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Weird Wednesday at The Alamo Drafthouse New Mission in August

Posted by The Bay Area Crew, July 29, 2019 06:25pm | Post a Comment

Sun Ra, Space is the Place

Amoeba and Alamo Drafthouse continue their partnership for Weird Wednesday at the New Mission theater in SF this August! Weird Wednesday is Alamo's weekly celebration of movies that are too outrageous for prime time. The August line-up proves to be daring, imaginative, and downright interplanetary. You won't want to miss any of these.

Murderous Intent (1985)
Wednesday, August 7. 9pm
Jamaican-born, NYC-based director Len Anthony originally set out to make several films, but was never able to finish any of them. All the leftover footage was smashed together and Murderous Intent was born. Opening with an explosive Alvin Ailey-esque dance troupe number, you will never be able to predict where this movie is headed. It's like if Dangerous Men was an art film -- or a horror film -- or both -- or neither!

Murderous Intent

Caged Heat (1974)
Wednesday, August 14. 9:30pm
This women-in-prison tale is the debut feature from future cinema legend Jonathan Demme (The Silence of the Lambs, Something Wild, Married to the Mob). Thrown into the penal hell of Connorville, petty criminal Jacqueline (Erica Gavin) fights against the ruthless inmates, a cruel warden (Barbara Steele), and her depraved staff. She forms an uneasy friendship with two hardened inmates; when these three unite, they seek escape, money, and revenge. Composer John Cale (formerly of The Velvet Underground!) also offers a stark, experimental, blues-inflected score — and the story takes a number of odd turns including several strikingly surreal fantasy sequences, with Steele getting the best moment in a stylish cabaret number.

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Weird Wednesday at The Alamo Drafthouse New Mission

Posted by The Bay Area Crew, June 20, 2019 07:45pm | Post a Comment

Zardoz

Amoeba Music joins Alamo Drafthouse in presenting Weird Wednesday at the New Mission Walkertheater in San Francisco! Weird Wednesday is a weekly celebration of movies that are too outrageous for prime time. This is a head-first dive into an ocean of genre oddities, a one-way ticket to the edges of reality where imagination and commercial excess dance on the graves of common sense and decency. No decade or sub-genre is off-limits and every ticket is a chance to see something wild, wonderful, and fun!

The line-up for July gets a fittingly epic launch on July 3rd at 10:15pm with the Alex Cox (Repo Man, Sid & Nancy) film Walker (1987), starring Ed Harris, Peter Boyle, and Marlee Matlin. The story is loosely based on the life of William Walker, an American commissioned by Cornelius Vanderbilt to set up a banana republic in Nicaragua who then ends up declaring himself president of that country. The film is scored by Joe Strummer (The Clash), who even has a cameo role. Screened on 35mm!

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Having A Movie Moment with Jon Longhi: Kung Fu Vampires & Medieval Christians

Posted by The Bay Area Crew, June 18, 2019 01:25pm | Post a Comment

By Jon Longhi

Welcome to this month’s Having A Movie Moment With Jon Longhi where I review recent Blu-ray releases. This month I review a crazy cult vampire kung fu zombie movie and a cinematic masterpiece about a Christian painter in the Middle Ages.

The Legend Of The Seven Golden Vampires, Shout Factory/Scream Factory:
This was the only time that the mighty Hammer Studios teamed up with the Shaw Brothers, but they should have made a habit of it. This delirious kung fu vampire zombie film is one of the most entertaining movies either studio produced. It kind of combines what both studios did best. On the Hammer side, you have actors like Peter Cushing playing distinguished aristocrats and the studio's beautiful gothic neon technicolor cinematography. On the Shaw Brothers side of things, you have hideous monsters, surreal flourishes in the story and images, and some of the best kung fu fighting you'll ever see. When you mix them together it's like a Reese's Peanut Butter Cup of pure horror movie fun. The film starts with a Chinese villain traveling to Transylvania to enlist Count Dracula's help in reincarnating the legendary seven golden vampires in his homeland. Dracula instead steals his identity and travels himself to China to become the new ruler of these vampires of the far east. Meanwhile, Doctor Van Helsing (played by Peter Cushing) is giving a lecture tour in China, trying to warn the country's scientists of the vampire scourge. He tells them that he has heard legends of a town terrorized by a group of seven vampires. He's pretty much laughed off the stage by everyone except for one man who knows the doctor is telling the truth. The man's name is Hsi Ching and he's from the town the seven golden vampires have recently returned to. He and his seven brothers enlist the aid of Van Helsing, and, with the help of a traveling dilettante heiress who underwrites the expedition, they all take off to defeat the monsters. What follows is a series of adventures that plays like an Indiana Jones movie infested with vampires and zombies. The film is filled with action scenes that are like a form of kung fu ballet. The vampires have a literal army of zombies and the fight scenes are non-stop.

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Having A Movie Moment with Jon Longhi: Melies, Moles & Mantises

Posted by The Bay Area Crew, May 22, 2019 07:58pm | Post a Comment

By Jon Longhi

Welcome to this month’s Having A Movie Moment With Jon Longhi where I review recent Blu-ray releases.

Melies Fairy Tales In Color, Blackhawk Films/Flicker Alley:
I was less than halfway through my first viewing of this when I realized it was one of my favorite things I own. Many of these films have been released many times before. I already own a couple of restored Georges Melies collections and they look good, but they don't look anything like this. To begin with, my old collections are in black & white, but this new set is in COLOR! These weren't colorized by Ted Turner, no, each and every frame of these films was hand painted. Melies was a genius who just couldn't accept the shortcomings of technology. Sure, film had just been invented and was only silent and black & white, but Melies wasn't about to let those basic facts hold him back. So he had every frame of his movies painted with gorgeous color that reminds one of the French postcards that were contemporaneous to Melies' films. The director had fantastic images he wanted to show so he developed a variety of special effects to show them. Double exposures, substitution splices, time-lapse photography... Melies developed and did whatever it took to make his visions real and the results are just as jaw dropping now as they were a hundred and twenty years ago.

The films are surreal, complex, and fantastic, they create a unique world of magic and wonder. This set is worth it just for the restored version of A Trip To The Moon alone. Melies' loose and fanciful adaptation of Jules Verne's classic novel has long been considered one of the cornerstones of cinema. I've seen the film many times before but this new color version is like seeing it for the first time. The hand-painted frames make the fantastic lunar world even more stunning and psychedelic. But A Trip To The Moon is just one of thirteen films on this set, and others like The Kingdom Of The Fairies and The Impossible Voyage are equally surreal and amazing. There are scenes on this disc that you will find yourself watching over and over because the images are just so timeless and cool. The person who painted Melies' sets is one of the best painters I've ever seen. I kept freeze-framing the films just to stop and soak up the amazing details of his painted backdrops. Labyrinthine cities, dense tangled forests, haunted medieval towns -- his details were just spectacular. The hand-painted colors add another whole dimension to the films. Often they are more than just coloring and actually react to the action occurring on screen. Melies had an influence on every artist who came after him. At times, artists like Salvador Dali, Walt Disney, and Terry Gilliam just seem to be copying him. His influence on the surrealists especially is incalculable, but elements of his work exist throughout pop culture. Some of the most timeless images in film history are in this set. It belongs in every person's collection.

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Having A Movie Moment with Jon Longhi: It's All Black And White

Posted by The Bay Area Crew, April 30, 2019 06:24pm | Post a Comment

By Jon Longhi

Recently we've been treated to an avalanche of new Blu-ray releases of classic fifties black and white movies. In this article, I'm going to focus on a couple of recent sci-fi and horror classics. In the 1950s, Hollywood turned America’s fear of atomic bombs and their fallout into drive-in movie gold. An endless stream of radioactive monsters invaded movie screens and the public ate them up with a seemingly insatiable appetite. Now, decades later, many of these drive-in classics are being remastered and released on Blu-ray. There are too many to review in one month so I’ll just focus on a couple of the best of them:

The Creature From The Black Lagoon Legacy Collection, Universal:
It looks like The Creature From The Black Lagoon has finally been fixed. This Legacy Collection actually Creature From The Black Lagooncame out in the fall of 2018, but it was one of the most screwed up Blu-ray releases in recent history. The first Creature film has been out on Blu-ray for years but everyone has anxiously been awaiting the remastered sequels. Everything else in the Legacy series had been released on Blu-ray and the Creature set was one of the last two to be put out. The first Creature film looked just fine, but the sequels were a disaster. Universal had completely screwed up the mastering on the disc to the point where the entire run eventually had to be recalled. Here at the store we've had this Legacy set on backorder for months, but we just started getting new copies in the past three weeks. These are finally the corrected discs. There's still some griping online about the quality of the sequels though. I can understand the complaints, some of the scenes still look a little soft, but I'm pretty sure the blurriness one sees here and there was in the original film elements. The majority of the scenes are crystal clear and finally in hi-def. The underwater scenes look especially immaculate and you can see details of the creature costume that were never discernible before. The Creature From The Black Lagoon has always been my favorite Universal monster movie. It's just a perfect little story that is well told. The sequels are pretty great as well even though they kind of retread the original. The gill man has one of the best designs in monster history, he's fearsome yet still slightly human. The story is a simple straight to the point narrative: a team of scientists travel to the depths of the Amazon in search of a fossilized missing link between humans and sea creatures. Instead, they find the still-living real McCoy and all hell breaks loose as they fight for their lives. The film is kind of like the ultimate distillation of man verses nature.

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