Amoeblog

10 New Music Releases on Amoeba.com, 3/20/20

Posted by The Bay Area Crew, March 20, 2020 01:00pm | Post a Comment

Lots of things in our lives may have been canceled, but not music! Here's a list of 10 of our favorites from this week's new releases, available on Amoeba.com (FREE SHIPPING TO THE U.S.)! See all the new releases HERE.

Wild Chile!

Various Artists: Wild Chile! A Collection Of Rare & Wild 60's Chilean Rock 'N' Roll

A collection of rare and wild '60s Chilean rock n' roll. A new installment of the Wild series, focused on wild, untamed Latin American rock n' roll from the '60s. This time Pinche Discos takes you to the beautiful land of Chile for a rollercoaster of wild sounds and smashing and obscure hits. In Wild Chile! you'll find, of course, wild rock n' roll but also crazed out twist, soul stompers, and a few fiery instrumentals too. If you know the previous two volumes of this series you know what to expect: a record perfectly designed to make your next party explode, pure dynamite! Features Willy Monti & Los Tiburones, Los Atomos, Pepe Pato & Los Stereos, and more.

Ten More Recommended Picks for Record Store Day 2017 (for folks who don't know what to get)!

Posted by Kells, April 18, 2017 09:11pm | Post a Comment
Ever felt lost at Amoeba or so overwhelmed by the selections that you forget what you're looking for? Or, worse yet, you don't even know what to get?
Generally speaking, it can be tough to stay focused at Amoeba, and on Record Store Day, what with the increased scope of releases both in terms of limited RSD offerings and other freshly stocked new arrivals, not to mention the scope of the crowd, the struggle can be all too real. Each year come Record Store Day we do our very best to provide everyone with personal copies of our comprehensive RSD product list as well as directions to where these items are stocked in the store, and we always try to accommodate all individual queries, quandaries, and quests with safety and fairness. Sometimes this is as simple as recommending something to someone who doesn't know what they want, but knows they definitely want something because it's what? Record Store Day! With that in mind, I've created a list of RSD product picks especially for those folks who don't know what they want, but surely want something.

For more Record Store Day recommendations, please see the links at the bottom of this post. Happy hunting everyone thank you for continued support!


Johnny Cash - The Johnny Cash Children's Album (LP)

Sounding sometimes like Johnny Cash doing his best impression of Jerry Reed doing a Burl Ives record, you just can't go wrong with this lighthearted ramble into Cash country whether you're buying it for yourself or as a gift—it's good, it's weird, and it's, you know, for kids! Originally released in 1975, this sweet li'l collection features songs like "Nasty Dan" (penned by Sesame Street writer Jeff Moss—do look up Cash's Sesame Street performance of this song to an unusually enthusiastic Oscar the Grouch who refers to The Man in Black as "Johnny Trash/my kinda guy") and “I Got a Boy (and His Name is John)” written about Cash’s only son, John, and performed as a tongue-in-cheek duet with his wife, June Carter Cash. Worth it for "The Dinosaur Song" alone.



Def Leppard - The Def Leppard E.P. (45 RPM 12")

Pour some sugar on yourself all you want, but holy smokes is this very first Def Lepp effort an eon away from the bankable high-gloss of their MTV-friendly Pyromania and Hysteria. Which is to say that, despite it sounding like an obviously homespun self-released recording, this debut EP effing rocks, hard and rough! Originally sold at Def Leppard's first shows in 1976 (printed, glued, and assembled by singer Joe Elliott and his mother—aww), this reissue of a riff-laden NWOBHM rarity is a faith-restoring record of the bad as hopeful young lads treading early currents of heavy metal, all beacons lit, all engines revving and ready to cruise 'n bruise 'n have some fun. No disrespect to "Rock of Ages", but this here is real rock for the ages.



Noise Addict - 10,000 Kids With Guitars (2LP)

Chicago-based label Numero Group never pushes crap on Record Store Day so even if you aren't familiar with the totally 90s sounds teenage Aussie alt-rockers Noise Addict, this is definitely a record worth sniffing out, especially as the other two Numero RSD exclusives (Southwest Side Story Vol. 19 and the White Zombie Gods on Voodoo Moon 7”) might disappear fast. With a record cover that doubles as working chalk board, this comp spans the band's charmed career, including their darling acoustic ode to Lemonheads' frontman Evan Dando, "I Wish I Was Him", their Thurston Moore produced demo, and choice cuts from their Young & Jaded EP and Meet the Real You LP reissued during the mid-90s on the Beastie Boys' Grand Royal label. File under: cuute



The Cure - Greatest Hits Acoustic (2LP Picture Disc)

This was included in a previous Amoeblog post of RSD 2017 recommendations, but the part of me that still lives in 2001 (bless!) feels compelled to also include it here/push it again because, even if you're only remotely fond of The Cure, this record is a must have (even though it's a picture disc). Back in 2001, The Cure released one of those obligatory contract-fulfilling greatest hits compilations filled with kinda predictable tracks spanning their then 25-year history plus two new songs that were just kinda okay. However, wanting to provide something different/new for their fans, they re-recorded acoustic versions of their greatest hits and bundled it with first pressings of the Greatest Hits CD. Finally, a vinyl version of that splendid bonus disc! So good.



Dolly Parton - Puppy Love (7")

If you've ever wondered what simpler times sounded like for Dolly Parton, ponder no longer for this reissue of one of her earliest recordings (originally released in 1959—she was thirteen!) will enlighten you. Complete with packaging that is "as true to the original as we could make it", the upbeat A-side and comparatively tamer “Girl Left Alone" on the flip, a track written by Parton, her Aunt Dorothy Jo Owens, and her Uncle Bill Owens (who sound as if they may be backing up her vocals on the recording), makes this record interesting and downright adorable as it is. However, I can't help but wonder how these songs might sound slowed down to 33rpm.



Moondog
- Moondog (LP)

What is it, Jazz? Classical? Some kinda symphonic soundtrack? With spoken word? Yes, and maybe no, but surely there is no mistaking that Moondog's seminal 1969 self-titled album is one of those rare and thrilling cosmic oddities that must to be heard to be believed. If you haven't heard it, you probably don't own it, and that means that Amoeba, and the internet, has failed you. But no worries, Moondog's Moondog is getting a fresh pressing on white wax for Record Store Day this year (its first pressing in over a decade) making it a prime item to fill that Moondog-shaped void in your vinyl collection. Folks may be too hasty to declare this or that to be "everything" these days, but this record is pretty much it.




Various Artists - Sharon Signs To Cherry Red (LP)

"Darling, it's Cherry Red Records on the phone. They want you to go to London and record some songs while you're still feeling tortured and angst-ridden..." It could be argued that these two lines, spoken during a lull in the lead-off title track, are a neat summary of this compilation's many parts, but that would dismiss the multitude of reasons why this mix is exciting. Culled from a 2CD compilation of the same name showcasing "Independent Women 1979-1985" these creative and insightful female-led post-punk delights offer  varying glimpses into was happening outside the comparatively cheesy commercial pop of the time. That's not to say this mix is completely without its cheese, but it is guilt-free. 




Allen Toussaint
- The Allen Toussaint Collection (2LP)

This is the first ever vinyl release of a 1991 CD compilation of songs taken from the legendary New Orleans composer/piano guru's first four studio albums (From a Whisper to a Scream, Life, Love and Faith, Southern Nights, and Motion). I'm including this here because the first time Toussaint's music really reached me is when someone long ago played that CD comp at work and—blam!—I was completely rapt in that way that only music, and okay maybe also cute animals and inspirational landscapes, can instantly seize one's soul. Toussiant's compositions and performances themselves are like little landscapes of Soul, R&B, and Funk that maintain a distinctly New Orleansian tint, magical music that is as grounding as it is transportive.



Mungo Jerry
- In The Summertime (7")

This year's list of RSD exclusives is not short on 7-inch reissues of down 'n dirty ditties and other cruddy psychedelic garage door openers, but I predict that this one won't be flying off the shelves as fast as the others thus making it a prime target for late afternoon shoppers browsing the leftovers. I could be wrong though! Anyway, Summer is coming for half the planet soon (heck, in some places it feels like Spring barely got a day in) and "In The Summertime" is a pretty good song to have tucked in your arsenal of party 45s if you don't already have it. However, the B-side here, "Baby Jump", is where the real action's at, even if it boogies like it's wallowing in how bloozy-gross it is. Either way you play it, you got two bonafide horndog hits on your hands!



Colleen
- The Golden Morning Breaks (LP)
 
In an effort to end this list with the suggestion of a purely enchanting and ethereally beautiful album, this reissue of Colleen's long out of print and highly sought after second LP, originally released in 2005, is probably not an item you should sleep on if you're serious about getting your paws on it. But, again, I could be wrong! Pressed on gold vinyl (to further treasurise its tangibility?), The Golden Morning Breaks' melange of live instrumentation and experimental electronic interference, mixing courtly strings and music box chimes with atmospheric sweeps and intrusive bloops, marks a departure from sample-dependent sound of Colleen's debut effort. Altogether now a strangely nostalgic sound, but 2005 was good like that.

Looking for more Record Store Day recommendations? Check out this other list of RSD highlights, our RSD soundtrack picks, RSD Star Wars exclusives, Billyjam's overview of the Get On Down label's RSD exclusives, and come see about us this Saturday as we celebrate record Store Day at all three Amoeba locations! Best of luck to everyone and, again, thank you for continued support of local record stores everywhere!
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Four Decades Later, KISS Still Rules

Posted by Billyjam, June 24, 2014 09:58am | Post a Comment
KISS on the streets of New York City: June 24th, 1976

Above is a classic KISS photo shot on the streets of New York City exactly 38 years ago to the day (June 24th, 1976) when the hard rock band were still in their relative infancy - having formed only three years earlier in January 1973 out of the ashes of the NYC group Wicked Lester that was co-founded by Gene Simmons and Paul Stanley. Fast forward on four decades to just last night, June 23rd, 2014 (see video below shot by KISSonline's Keith Leroux) when KISS kicked off their 2014 summer, 40-date tour in Salt Lake City, Utah and performed, among other fan favorites, their amazing "King of the Night Time World" which opened their headlining set. The intense nine-week cross-country tour, on which Def Leppard are joining them as opening co-headliners, is already mostly sold out and proves that KISS - even four decades (technically 41 and a half years) later - still command a loyal large following. The SLC show reportedly delivered what KISS fans have come to expect from their cult heroes - loud rock'n'roll from the cartooned costumed KISS members with lots of stimulating grand scale visual effects accompanying such hits as "Shout It Out Loud" off their 1976 album Destroyer. The tour, which finishes in Texas on August 31st, will be rolling through California for several dates/locations in the beginning of July including July 3rd in Wheatland, July 5th at Irvine Meadows, July 6th at Sleep Train Amphitheatre in Chula Vista, and July 8th at The Forum in LA.  In the meantime check out KISS' impressive five page, back-catalog online at the Amoeba store.

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out today 4/29...madonna...portishead...

Posted by Brad Schelden, April 29, 2008 11:30pm | Post a Comment

I really wanted to spend this blog talking about the new releases from our old favorite bands Def Leppard and White Lion, but there are some other more important albums out this week that might have more people excited. Both Madonna and Portishead have some highly anticipated albums coming out today. I wanted Madonna to have to battle with Mariah Carey for the #1 album of the week, but Mariah came out a couple of weeks before Madonna, so we are left with Portishead instead to battle it out with Madonna-- a much better competitor I think.

So yes really, Def Leppard and White Lion both have albums out today. And there is a newBrett Michaels on the way as well. It has been over 20 years since White Lion released their second album Pride back in 1987. The album featured the massive song "When the Children Cry." You really could not get away from that song back then. The album did really well and I remember being obsessed with it myself. I ordered the cassette of it along with Hysteria by Def Leppard from one of those record clubs that  shipped you like 7 albums for 7 cents. Hysteria was Def Leppard's fourth album but it also came out in 1987. This was the album that really got me obsessed with Def Leppard. I was listening to the deluxe reissue version of Hysteria a couple days ago. I always forget until I listen to it, but the album is still amazing. I still have every song memorized. I am sure the album was overplayed for many and there are still many people out there scarred for life because of this album, but I really do love it. I could probably live my life without listening to White Lion again, but that one song still gets me whenever I hear it.

Just in case you were trying to remember 1987, Madonna did not release an album that year. It was the year after True Blue and we were all still in love with "Papa Don't Preach" and "Live to Tell." We had no idea of the controversy that lied ahead of us with Like A Prayer in another couple of years. I am sure there were a lot of Def Leppard fans out there that did not like Madonna, and I am sure they are still out there, but I really did love them both. I was young and really did just love myself some popular radio music. These albums made a huge impact on my life and are still somehow a part of me. It is a bit crazy to think that 20 years have passed since then, but they all have new albums out this week. I have not ventured into the new albums from White Lion or Def Leppard, and I might just skip them altogether so I can keep my memories somewhat sacred. But Madonna has been quite the busy lady since 1987-- it does really seem like her last album just came out. She seems to be always ready with a new one just when you have finished the last one. You have either worn it out or been sick of it since it came out and finally got it out of your head. I have pretended to not be a fan of Madonna a couple times over the last 20 years, but I just can't resist her or her music. She got me back then and I have not really been able to shake my love of Madonna. I have had mixed feeling about the last couple albums. I always sort of love it and like many of the songs, but I also always hope for a bit more that I get. I do respect the lady for continuing to be relevant and make albums that sound different than the last. The new album is mostly a Timbaland and Justin Timberlake album, but it is also most definitely a Madonna album. Justin Timberlake would not really exist without Madonna, so if you think about it that way, she is just using the people that she influenced to help her create a new album. I have been trying to get coworkers to place bets on what album will come out on top at Amoeba this week. Madonna will most certainly have the top album in the country this week. But I have my faith that Portishead will win the competition at Amoeba. Although based on first day sales today, the race will be much closer than I thought. 

I have had a little time to spend with both albums today. The new Madonna is called Hard Candy. It is full of the catchy dance songs and ballads that we expect from her. I love a couple of the songs already but I also hate a couple. I am usually more excited about a new Madonna tour than I actually am about a new Madonna album. The album is for sure another fun album, I just don't think anybody needs to be calling it breakthrough, amazing or revolutionary. 

But this new Portishead album is really fantastic. Like most people I know, I was very obsessed with the album Dummy when it first came out back in 1994. The album seemed to be popular for like 5 years and became part of the soundtrack of the mid to late 90's for many people, one of those albums that it is hard to imagine the 90's happening without. The album sort of changed music a bit, at least for me. It was a sort of intense and dark album, but it made me very happy. Hard to even explain, but the album somehow helped me to enjoy my life more. It somehow also created a sort of community with all the other Portishead fans. Like fans of Suede or The Smiths, you just instantly got along with anybody else who also loved this album. They created another great album back in 1997 but it was really hard to do anything better than the first album. I was not really expecting to like this new album. They called it Third. It is their long awaited third album-- 11 years later-- but it really is fantastic. It is not Dummy, but you really should not expect them to just make the same album over again. It is a whole new sort of Portishead album. The vocals of Beth Gibbons seem to be the same haunting beautiful vocals that made me first fall in love with them years ago. The first single is "Machine Gun." It is one of my favorites-- tragic and beautiful and very much a Portishead song. I don't really know how this new album could really disappoint a Portishead fan. I don't think I will be listening to it as much as I did Dummy, but I may never listen to any album as much as I did that one. I have only had a chance to listen to it twice today. It may fit better into the cold winters of San Francisco than the warm early beginnings of summer in Los Angeles, but I still welcome it into my life with open arms. I may partly love it because of my nostalgia for that first album, but I think I would still find it to be an amazing, unique album if this was their first album and I had never heard of them before.

There are some other great albums out this week as well. The Santogold album is really making me happy lately. There are also two really good soul albums out this week. The new albums forom Estelle and Eli Reed are for sure worth your time.
 

also out today...






Santogold by Santogold










Smile by Boris











Kensington Heights by  Constantines











Maths + English by Dizzee Rascal











Shine by Estelle











The Midnight Organ Fight by Frightened Rabbit











Best of Joy Division by Joy Division











Going Places by Kid Creole











Jim by Jamie Lidell











Roll With You by Eli "Paperboy" Reed & the True Loves











Rising Down by The Roots











You Are Here by South

INTERVIEW WITH SIMON FROM AMOEBA MUSIC HOLLYWOOD

Posted by Billyjam, August 27, 2007 06:40am | Post a Comment

Drummer and Texas transplant Simon has been working at the Hollywood Amoeba Music store for a little over a year now. Recently I caught up with the SoCal Amoebite, whose "best of" lists include AC/DC and Iron Maiden, to ask him about his all time favorite albums and films and the first album he bought (and if he still likes it? -- he doesn't). I also talked with him about living in LA as an artist, about his experience working at Amoeba, and what he sees as the future of the music business. Simon also offered his recommendation for a good spot to grab a bite to eat near Amoeba Hollywood.

AMOEBLOG:
How'd you end up working at Amoeba and what exactly is your job there?
 
SIMON:
Well, I was working in the service industry for about a year fixing security systems when I found Amoeba Music. I didn't like my job at all and always liked working in record stores. I decided to give Amoeba my resume and in three months I was hired. I was hired April 10th 2006 and I work in the video department, new rock, and on the registers as a clerk.

AMOEBLOG: When not working at Amoeba, what music or other creative type things do you do?

SIMON: When not working at Amoeba I play drums in two metal bands:  Lethal Acts Properly Demonstrated and Mercenary Angel.

AMOEBLOG:
What makes working at Amoeba unique compared to other jobs you've had?

SIMON:
Amoeba is unique due to the fact that everybody is great to work with and there is no stress at all. I've nevemonster squadr worked in a job where i can relax around the owners and managers. They are awesome!

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