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New Electronic CD Releases 9/15/09

Posted by Oliver / Matt / Jordan, September 15, 2009 04:30pm | Post a Comment
flat lux
HAITO GOPFRICH

Fiat Lux
Boxer

This is the debut full-length release from Berlin producer/DJ Haito Gopfrich -- the man of innumerable faces and the Doctor Mabuse of German dancefloors. Hooked by the eclectic early DJ-work of Hans Nieswandt and Eric D. Clark, Haito is now well-trained on Berlin's Loveparade vehicles, and as a result, his work has been pressed onto vinyl by labels such as Kickboxer, Malatoid, Spagat, Low Spirit and Acker Records. With Fiat Lux, Haito tells us his stories from the club in a colorful, thrilling and filmic way, emphasizing a diversified, round dance of styles, genres, ideas, sounds and beats. From the exhilarated groove of a gritty high-school comedy ("I Ro Love"), over the sticky heat of a foreign marketplace demolished by a wild chase with James Bond ("Pusher"), to the fizzling noise of a motor in a SF manga road movie, Haito seems to know how to set everything to the music he's got in mind. The hardcore continuum is cultivated by elegantly-rushed drum patterns ("Drugpeople"), Alfred Hitchcock's shower curtain knife-scene is shot into the universe via electro-funk ("Freedub"), and a harmonized depth of field meets a roughened, saw-tooth discourse ("Disconnect"). Even the Yakuza smasher with Renaissance costumes filmed in Andalusia finds its true destiny in the spinet rave of "Non Plus Ultra." And above all, intelligent sample editing, four-dimensional, fluffy synths and springy percussion sounds can't be wrong. The peak of the album is the 2009 version of "E-Love," a revised version of the 2008 hit released on Kickboxer: a couple of tricky samba piano sounds are smuggled into the pockets of a subtly-bouncing clapper trailing a comet-tail of synths. Last but not least, after the Wall Street psycho thriller "Mummy," and "Komm Mal Klar," you'll find "Good Times, Bad Times" -- a hymn for the closing credits with vocals by Eric D. Clark that pulls out all the emotional stops to keep the audience enthralled and teary-eyed.

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FIVE THINGS KANYE WEST COULD HAVE SAID INSTEAD AT THE VMA'S

Posted by Billyjam, September 15, 2009 03:18pm | Post a Comment
Kayne West vs Taylor Swift
Kanye West
's well publicized little outburst at Sunday night's MTV Video Music Awards (VMAs), in which he bum-rushed the stage during country singing teen Taylor Swift's acceptance speech to grab her mic and offer his uninvited opinion on how unfair he felt it was that Beyonce didn't win in the Best Female Video category, gave the media some fodder complete with a good headline for their report on the otherwise ho-hum awards show. And the fact that there suspiciously was no security whatsoever to stop West from storming the stage merely proved what many have long speculated: that MTV's producers secretly encourage any kind of controversy to spice up and give some edge to their show.

But by now Kanye's attention grabbing stunts are beyond tired. On Sunday night, even Beyonce, whose honor he somehow believed he was defending, wasn't impressed by his rude gesture. Neither was anyone else it seemed. And why should they be? Beyond the disrespectful act itself, it's not like he was sticking up for some totally underrated, slept-on artist. It was Beyonce -- one of the world's biggest stars, who a little bit later on in the same show would be bestowed with the Video Of The Year award. If Kanye is going to bum rush the stage and grab someone's mic, he should use the opportunity to say something of substance or worth.  Here are five suggestions for Kanye of what he could have said instead:

1) Talk about something really important or of social/political relevance like he did four years ago in his infamous post-Katrina "George Bush doesn't care about black people" comment (see video below). Or take Beyoncethe opportunity to comment on the growing thinly veiled tide of racism towards Barack Obama, or question why a FOX News host is getting away with calling the president "a racist." Or how about offering some opinion on health care? Note that even the host of the evening, Russell Brand, addressed this issue. However, like everything else that this English host-with-an-acquired-taste uttered throughout the long evening, it simply didn't register with the VMA audience.

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On the margins' margins - Asian Latinos - Latasian 101

Posted by Eric Brightwell, September 15, 2009 12:35pm | Post a Comment
A common misconception about Latinos they are a racially homogeneous people. In Los Angeles and elsewhere, the word "Mexican" is used to refer to pretty much anyone who looks like they may have roots south of the Rio Grande, regardless of country of origin. I assume the same goes for Puerto Ricans and Cubans in areas where they dominate, although I'm not sure. I've heard the Honduran Latino population of New Orleans described as "Mexican" by more than one person.

Barrio Chino, Habana, Cuba
Habana, Cuba

This misconception is, ironically, inadvertently furthered by many Latinos themselves. Though the concepts of “brown pride” and “La Raza,” are used to instill pride in Chicanos, mestizos, or those with Spanish ancestry (depending on how they’re applied), at the same time they effectively marginalize Latinos with African and Asian ancestry, despite their being no less Latino by definition. Furthermore, in the 2006 US Census, 48% of Latinos described themselves as white/European-American. Only 6% described themselves as of "two or more races." In fact, the majority of Latinos are clearly of mixed, partially indigenous heritage. The census question may be a trick, since, as most people know, any actual white person will steadfastly self-identify as Native American, claiming a great-great-great grandparent who was (usually) Cherokee.


Japanese Brazilians

What distinguishes countries in the New World from those in the Old is that here there's no such thing as a Nation-State and no countries in the western hemisphere correspond to a single ethinicity. Just as is the case in Anglo America (The Bahamas, Belize, Canada, Guyana, Jamaica, the United States and the Virgin Islands), there are Latinos whose race is Asian, black, Native, white or a combination thereof. In observance of Hispanic Heritage Month, which begins today, the focus of this blog on Asian Latinos aims to highlight just one example of the under-recognized heterogeneity of Latino culture.

New 12" Electronic Releases at Amoeba Hollywood - 09/18/09

Posted by Oliver / Matt / Jordan, September 14, 2009 02:11pm | Post a Comment


New Electro/Techno 12"s Coming This Weekend:
dustin zahn stranger to stability rek'd
Dustin Zahn
STRANGER-LEN FAKI REMIX 12"
REKD001

Crazy demand for LEN FAKI's PODIUM remix led to this pressing. HUGE summer techno tune that CARL COX dropped at Space and that wrecked the dance floor. The build ups and drops are INSANE! Also includes the original version and a "X BREAK" mix from FAKI as well. Do not sleep on this!
    


Raza
DETROIT, WORK IT OUT 12"
DP02

Cult like techno imprint invites a former WARP artist to let the music talk under the alias RAZA. State of the art modern techno, sounding as if it was forged in Detroit and finished in Berlin. Three beautiful tracks, fans of ECHOCHORD, STYRAX. Audiophile mastering, vinyl only!
    

Michael Jackson vs Drastics MJAROCKER LP MJAROCKER

Count & Sinden MEGA 12" RUG317T 

POET, PUNKER JIM CARROLL (Basketball Diaries) DIES AT AGE 60

Posted by Billyjam, September 14, 2009 01:13pm | Post a Comment

Jim Carroll "People Who Died" 

At the relatively young age of 60, Jim Carroll, the poet and punk rocker best known for his book adapted into the Leonardo DiCaprio-starring movie The Basketball Diaries, and whose most famous song is "People Who Died" (above), himself died a few days ago from a heart attack in his NYC home.
basketball diaries
A key part of the legendary downtown New York art scene in the 1970s, Carroll was known for associating with the likes of Patti Smith, Andy Warhol, and Robert Mapplethorpe. Carroll was also known for his drug use/abuse, never keeping it a secret but rather drawing from it extensively in his writing. First he was a poet and then a musician, on the urging of Patti Smith reportedly. His poems effortlessly morphed into songs such as the aforementioned "People Who Died," which was a poem first and then adapted to music on his much revered 1980 album, Catholic Boy.

The Basketball Diaries was Carroll's autobiographical tale of life as a sports star at an elite Manhattan private high school. He attended on a scholarship. Initially it began as the artist's own personal diary but it soon shaped into a book. The finished novel was first published in 1978 and has remained popular ever since. It became even more widely known after the 1995 film adaptation.

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