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Secret Society Of The Sonic Six Bay Area Shows November 18th & 19th

Posted by Mr. Chadwick, November 12, 2011 04:25pm | Post a Comment
The Secret Society Of The Sonic Six will bring their darkened disorientations to the bay area this coming week with performances in San Francisco and Oakland.  The group will be performing tracks off their next 12" release, The Pick Up, due out in Feb on 4:2:2v2, a new label out of Denmark.

Friday November 18th finds (((6))) at the Retox Lounge, a small watering hole in the Potrero Hill neighborhood.  This is the 5th anniversary of the Death Rock Dive Bar night and features locals Nezzy Idy and Headless Lizzy as well as the DRDB DJs. Make sure to head downstairs as the performance space is in the basement.






Saturday November 19th (((6))) will be visiting their gestation grounds for the first time since relocating to Los Angeles many years ago.  Katatonik is an underground monthly featuring dark experimentalists, mostly of the electronic variety. The nite is organized by the Katabatik label / soundsystem crew.  Check out the intense comps that the label has put out @ http://www.katabatik.org/kollektion/


This nite happens to be the 6th Katatonik so alignments are in place for a magikal (((6)))  evening.  Vancouver based Animal Bodies and Monsters of the Id will also be performing, along with DJ's R.M.S., Pink.Noise. and Mattreya.  The location is a tightly held secret so please contact a Katabatik representative @ [email protected] for addess specifics.  I can tell you that it's not too far from Jack London Square.
















Animal bodies- Venus Transit from Animal Bodies on Vimeo.

Strangelove's Día De Los Muertos Celebration, 11/4

Posted by The Bay Area Crew, October 19, 2011 04:27pm | Post a Comment

Join Amoeba Music and Strangelove for a Día De Los Muertos (Day of the Dead) celebration on November 4th at the Cat Club in San Francisco!

Enjoy the sounds of Dark Electro, Industrial, New Wave, and Goth with DJs Tomas Diablo, Joe Radio (Deathguild), Prince Charming (Pleasure Principle), and Fact 50 (Kinky Salon). There will also be skull face painters on hand to put a ghoulish grin on your face and a community altar to the dead, so bring some offerings!

And dont miss the piñata filled with goodies! Whoever cracks that open gets tickets to see VNV Nation AND and an Amoeba gift certificate!

The spooky details:
21+
9:30pm-3am
Just $3 before 10pm ($7 after)
Cat Club: 1190 Folsom St., SF

The Spooky Show & a Monster Party

Posted by Eric Brightwell, October 12, 2011 05:45pm | Post a Comment
On 15 October, 2011 (this Saturday if you're reading this in a timely fashion), the very cool indie toy store & gallery, Monkeyhouse Toys and Gallery (for kids whose sensibility is more Roald Dahl/Tim Burton than Bratz/Hannah Montana) is opening an art exhibit, The Spooky Show.


Monkeyhouse Toys and Gallery The Spooky Show

It's curated by Terri "Tooter" Berman and features Halloween-appropriate works by Grace Albelda, Douglas Alvarez, Kim Bagwill, Brooke Bearup, Terri "Tooter" Berman, Airom Bleicher, Julie Bossinger, Jonathan Bueno, Michelle Caplan, Deryke Cardenaz, Marcel DeJure, J Fuchs, Cristian "Smear" Gheorghiu, John Michael Gill, Harrel Goldstein, Dan Goodsell, Kio Griffith, Patrick Haemmerlein, Walter Hall, Mary J Hoffman, Lisa Hull, Jinxed Art, Billy Kheel, Aaron Kraten, Supersmash Max, Isabella Electra McGrath, Marlon McWilliams, Jon Measures, Sal Mendez, Yuki Miyazaki, Delphia Nikolaus, Tom Oliver, Jerry Paeff, Vera Paras, Carol Powell, Sarah Ramirez, Shannon Rowland, Uddon Soup, Mike Street, Paula Tade, Mayumi Tanaka, Kelly Thompson, Paul Torres, Jessica Valencia, David VonDerLinn, Susan Catherine Weber and more...

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Famous Grey Raincoat - Or, Silly Goth, Vampires Are for Kids!

Posted by Eric Brightwell, October 6, 2010 04:45pm | Post a Comment

In honor of this lovely weather we're having here in Los Angeles, I'm going to blog about the so-called Raincoat scene. Before Goth -- for that matter, before New Grave, Dark Wave, Cold Wave or any of those other overly specific scenes (that I will dutifully write about in time), the British music press took to lumping together a bunch of bands and their fans and calling them "raincoats." Why? Because since their invention in the 1850s, nothing has silently and eloquently conveyed, "I'm dark, brooding and Romantic" like slouching in a trench coat. OK, it could also convey, "I'm stealing porn and not wearing clothes underneath." That's a different sort of Raincoat Brigade.


The earliest usage of "raincoat" in this sense that I've found is in an edition of NME. "1982 was also a year of recession in the U.K. A broken economy, you could argue, enabled both genres to flourish: sleek synth-pop helped people transcend national gloom, glowering raincoat-rock authorised them to wallow in it." 

The Cure Celebrate 20 Years of Disintegration

Posted by Aaron Detroit, June 16, 2010 05:45pm | Post a Comment

“[On
Disintegration] they thought I was being 'willfully obscure', which was an actual quote from the letter [received from the band’s label at the time, Elektra]. Ever since then I’ve realized that record companies don't have a fucking clue what The Cure does and what The Cure means."
- Robert Smith, from the book Never Enough: The Story of the Cure by Jeff Apter

Twenty (and some change) years later we know that The Cure’s label bosses were indeed wrong; Disintegration is celebrating its 20th anniversary (a year late actually – the album was released in May 1989) with the release of a remastered 3-CD deluxe edition and remastered 2LP. Today, the album remains in the unique position of being both widely considered the group’s masterpiece among fans as well as their most commercially successful LP (containing their biggest US hit, “Love Song," which peaked at #2 on the Billboard chart).

There haven’t been a multitude of complaints over the years about the mastering of the album, so no surprise here that the main disc is just a bit louder than the original. The real appeal of the 3-CD set is the bonus material…and there is a lot of it! The second disc of rarities is compiled by Robert Smith himself (who was the only original member left in the band by the time Disintegration was released --Lol Tolhurst having been booted by group consensus before its completion) and is largely made up of his instrumental home demos and band rehearsals for the album. It seems like a superfan-only venture with these lo-fi takes sans vocals, but these tracks reveal themselves to be a cohesive and seamless vision even in their infancy; The vocal-free band demo for the title track reveals an even more urgent forward flow than the album cut, with drops of synth gently shimmering in an ocean of flanged-out bass. “Esten,” a previously unissued demo of a never-before-released song (of which there are 4 here), is a bit more lively and feral than its siblings that eventually found a home on the album, perhaps a bit more like their 'willfully poppy' tracks from the Head on the Door-era. The absolute stand-out from the Rarities disc, however, is a solo home demo by Smith covering Wendy Waldman’s “Pirate Ships.” It is a gorgeous lilting sea shanty-like lullaby with ocean sound effects, harmonium and a lovely understated vocal from Smith. With the refrain of “Far away/Far away child,” the track could be culled from one of the several rumored-but-never-surfaced children’s albums Smith has allegedly recorded.

The third disc of the set is an expanded, remixed and remastered version of Entreat, a live mini-album recorded at Wembley Stadium in July ’89 and features renditions of songs culled from Disintegration. Entreat Plus (as it is titled here) is a very different beast when compared to the original version; the mixes on the 12 track Plus disc reveal a fatter sound with some studio spit-shine, whereas the 1990 8-song release’s mix had more of the brisk, airy quality one might expect from a live stadium show recording. The fan and the completist alike can happily hold onto both releases without any guilt.

The truly most exciting thing about this anniversary re-release is that the album finally has a proper vinyl edition. The original 1989 vinyl LP release had songs excised from the tracklisting  supposedly in order to fit onto one LP, however the running time of the original press still clocked in well over the recommended and standard limit of 19 minutes per side, thus completely ruining the quality of the finished product. Rhino’s 2LP remaster, just released this week, wonderfully restores the full 12 track sequence and stretches the tracks over two LPs for remarkably improved sound.

For the überfans for whom 3 discs is just not enough, Smith has compiled a set of  20 "Alternative Rarities," featuring even more demos and alternate outtakes, that is streaming for free via a special website for the reissue. Now please, in celebration, enjoy all four of the album's singles in video form.










Amoeba Music Hollywood has quantity of both the Disintegration 3-Disc set and 2LP.
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