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Amoeba Sponsors the 15th Annual Indian Film Festival Los Angeles

Posted by Amoebite, March 13, 2017 05:18pm | Post a Comment

Indian Film Festival Los Angeles

We’re proud to be a sponsor of the 15th Indian Film Festival of Los Angeles (IFFLA), which will take place April 5-9 at Regal L.A. LIVE.

IFFLA is devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting Lipstick Underneath My Burkhaemerging filmmakers, and promoting the diverse perspectives of the Indian diaspora. The five-day festival is the premiere platform for the latest in cutting-edge global Indian cinema and bridges the gap between the two largest entertainment industries in the world – Hollywood and India. The festival will showcase more than 25 films from the Indian filmmaking community across the globe, host the highly anticipated Opening and Closing red carpet Galas, and the Closing Awards ceremony.

The Festival will open with Lipstick Under My Burkha and its impressive ensemble cast of Konkona Hotel SalvationSen Sharma, Ratna Pathak, Aahana Kumra, and Plabita Borthakur in a dramatic, but irreverent and vibrant film about women and faith. The festival closes with the Los Angeles premiere of Hotel Salvation, the debut feature of Shubhashish Bhutiani, whose 2013 short film Kush was shortlisted for the Live Action Short Film Oscar and won IFFLA’s 2014 Audience Award.

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The Top 10 Soundtracks of All Time

Posted by The Bay Area Crew, February 27, 2017 06:08pm | Post a Comment

by Gabriel Wheeler

There are hundreds of excellent soundtracks that could easily fit into many Top Ten lists. This is my attempt to grab ten of the best. Caveat Emptor!

10. Reservoir Dogs (1992)

The songs on the Reservoir Dogs soundtrack truly create the atmosphere and character development for the film. Brilliant.


Guardians of the Galaxy Awesome Mix Tape
9. Guardians of the Galaxy Awesome Mix Tape Vol. 1 (2014)

Easily could be Reservoir Dogs Vol. 2, but the music is used so well that it transcends that critique. The mix tape is so essentially Star-Lord that is defines his motivations in the movie.


Boogie Nights
8. Boogie Nights Vol. 1 (1997)

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Bigfoot Bonanza Hits the Barbary Coast, March 10-12

Posted by The Bay Area Crew, February 12, 2017 06:36pm | Post a Comment

Holy Bigfoot, Batman! If you are a HUGE fan of the furry forest-dwelling creature known as Sasquatch or The Mighty Peking Man, GoliathonBigfoot and would like to spend a fun-filled weekend with the hairy guy, then do we have the perfect event for you. The Super Shangri-La Show presents their first annual Bigfoot Bonanza festival March 10th-12th at the Balboa Theatre in San Francisco.

Spend three days reveling in Bigfoot and Yeti cult classics, Creature From Black Lakedocumentaries, and TV shows, and listening to talks from some of the top specialists in the field including Cliff Barackman, Kathy Strain, members of The Ultimate Female Bigfoot Team, and John & Montra Freitas, as well as independent filmmakers Craig Flipy and Seth Breedlove. A smorgasbord of Bigfoot movies and documentaries such as The Legend of Boggy Creek, Snow Beast, Creature from Black Lake, Night of the Demon, The Mighty Peking Man, Yeti: Giant of the 20th Century, Minerva Monster, and television episodes of Leonard Nimoy's In Search Of, The Bionic Woman, Jonny Quest, and more will keep you on the edge of your seat.

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Jacques Tati's "Monsieur Hulot's Holiday"

Posted by The Bay Area Crew, January 15, 2017 07:42pm | Post a Comment

Monsieur Hulot’s Holiday

By Nazeeh Alghazawneh

Jacques Tati was quite the oddity for French cinema, especially for someone whose career began as Monsieur Hulot’s Holidayearly as the 1930s. Here comes a man standing at 6’3” who is creating absurd, French slapstick comedies in which he stars as a bumbling, gauche oaf who lumbers about society with as much subtlety as one can who is 6’3”. Yet he was an auteur, a man whose grasp of comedy functioned in this lovely space of purely good intentions despite his inherent tendencies to cause amok everywhere he set foot. One couldn’t possibly find a trace of malice anywhere in the droop of his large eyes that hang comfortably onto the prominence of his bulbous nose, which only furthers his overall demeanor through the wide-set stance of his incredibly long legs that can’t help but remind someone of those inflatable mascots outside of car dealerships.

Of course the man as a director and the man as an actor are two very different personalities, as one is who he actually is while the other is fictional; however, Tati’s decision to star in his own films as opposed to hiring someone else was a very bold artistic choice because nothing about the man’s physicality fit into the elegant sophistication that French society had based its identity on. It’s this stark juxtaposition of societal decorum subverted by benevolent incompetence in which Tati not only found and excelled at his humor, but absolutely reveled in. He constructed a world that allowed him to indulge in his many idiosyncrasies as a physical comedian and performer, while simultaneously poking fun just how seriously people at the time took themselves and their social hierarchies. It’s here that Tati’s most famous character, Monsieur Hulot, was born and forever ingrained into the bellies of anyone who laughed at the silly Frenchman.

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Noir City 15: The Big Knockover, January 20-29

Posted by The Bay Area Crew, December 28, 2016 07:06pm | Post a Comment
Noir City

The Film Noir Foundation's world-famous and fabulous yearly NOIR CITY film festival returns to San Asphalt JungleFrancisco's legendary Castro Theatre for its 15th year anniversary, January 20-29. This year's theme is "The Big Knockover" and the fest delivers 24 exceptional films ranging from the late-1940s to today and from all parts of the globe. That's almost 70 years of heists, hold-ups, and schemes gone wrong.

NOIR CITY 15's lineup explores the desperate lengths to which people will go to beat the system and hit the big time, charting a veritable history of the heist film from black & white Hollywood classics such as Criss Cross (1949) and The Asphalt Jungle (1950) to stunning contemporary thrillers like El Aura (2005) and Victoria (2015).

"This year's focus on heist movies provides the perfect opportunity to venture beyond the 1940s and '50s to show how noir has expanded and transformed over the decades," said NOIR CITY festival producer and host, Eddie Muller. "To me, it's one of the most exciting programs we've ever done. The movies are terrific individually, but viewed as a 66-year chronological storyline, this program is a uniquely powerful experience."

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