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National Doughnut Day

Posted by Whitmore, June 5, 2009 09:30am | Post a Comment
 
The perfect complement to coffee in the morning, other than the New York Times, is that magically deep-fried (occasionally baked), fatty combination of flour, sugar and oil-- the doughnut, or if you prefer the donut.
 
Every year the first Friday in June is National Donut Day. And according to a few noteworthy sources, some national chains like Krispy Kreme, Dunkin' Donuts, Yum Yum Donuts, and Winchell's are giving away some of their cream filled goodies today for free.
 
Now, I am often skeptical about Wikipedia entries, and this time though I am more dubious than ever – but anyway, National Doughnut Day was started in 1938 as a fund raiser for the Chicago Salvation Army. Their goal was to help those in need during the Great Depression and honor the 250 or so Salvation Army volunteers, "Lassies," who in 1917 went to France during the First World War. Because of the difficulties of providing freshly-baked goods in trench warfare, the Lassies served doughnuts to soldiers behind the front lines. According to legend, the doughnuts’ being doled out to US enlisted men was the origin of the term doughboy, the nickname for the US infrantrymen in the First World War.
 
Anyway, you still have a couple of hours left to find a free donut somewhere along our great nation’s glazed ribbon of highways. So get out there, grab a cup o’joe and who knows, maybe you can talk your way into a free chocolate glaze twist, a bear claw, a glazed donut with rainbow sprinkles, a maple long john, or even a raspberry filled glazed cake, or a frosted strawberry filled glazed donut, and if not, be nice and maybe somebody will buy you one. Happy National Donut Day!

AMOEBA MUSIC HIP-HOP WEEKLY ROUND UP: 06:05:09

Posted by Billyjam, June 5, 2009 04:20am | Post a Comment
Amoeba Music San Francisco Hip-Hop Top Five: 06:05:09
J Dilla
1) J Dilla Jay Stay Paid (Nature Sounds)

2) Eminem Relapse (Shady/Aftemath/Interscope)

3) Method Man & Redman Blackout! 2 (Def Jam)

4) Marco Polo & Torae Double Barrel (Duck Down)

5) Tiye Phoenix Half Woman/Half Amazing (Babygrande)

The number one album on this week's Amoeba Music hip-hop chart is from the late great J Dilla, aka Jay Dee,  the Detroit producer and hip-hop talent who tragically died from Lupus three years ago. The new album Jay Stay Paid on Nature Sounds was produced by J Dilla's mother, Maureen Yancey (also suffering from Lupus) wtih Pete Rock acting as music supervisor of the project. The 28 track record is rich in beats of various styles and tempos and additionally features cameos from various emcees, including (his brother) Illa J, Mobb Deep, and Raekwon -- all guaranteed to appease the ever swelling base of Dilla fans.

And as seems to be the case with so many other deceased hip-hop acts, J Dilla continues to release a string of new albums posthumously. In addition to Jay Stay Paid, expect another J Dilla release coming soon. It is the second volume in the Dillanthology series on Rapster Records. Titled Dillanthology 2: Dilla's Remixes for Various Artists, the twelve track remix compilation, which will arrive in Amoeba on Marco Polo + ToraeTuesday, June 23rd, will feature Dilla's remixes for such artists De La Soul - "Stakes Is High" ft. Mos Def & Truth Enola (Remix), Busta Rhymes - "Whoo Ha" (Jay Dee Remix), The Pharcyde - "Y? (Be Like That)," Slum Village - "Fall In Love (Remix)," and Spacek as well as hard to find versions of tracks from The Artifacts and Masta Ace. For more info, click here.

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Alasdair Roberts Chats About His Beautiful New Album Spoils

Posted by Miss Ess, June 4, 2009 04:32pm | Post a Comment
Drag City recording artist and Scotsman Alasdair Roberts' new album Spoils is one of the best I've heard all year. It's a lyrically dense, elegant and complex album with trad folk touches. One of its best qualities is its natural ease -- it manages to sound both organic and dense, positively medieval and modern at the same time. Roberts has been creating eloquent, idiosyncratic albums for quite some time, since 1994 to be exact, at first with the band Appendix Out and then simply under his name for the past 8 years. He was rather famously signed to Drag City after handing Will Oldham a tape of his music back in 1995, and his musical career has blossomed on since then. Spoils feels like the culmination of the sound he has cultivated since his first solo album. It is well worth tracking down and listening to repeatedly. My interview with Alasdair follows.

alasdair roberts

Miss Ess: When and how did you begin writing songs?

Alasdair Roberts: At 15 when I saw footage of the Hindenburg disaster on television and heard the pain in the presenter's voice saying, "Oh, the humanity." I then wrote my first proper song called "Autumn."

ME: What records from your youth have stayed with you most strongly?

AR: Early eighties pop singles. "Karma Chameleon" by Boy George; "Don't Leave Me This Way" by the boy georgeCommunards. "Pass the Dutchie" by Musical Youth.

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The Late, Great David Carradine

Posted by Charles Reece, June 4, 2009 10:07am | Post a Comment
The pebble has been snatched from our hands. He hung himself with a curtain cord in a
Bangkok hotel. Dead at 72. Go
here for more info.

New Electronic CD Releases 6/4/09

Posted by Oliver / Matt / Jordan, June 4, 2009 09:46am | Post a Comment

Holger Zilske
Holz
Playhouse

This is the debut full-length release by Berlin's Holger Zilske (aka Smash TV) for the Playhouse label. A leading proponent in the ascendancy of the BPitch Control label and the greater electronic landscape, Holger has cultivated his reputation as a techno visionary under the moniker Smash TV with over 8 years and nearly 30 releases to his name. Since then, Holger's distinct blend of complex arrangements and gargantuan bass lines has been refined incrementally. With ten productions laden with bubbling textures, sweat-fueled percussion and tropical artwork, Holz navigates us into summer climates with moist palms and deep, deep eyes. "Lichterfelde" transforms remote boroughs of Berlin into ecstatic wildernesses populated by looming insectoid tones and gusts of humid pad textures. Punctuated by stabbed Eastern melodies, bouncing bass drops and ritual drum patterns, the opener sets the climate perfectly. "Mes Yeux" pulses amidst decompressing pads and reverberant mechanical samples in a deep house descent, while the hazy beginnings of "Roter Rausch" swarm around steadily enveloping synth and bass progressions in an intoxicating techno mirage. Deep and penetrating synth tones define "Druckraum," which probes meticulously with lazy, clicked percussion and the distant chatter of echoing beats. "Work" commands your obedience with mesmerizing melodic passages and dystopian, metallic percussive accents. "Golden" builds a lazy pop lullaby with decaying samples, trickled percussion and the dulcet vocal contributions of Swedish artist August Landelius. "Metrodancer" builds a formidable house strut with poked bass and melodic punches of 8-bit synth. In a similar vein, "Olho Gordo" plunges into dark waters with ghostly pads, dry, percussive tones and enveloping beats to test your after-hour stamina. Under the pseudonym One Chef, August Landelius returns to team up with Holger on "Have A Cup Of This," which disorients with clattering percussion and certifiably dizzy synth lines that dance around plunging bass tones and ringing symbol rotations. Counting to close with resonant, clocked percussion, August reintroduces his intimate vocal reflections in another downbeat pop arrangement, "To Them To Me," providing the perfect soundtrack to the end of an evening, and an appropriate end to an album that signals a new dawn for Holger Zilske.

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