Amoeblog

It's Cheaper Used: Classic and Out-of-Print Goth & Industrial Titles in Stock at Amoeba Hollywood

Posted by Aaron Detroit, June 9, 2010 05:03pm | Post a Comment
Looking to stock back up on some dark classics? Maybe looking to try something you overlooked long ago? Well, if you’re a fan of classic Industrial or Goth, or just looking to be adventurous, we’ve got some great deals on some hand-picked, used and out-of-print titles for you in our little dark corner of the Goth/Industrial section at Amoeba Music Hollywood*.

Front 242 Tyranny >For You<
Ten years after the group’s genesis, Front 242 released their most commercially successful album with their 1991 major-label debut, Tyranny >For You<. Though not as solid as the band’s 1988 essential Front by Front , Tyranny is a relentless and charged slab full of EBM bangers including “Moldavia,” “Tyranny (for You),” and the club hit “Rhythm of Time, “ which some may recall from a memorable scene in the 1992 camp classic film Single White Female. The album has surprisingly aged very well and sounds pretty damn great nearly 20 years later -- the slow-burn “Sacrifice,” the minimal pulse and melodic sway of “Soul Manager,” or the chaotic blasts of hidden track “Untitled” (there are 3 unlisted ‘hidden’ tracks here –every bit as intense as the rest of the album). Listening to this album now, really makes me wish some youngins would mine these sounds again. Tyranny >For You< is currently out of print on CD but Amoeba Music Hollywood has it in stock used for just $4.99!*



The Creatures Boomerang
Siouxsie and Budgie returned to The Creatures in 1989 after putting the project on hold 6 years prior as The Banshees' popularity sky-rocketed. Boomerang was the result of sessions in a secluded barn in the capital of Flamenco music– Jerez de la Frontera, Spain. The album was probably The Creatures' most successful and includes some of their most well known songs, such as “Standing There” and “Pluto Drive.” Boomerang sweeps between dark breezy exotica with heavy brass arrangements to minimal bluesy crawls to the more atmospheric and chilly. The CD is out of print, but Amoeba Hollywood has several used copies in stock now for just $9.99*




Skinny Puppy Twelve Inch Anthology
A singles collection of sorts or an early ‘Best Of’, Skinny Puppy’s out of print 1990 compilation Twelve Inch Anthology brings together several tracks from their multiple ‘80’s 12 inch EPs. It includes full extended versions of “Dig It,” “Addiction,” and “Testure.” The jewel of this compilation, however, is the Tom Ellard-assisted remix of “Assimilate,” easily the best version of one of the band’s best songs. The collection highlights my favorite period of Puppy and nobody since has quite as successfully combined the sinister with the psychedelic and the groovy like Puppy. Amoeba Hollywood has several used copies of this now-deleted gem in stock for just $9.99*




Nitzer Ebb That Total Age
Relentless pounding and floor-filling aggression are the sounds to be found on this 1987 classic debut from the DAF-inspired Brit duo Nitzer Ebb. Punkish in attitude, That Total Age features the monster club hit “Join In The Chant,“ as well as the beloved, shouted singles “Let Your Body Learn” and “Murderous.” The band lost their way down the road, but this album remains a strong piece of work over two decades later. Amoeba Hollywood has used quantity of That Total Age in stock for just $7.99*.


*prices listed are valid for a limited time only and quantities are limited.

SOUNDTRACK SERIES #4

Posted by Job O Brother, March 28, 2010 04:44pm | Post a Comment
Directions: Imagine Mr. Brother living another day, as always, with music playing. Whether it’s one of his trusty iPods, or his home stereo, or working the soundtracks section of Amoeba Music Hollywood, Mr. Brother is eating, sonically, with the mouths of his ears.

To simulate this experience, as you read the below story of a day lived, you will be given certain music clips to play. These are inserted to provide you with the same tunes Job was hearing as he was doing what you’ll be reading.

For example, while he was writing the above directions, he was listening to this:


The other day… no, not that day – the other day… yeah, that one… I was painting my collection of pigments, when a car drove past, blaring its music so loud that it felt like an earthquake. But, y’know, an earthquake that could keep a beat.


I’m all for losing one’s self in music, but I do think it’s tacky to blast your car stereo so loud that anyone within an area code can hear it. I’m not talking about regular loud – I’m talking about these people who have pimped out their auto’s sound system specifically so that they can impose their roving, one-man rave on a neighborhood at a time. What if someone’s trying to sleep? What if someone’s trying to record music? What if someone’s being held hostage by a crazy person who’s got a sword pressed to their throat and is screaming:

(In which we consider Peaches considering Joni Mitchell.)

Posted by Job O Brother, March 16, 2009 06:40pm | Post a Comment
This has been a busy week, dear readers. Lots of phone interviews, dinner parties, and soundtrack-slinging at Ye Olde Amoeba Music Hollywood.

I was gabbing with Peaches about her new album last Wednesday. It’s called I Feel Cream (release date in the U.S. is May 5) and it’s a blast! Definitely a departure from its predecessors, in that it’s more diverse in sound and moods. Peaches sings a lot more. There are moments where it sounds like the lovechild of modern R&B and older tracks by darlings of the Industrial genre, Front 242.


Anyway, I asked her about musical influences that might surprise people (it’s already well documented that she loves hip-hop and rock ‘n’ roll). This led to her gushing about Joni Mitchell, and this performance in particular, which rocked her world:


That voice! A miracle. I just can’t get enough of it…


She really is one of my favorite things in the world of music, and while not everyone shares my passion for her sound, anyone who appreciates songwriting as a craft must acknowledge that, as a writer of music and lyrics, she remains one of the greatest artists of modern pop music. She’s credited with inventing about 50 different guitar tunings, and the list of musicians who cite her as an influence – Peaches included – reads like a Who’s Who of music.












Her own feelings about the music industry may not be so generous, though they seem to be justified. When asked in a 2002 interview with Rolling Stone

Rolling Stone: So how do you feel when some people say the whole [music] business is going down the crapper?

Joni Mitchell: I hope it all goes down the crapper. It's top-heavy, it's wasteful. It's an insane business. Now, this is all calculated music. It's calculated for sales, it's sonically calculated, it's rudely calculated. I'm ashamed to be a part of the music business. You know, I just think it's a cesspool.


…Gee whiz, Joni – tell us how you really feel.

I joke, but I only admire her for her frankness. I love her work so much that I’ve not wanted to blog about it. I have this issue with certain artists; I respect them so much that the idea of conveying their brilliance intimidates me. (Notice I’ve never blogged about Jim Nabors?) But Peaches’ excitement over Mitchell was so sincere, so surprising, and, for me, so relatable, that I had to take a moment to at least say, for the record, how totally gay I am for Joni Mitchell.

So there.

The Jungle Book

Posted by Job O Brother, April 12, 2007 10:34am | Post a Comment

               INT. JOB'S APARTMENT - NIGHT

               JOB, (early 30's) sits at his desk. A BLACK CAT is curled in
               his lap.

               He's listening to music on shuffle; a new song playing every
               few minutes or so. Currently playing is an early song by
               Front 242 from their album "Geography", located in the
               Gothic/Industrial section of Amoeba Music.

               He's typing out his latest blog, in screenplay format.

               In the time it takes him to describe the music that's
               playing, it switches to a track from Clinic's latest effort,
               "Visitations"; an album he is still exploring and enjoying,
               though it doesn't immediately rock his world like their
               impish, catchy and pithy album "Walking With Thee", located
               in the Rock/Pop section of Amoeba Music; an album which
               samples one of his heroes, Laurie Anderson, also found in
               that section.