of Conner’s last few releases and will likely hold up as one of the touchstones in the Xasthur discography and beyond -- wherever Conner decides to go next.

The album announces its individuality in the Xasthur catalog with acoustic guitars that swirl around a plodding dirge enveloped by the ghostly purrs of Nadler. Eventually this lovely and melancholic breath is absconded away by the brief shattering sounds of glass and horror-film -orchestra stabs that leads into the cascade of bizarrely mixed buzzsaw guitar, Deathrock-like bass warbles and clattering cardboard box drums of the second track, “Broken Glass Christening.” The song is then shortstopped by an ominous piano, Malefic’s anguished shrieks and further apparitional lacing from Nadler. For all the album’s sorrowful moments, there are flashes in half-light, like the lovely “Mourning Tomorrow,” which infiltrates the album’s tracklist like a Folk-Noir Cocteau Twins. The LP lacks any monotonous riffing or repetition usually found in the gloomier end of the Black Metal genre, and aside from the above mentioned instrumentation, incorporates synthesizer and organ which supply some very dreamy yet crestfallen ambiance.

If Portal of Sorrow is anything to go on, Marissa Nadler fans may have quite the unexpected album on their hands when the chanteuse releases her next solo LP, which is currently in the works. While Portal is Conner’s affair in composition, the album’s dim light shines from the scary corners of both musicians' minds and hopefully has opened up a new world, not just for Malefic but Marissa as well. The album maybe controversial among the narrowly-focused “trueheads” of grim Black Metal but no one really cares what they with such limited palates think anyway. Their loss, our win.

Conner has stated he has every intention of writing, recording and releasing music again, though he refuses to identify what it will be like other than of an equally dark tone. Portal of Sorrow, in the end, is both a death knell for Xasthur/Malefic and a herald of rebirth for Scott Conner. Xasthur is Dead, Long Live Xasthur!

Listen: "Karma/Death" from Portal of Sorrow

Amoeba Music Hollywood has quantity of Portal of Sorrow as well as many Xasthur catalog titles. Be sure to also check out Marrisa Nadler’s many gems in the folk section! Portal of Sorrow will also be available on vinyl via Hydra Head later in the year.
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