Amoeblog

California Fool's Gold -- Exploring Happy Valley

Posted by Eric Brightwell, December 5, 2013 10:56am | Post a Comment
BETWEEN OLYMPUS AND PARADISE

There are at least four places in California named Happy Valley. This blog entry is about the small neighborhood on Los Angeles’s EastsideTo vote for other Los Angeles neighborhoods, vote here. To vote for Los Angeles County communities, vote here. To vote for Orange County communities and neighborhoods, vote here

Concert Tickets For Sale at Amoeba Hollywood in December

Posted by Amoebite, December 2, 2013 01:18pm | Post a Comment

Tickets at AmoebaAmoeba Hollywood regularly sells tickets to local shows, with the added bonus of charging low service fees (if you're into saving money and who isn't really?).

All tickets can be purchased at the registers (while supplies last) for a $2 service fee. We take cash and credit cards for all ticket sales. Store credit and coupons cannot be applied to ticket sales. Limit 4 tickets per person.

Please note that on the day of the show, we will stop selling tickets for that show at 5pm.

If you have a question about whether we've sold out of a specific show, please call the store at 323-245-6400.

JUST ADDED SHOWS:

Step Brothers El Rey

Step Brothers
El Rey Theatre
February 5

Kaiser Chiefs El Rey

Kaiser Chiefs
El Rey Theatre
February 25

 

Here is a full list of tickets we currently have for sale at Amoeba Hollywood:

Show Name Venue Show Date Ticket Price
(fee not included)
Cibo Matto El Rey 02/24/2014 $25.00
Sharon Corr El Rey 02/26/2014 $37.00
Crystal Method El Rey 01/16/2014 $25.00
Dale Earnhart Jr. Jr. El Rey 02/28/2014 $20.00
Dark Star Orchestra El Rey 04/05/2014 $30.00
Darkside  (SOLD OUT) Fonda Theatre 01/25/2014 $25.00
Robert DeLong El Rey 01/31/2014 $17.00
Delorean
(Show postponed to Feb 7, 2014.
All tix for 11/15 will be honored.)
El Rey 02/07/2014 $20.00
Dillon Francis
(12/28 SOLD OUT)
Fonda Theatre 12/26, 12/27 & 12/28 $27.50
Galactic El Rey 03/30/2014 $32.00
Gardens & Villa El Rey 03/08/2014 $17.00
G-Eazy Fonda Theatre 02/27/2014 $20.00
Mike Gordon El Rey 03/17/2014 $25.00
RL Grime El Rey 01/23/2014 $22.00
Gungor El Rey 01/18/2014 $22.00
Hollywood Ending El Rey 02/20/2014 $17.00
Hopsin El Rey 03/22/2014 $25.00
John Butler Trio Fonda Theatre 02/21/2014 $35.00
Kaiser Chiefs El Rey 02/25/2014 $30.00
Kodaline El Rey 02/27/2014 $20.00
London Grammar El Rey 03/25/2014 $22.00
Lord Huron Fonda Theatre 03/01/2014 $22.50
Mad Caddies El Rey 02/04/2014 $17.00
Stephen Malkmus El Rey 03/28/2014 $25.00
Mavericks Fonda Theatre 04/03/2014 $35.00
Colin Meloy Fonda Theatre 01/16/2014 $28.50
John Newman El Rey 01/15/2014 $17.00
Gary Numan The Mayan 03/06/2014 $35.00
Parquet Courts & White Fence Fonda Theatre 01/17/2014 $17.50
Pinback El Rey 01/17/2014 $22.00
Russian Circles El Rey 03/10/2014 $20.00
Skinny Puppy The Mayan 03/05/2014 $35.00
Slaughterhouse El Rey 04/10/2014 $25.00
St. Lucia El Rey 02/11/204 $18.50
Step Brothers (Evidence x Alchemist) El Rey 02/05/2014 $20.00
Dave Stewart El Rey 01/30/2014 $25.00
Tosca
(Show postponed from 12/9 to 3/3.
All tix for 12/9 show will be honored.)
El Rey 03/03/2014 $30.00
Trombone Shorty El Rey 01/25/2014 $27.50
Typhoon El Rey 03/26/2014 $20.00
VNV Nation The Mayan 04/03/2014 $25.00
Volcano Choir (SOLD OUT) Fonda Theatre 01/18/2014 $26.00
Washed Out (SOLD OUT) El Rey 01/27/2014 $29.00
Wax El Rey 12/30/2013 $18.50
We Were Promised Jetpacks El Rey 02/21/2014 $20.00

 

New "What's In My Bag?" Episode With Moby!

Posted by Amoebite, October 2, 2013 06:36pm | Post a Comment

From humble punk beginnings to global festival headliner, Moby is easily one of the most recognizable faces in electronic music. In addition to being a platinum selling artist/producer, Moby is also a seasoned photographer and a multi-instrumentalist. He's an advocate for animal rights and a devout vegan. The guy is one cool dude.  

Moby is back with his eleventh studio album, Innocents (Mute). Following a move from New York to LosMoby Angeles, he recorded most of the instrumentation himself. He also collaborated with a list of relatively known singers including Mark Lanegan, Wayne Coyne of The Flaming Lips, Cold Specks, Skylar Grey, and Damien Jurado. The result is a multi-layered production of both deep emotion and huge sonics. 

The album will be promoted by a three date tour in Los Angeles. Yes, just 3 live shows will make up all the touring for Innocents. Oct 2, 3 and 4 will see Moby perfoming three hour sets at the Henry Fonda Theatre in Los Angeles. Each show will be performed in two parts with the first half featuring songs from the new album and the second half being a "greatest hits" set.  

Continue reading...

Come Record Digging With Us 10/6 at the Pasadena City College Flea Market & Record Swap

Posted by Amoebite, September 26, 2013 02:11pm | Post a Comment

Pasadena Cit College Record SwapAmoeba returns to one of the biggest and best record swap meets in the LA area, the Pasadena City College Flea Market and Record Swap, on Sunday, October 6, 2013. With over 500 vendors, the Flea Market features antiques and collectibles, records, tools, clothes, toys and much more, not to mention food and good company. And admission is always free!

The Flea Market and Record Swap is from 7am-3pm. Look for the Amoeba booth located in the Bonnie St. parking structure (Lot 5) on the third level. We always have a great selection of vinyl, from dollar records to collectibles in every genre. Come out and enjoy your Sunday with us!

The LA Weekly calls the show "the best source for used records in all of Southern California."

More info HERE.

PCC October 6

Notes From a Grumpy Old Man: The Real Zombie Apocalypse is Dull and Ordinary

Posted by Gomez Comes Alive!, September 23, 2013 08:38am | Post a Comment

Los Angeles has sure changed.

Some have been welcomed changes and others are hard to get used to. I’m constantly reminded this when I deejay in spots in Echo Park, Hollywood or Highland Park. Those parts of town were once considered the scourges of the city. It was riddled with gangs, drugs, homelessness, crime, earthquake damage and rows of buildings for lease. Ten years later, it’s now it’s a playground for the dull and ordinary. The argument of hipsters no longer applies here, because there is nothing hip about the people that play here. At best, they are in college; at worst they are former frat boys who have come to roost now that the area is safe.

When I used to tour for a living, the best thing about coming home to Los Angeles was getting away from the countless generic college towns that most of the venues  were located. Much like the Wilson Pickett song “Funky Broadway” , where every town has a "Broadway and a Broadway women", the college town had the same restaurants, coffee houses, record stores, frat bar, alternative bar and everyone looks the same. Ethnicity as a whole was slim to none, as people of color were always relegated to the “other” parts of town. Being Chicano, I always felt I was in the wrong part of town when as well.. Places with diversity, such as Chicago and New York, were always welcomed stops on the road because I felt I could take a breather from the generic college town. I was never one to wonder why Los Angeles couldn’t be like Austin, Olympia or Chapel Hill. I liked Los Angeles the way it was. It was spread out, not connected by trains so you can play tourist in someone’s barrio. It was damaged and a place for the strong to thrive and the weak to avoid. It short, it was great.

Much like most of America, the economic downturn of seventies and eighties turned many big cities into slightly controlled wastelands. But because of it, the music thrived. Los Angeles gave us great punk bands such as X, The Bags, The Weirdos, Black Flag, The Minutemen, The Gun Club, The Germs, just to name a brief few. Amazing roots rock in The Blasters and Los Lobos. Even Psyche got a re-hash, with The Dream Syndicate, Rain Parade and Opal, who soon became Mazzy Star. Weirdo outsider metal from Jane’s Addition and as much as I abhor hair metal, Guns N’Roses and Motley Crüe  has to be given their due, They owe everything to L.A. Rap music? N.W.A. and Freestyle Fellowship, just those two groups spawned a million imitators, all with attitude. If  you are new to Los Angeles and you think L.A. is rough now. Listen to all these groups and hear what it was really once like.

There was once a push to preserves culture and not co-op. The World Stage in Leimert Park and people like Billy Higgins, Dwight Trible and Horace Tapscott went in the tradition of John Coltrane in preserving black culture and not turning it into smooth jazz or pseudo-classical dribble that most modern jazz sounds like today. Chalino Sanchez made his career in the clubs of South Gate. He was already widely popular with the Mexican immigrant community before he started to make the news with violence at his shows. Then there were all the bands from East Los, such as Ozomatli and Quetzal, who took risks in their incarnations by mixing traditional music with modern music. They brought culture and pride to kids that had no idea what that meant and they brought fresh sounds to traditionalists who were stuck in the past. They received a lot of crap from purists and hipsters alike but because of them, now anyone can mix Son Jarocho with Hip-Hop regardless if they are any good at either style and everyone thinks they’re geniuses. Let us not forget the many underground bands, party crews, back yard punk gigs, warehouse parties that have all their own history in Los Angeles as well. It's not to say that all music from L.A. from the back in the good ol'days is better than the music that comes out now, it's just different. I feel it said more.

Now there are parts of L.A. that feel like a college town, and its sad. I see things that make my stomach cringe. I saw a barefoot girl walk into a once seedy dive without anyone telling her to put her damn shoes on. Knowing my Los Angeles history, I can still feel the filth of these places underneath my feet and I’m wearing shoes. The entitled, they just don’t seem to care. They walk back to their cars from the clubs drunk and screaming, waking up people who have to work early the next day. It's nothing new, especially if you live by a club, but now there are neither policeman or gangsters in sight to regulate the neighborhood. As I get older and the audience that I deejay in front of gets younger and seemingly more naive, I feel the guilt that I’m facilitating someone’s future nightmare by contributing the soundtrack to it. I watch as frat boys shove drinks down young ladies throats so they can take them home because “They paid for the drinks” It’s not to assume it wasn’t always like this, but the entitled make it so overt, so obvious, that it’s hard to ignore.

The record stores and bookstores all have the same things. Used Fleetwood Mac’s Rumours LPs are suddenly at collector’s prices and the dull and ordinary don’t argue, they just pay the price. The coffee is served in a beaker and it costs a small paycheck, almost everywhere. The menus have changed. The Mexican restaurants have vegetarian options, without the scorn from the waitress when you try to explain that you are vegan. Salsa is served on the side instead of being put inside a burrito as to cut cost from all the returned food because ii's too spicy for bland palates. Everything is easy for them because let’s face it, they have money. It’s beyond gentrification; it’s the zombie apocalypse and it’s boring.

So after a rough night in the college town once known as Los Angeles, I started to think about all these thoughts in my head. I was too tired to write them out and quite frankly, it was late and I just needed some brain eraser. For some reason I started to think, “What would Black Flag and N.W.A. do if they took a time machine and were transported into future Los Angeles in the boring zombie apocalypse of 2013?”

Yes, I had no clue what they would do either.

So instead, I transplanted myself into a Black Flag show from 1982 via YouTube and rediscovered the virtues of Black Flag. The noise they made during that show could kill a thousand zombies today. The line-up from the gig I watched was astonishing. It consisted of Greg Ginn and Dez Cadena on guitar, Chuck on bass, Henry on vocals and the short-lived line-up concluded with former D.O.A. and future Danzig drummer Chuck Biscuits on drums. The video was horrible quality. The audio was absolutely unlistenable, but it relaxed me like a lullaby. Soon I curled up in a ball and fell fast asleep with Rollins screaming on the top of his lungs while Biscuits pounded the drums with complete recklessness. I was soon far, oh so far, from the dull and ordinary zombie apocalypse.








 

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