Amoeblog

Vic Mizzy 1916 - 2009

Posted by Whitmore, October 21, 2009 10:22am | Post a Comment

American composer Vic Mizzy, best known for his absolutely note perfect theme songs for such iconic 1960’s television shows as The Addams Family and Green Acres, died of heart failure this past weekend at his home in Bel-Air. He was 93.
 
Mizzy’s brilliance has been indelibly etched in television history with his ability to accentuate the quirkiness of those shows with his own offbeat, clever sensibility. "They're creepy and they're kooky, mysterious and spooky, they're altogether ooky: the Addams family."
 
Born in Brooklyn on Jan. 9, 1916, Mizzy’s first instrument was a toy accordion, later he learned to play a real one along with the piano. When he was 14, he met fellow Brooklyn native Irving Taylor, the two began a successful writing partnership that continued while Mizzy attended New York University and through the Second World War when both Mizzy and Taylor served in the Navy. They co-wrote a number of hits, including "Three Little Sisters," There's a Faraway Look in Your Eye," and "Pretty Kitty Blue Eyes," and "Take It Easy." After the war, with another songwriting partner, Mann Curtis, Mizzy wrote more hits like "My Dreams Are Getting Better All the Time," "The Whole World Is Singing My Song," "Choo'n Gum" and "The Jones Boy." His songs were recorded by celebrated pop vocalists like the Andrews Sisters, the Mills Brothers, Doris Day, Dean Martin, Perry Como and Billie Holiday.
 
However, he found his greatest success in his television work. Mizzy first wrote themes for the Shirley Temple Storybook, “The Enchanted Melody,” and The Richard Boone Show, but it was his ghoulishly fun theme song for the television classic The Addams Family that won him lasting fame. Based on Charles Addams' macabre New Yorker cartoons, it starred John Astin as the twistedly dapper Gomez Addams and Carolyn Jones as his sexy and devastatingly beautiful wife Morticia Addams. Mizzy chose to play a harpsichord to help conjure up the bizarrely unconventional air; he also punctuated the rhythm with some cool proto-beatnik finger-snapping which helped to define the peculiar humor of the show. When Filmways, the production company, refused to pay for vocalists, Mizzy simply overdubbed himself singing and looped in actor Ted Cassidy, who portrayed the butler Lurch, for the "neat, sweet, petite" section. Mizzy’s underscores were as comical as his themes; he had a knack for enhancing the lunacy of the characters and the situations with just the right instrumentation, just the right melody.

The following year Mizzy composed the title song for Green Acres, the 1965-71 comedy starring Eddie Albert and Eva Gabor. For the Green Acres theme, Mizzy used the unique combination of a bass harmonica and a little fuzz laden guitar and an electric bass clarinet to create the loopy hoedown vibe. He also flawlessly explained the entire back story in the lyrics -- definitely a lost art! -- of the wealthy Oliver and Lisa Douglas chucking away their New York penthouse lifestyle so that Oliver could live out his fresh air dreams and be a farmer. One of Mizzy’s most brilliant moves, financially speaking, was retaining the publishing rights to Green Acres and The Addams Family themes. Not only have they both been in constant reruns for over four decades, but ownership enabled him to license them for use in commercials (like the recent M&Ms ads that featured the Addams Family theme). As he always joked, a couple of finger snaps paid for a real good life in Bel-Air.

HIP-HOP BEHIND BARS: A FIRST PERSON ACCOUNT BY X-RAIDED, PT I

Posted by Billyjam, October 20, 2009 06:22pm | Post a Comment
Pleasant Valley State Prison in Coalinga

Back in February of this year when the Amoeblog, in celebration of Black History Month, featured a series of blogs about various aspects of black culture, I invited long incarcerated rapper Anerae “X-Raided” Brown to participate in the series. Brown, who has been behind bars for over half his lifetime, did this in two parts: in both the form of an Amoeblog interview and also via an in depth essay he wrote under the title Black History Month: A Convict's Perspective.

Like everything else Brown writes, from his lyrics to his still to be published autobiography to the guest articles he has penned for Murder Dog rap magazine, X-Raided's writing is always articulate and X-Raidedinformative. Furthermore, it provides an insight into a world that most of us, thankfully, will never have to enter. Brown has been incarcerated since age 17 on a charge of conspiracy to commit murder -- he never killed anyone but was young and foolish enough, he readily admits, to have been caught up in the gang lifestyle, and to be in the wrong place at the wrong time.

I have known the 34 year old Brown since he was first incarcerated. Initially I got to know him as a journalist reporting on him and his rap career, something he incredibly has managed to maintain from behind bars over the years (he just released his latest, The Unforgiven Vol. 2, three weeks ago). But as the years progressed he has become a friend and someone I admire for maintaining both his sanity and creativity all the while being locked in the pen. If you have ever been behind bars or if you have ever visited anyone in jail or prison you have an idea of how horrible it is to be incarcerated.

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(In which Job interviews Neal Morgan...)

Posted by Job O Brother, October 20, 2009 02:22pm | Post a Comment
Due to some unfortunate miscommunications between the staff here at the Amoeblog, two of us ended up interviewing the same musician, Neal Morgan, about his solo debut.

Fortunately, the interviews are vastly different, due to my professional and honed skill as a journalist devoted to hard-hitting storytelling and dedication to factual analysis, and the other interviewer, Miss Ess, who prefers a more “whimsical” and, shall we say, lying-er approach to writing.

You can read this other "interview" by clicking on this link right here.

Due to his tight schedule of touring and promoting the new album,
To The Breathing World, Neal was under the weather and frequently distracted during the following interview, which resulted in many of his answers being garbled and unintelligible. (Confidentially, I think alcohol may have been a contributing factor to this. That’ll teach me to get drunk before an interview!) I therefore had to rely on memory and occasional paraphrasing in transcribing the following Q & A. Even so, I was able to capture the spirit of our conversation, from Neal's obsession with "crushing" to the revelation of his suicidal fantasies. Read on…

neal morgan
Neal Morgan before the plastic surgery

How did you pick up playing the drums? What is it that drew you to them so strongly - so much so that any other attempts to follow other dreams were crushed?


Neal Morgan Chats

Posted by Miss Ess, October 20, 2009 02:13pm | Post a Comment
Drummer Neal Morgan's bold, multi-layered record, To the Breathing World, with songs created from vocals and drums only, comes out today, October 20! An entire album consisting of drums and vocals may sound simple, but Neal has created something that's complex, layered and not short on melody to boot!

You may know Neal from his status as a member of the Ys Street Band -- he was on the road with Joanna Newsom for Ys playing drums and singing backing vocals. His first solo release is something new and creative to behold -- the tracks are kind of like tiny symphonies of vocal layering, and the lyrics often reference the natural surroundings Neal grew up around in his hometown of Nevada City/Grass Valley.

Read on for our chat about the creative crock pot that is Nevada City, his new album, touring with Joanna Newsom, and more, and check out Neal's other chat with our own, ever-so-witty Job O Brother; the two are long time friends.

neal morgan to the breathing world

Miss Ess: How did you pick up playing the drums? What is it that drew you to them so strongly?

Neal Morgan: I began playing when I was 9; my dad had a cover band called Sons of Boogie that would practice in the garage. I think I must have sat down at the drumkit and something clicked. I can't say why I was drawn strongly -- I was a cautious kind of kid, so maybe banging on drums was a good contrast. I don't know.
neal morgan
ME: Who are your favorite drummers?

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Occult Inspired Covers

Posted by Mr. Chadwick, October 20, 2009 12:25am | Post a Comment
Beny More magia antillanajose alfredo jimenez la sota de copastim bogert master's brew

I am very pleased with this gallery, it's my favorite post this year. The Beny More Lp alone is top notch!

begerit impaled nazarene day of darness festifalblue oyster cult agents of fortune pyramid lp
gypsy lane lp
hermanas huerta con que baraja vine a perderlive and let die soundtrack lpthe magic of the blue magic
musical horoscope hal mooneysally oldfield celebrationpenumbra bowen villafuerte
motley crue shout at the devilqueensryche the warningstreetwaklkers red card

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