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Mahssa's Massive CD Round Up - Theo Parrish, Walls, Plaid, Lawrence, DJ Shadow & more

Posted by Oliver / Matt / Jordan, October 7, 2011 05:05pm | Post a Comment

Theo Parrish
Ugly Edits
Ugly Edits 



Hello world, they're here. Unavailable for like, ever, now in one package complete with a hand-painted cover. Theo Parrish is one of Detroit’s most wanted exports especially in the past few years, but not too long ago, like many future techno-rebels that came before him, he was just another hustling Detroit DJ trying to make waves in the shadow of the city’s rich techno history. His indelible mark on the underground were highly limited, hand-labeled bootleg edit records of some of his favorite classic funk and disco tunes. The series of edits appropriately titled Ugly Edits, became highly desired rarities on the DJ and collector’s circuit. Rarities no more... as everyone should and can now hear his versions of Jil Scott, Harold Melvin & The Bluenotes, Freddie Hubbard, and Sylvester edits just to name a few somewhere other than YouTube. Cool.
Lawrence
Lawrence
Timeless

Cocoon  


 
Sure the techno mix CD might seem to some as a maligned format. But as long dope jams like these keep coming, well, better this than most. The port city of Hamburg is not only Germany's gateway to the world, but home of DIAL label boss Peter M. Kersten aka Lawrence which he runs with Carsten Jost, quality brand for all value-conscious cultivation of high-quality melancholy Techno. In a fit of celebration and after seven albums under his producer aliases Lawrence and Sten, his vision of sound (especially as a DJ) is manifested in his new mix, TIMELESS. Crafted with a kind of instinct only a seasoned producer/DJ upholds, and in flawless role reversal from spectator to participant, a romanticism of clubbing and its relation to electronic dance music as a crucially timeless sensual component is vivid and alive. Milestones of minimalized deep house are found here, cuts by Chez Damier, Ron Trent, Isolee, Rob Hood, and Thomas Melchior/Baby Ford to name a few.

Stefan Goldmann & Finn Johannsen
Stefan Goldmann & Finn Johannsen
Macrospective
Macro



Welcome to the first Macro label compilation, where first hand you can reap the awesomely weird fascinations of all things left-of-techno-field, as groomed by these avant-gardeners. In this world it is normal for minimal techno patterns and rhythms be paired with atonal choir chanting, or being inspired to stich 146 sections from over a dozen classic recordings of Stravinsky's Le Sacre du Printemps in order to create a "fully realized" version. Features cuts and remixes by Oni Ayhun, Elektro Guzzi, Oliver Ho, Villalobos, and Goldmann himself. Impressively at the forefront of everything stylistic, and perpetually cool, Macro has musical material and inspiration to be seriously reckoned with and celestially absorbed.

Plaid
                                                                                                        Plaid
                                                                                                   Scintilli
Warp
                                                                                                                                                                       
Warp Records is undoubtedly the worlds leading electronic brand of quality, and not so much quantity. And ill gladly wait 1-15 years for a new album by Seefeel, or in this case, Plaid. In this piece of sonic sci-finery, the main thing (out of all the cool things one can say about this album) is hearing how the ideas you hear in modern dubstep have their roots in and with these classic artists... old school Artifical Intelligence and UK post-techno. Its also interesting to hear how the modern dubstep sound has also influenced the old order. Generations melding. Speaking of the old order, there are also some cuts here that still runs hot with IDM in a true to from 90s Warp steez, reminiscent of not just Plaid/Black Dog's early days but also of Squarepusher and Aphex Twin. Generously melodic and even poppy at times, this is a wonderful Plaid album, with chamber instrumentations and Stereolab-isms to boot.

 

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