It's not easy to heap praise on Mel Gibson. His apparent personal conduct and views are completely unappealing and, worse, totally offensive. On screen Gibson started out with a bang in the Mad Max films and was entertaining in the first Lethal Weapon movie, but otherwise his performances and choices of roles have not been very memorable. As a director, I couldn’t slog through his The Passion of the Christ; Man Without A Face was trite; and Braveheart was an overrated piece of hokum. All that aside, it’s easy to declare that his Mayan action adventure film, Apocalypto, is pretty damn brilliant, maybe even a sorta-whacked out masterpiece.
The film takes place in 16th century Central America near the end of the Mayan period, just before the arrival of the Spanish. It’s shot completely in the Yucatan Maya language with unknowns and non-actors, indigenous North Americans. In some ways the film is actually one long, exciting, and very brutal chase scene. Jaguar Paw (Rudy Youngblood), low on his tribe's totem pole, witnesses his tribe being slaughtered and enslaved. He hides his wife, Seven (Dalia Hernandez), and child and goes on an adventure worthy of Playstation. After killing of some of the raiders he is captured by the psychotic Zero Wolf (Raoul Trujillo) and led to the Mayan city, a much more advanced and destructive place than anything the young villager had experienced before. Jaguar Paw manages to escape after much horrific torture and human sacrifices, and is chased as he tries to get back to save his family. It’s a delirious obstacle death course of horror, as he has to make his way through the jungle using all his survival skills to outwit his captors.Continue Reading
After his great little run of action films from 1975 - 1982 that included The Driver, The Warriors, Southern Comfort and 48 Hrs, gritty director Walter Hill wandered in the wrong direction with the action musical Streets of Fire and the unfunny Richard Pryor comedy Brewster’s Millions. Even though he would go on to have a big hit with the Schwarzenegger muscle bore Red Heat, most of his flicks had potential but oddly fell short (Johnny Handsome, Wild Bill). He did do an underrated urban thriller, Trespass, but otherwise nothing reached that earlier high.
Hill started out as a writer and one of his first credited screenplays was for Sam Peckinpah’s mean spirited thriller, The Getaway. So Hill’s 1987 Tex-Mex action flick Extreme Prejudice, though completely ignored by audiences in its day, now plays as a perfect homage to his one-time boss, Peckinpah (The Wild Bunch, Straw Dogs), the master of masculine violence who had burned out and died a few years earlier. With about as good a cast of tough guy character actors you could find in 1987 (including Nick Nolte, Powers Boothe, Michael Ironside, Rip Torn, Clancy Brown and William Forsythe), time has been kind to Extreme Prejudice. Though it’s set in modern day, it’s now starting to look like one of the better “Westerns” made in 1980s.Continue Reading
No Blade of Grass
For hardcore moviephiles the Warners Archive Collection has been a godsend. Instead of mass producing everything the company owns, many titles have been released as VOD (Video On Demand) and, because of the lower demand, these are titles that may not have otherwise ever seen the light of day. These are DVDs that include no extras and usually haven’t been remastered, but are still very watchable and often have never been available in any form in the home viewing marketplace. Titles range from Hollywood classics (Tea and Sympathy) to both live action (Sheena) and animated television series (Pac Man the TV show!). But where they have really excelled is in films from the golden period of the '60s and '70s that have never had much home viewing distribution, ranging from the great (Dark of the Sun), the bad (Doc Savage: The Man of Bronze), and the weird (Brewster McCloud) to the culty (You’re a Big Boy Now), the gritty (The Outfit), and the forgotten hits (Freebie and the Bean, The Fish that Saved Pittsburg). Many of these have been films I saw and even obsessed over as a kid (I was dreaming for the Dark Of The Sun release). Most excitingly I’ve finally been given a chance to catch up with a post-apocalypse flick I vaguely remember from an old grainy bootleg VHS copy I saw many years ago. (My memories of No Blade of Grass have haunted me). This most recent viewing reconfirmed the scary power this movie still carries.
Hungarian born Cornel Wilde was a long time pretty boy jock actor. He got an Oscar nomination early in his career for playing Frederic Chopin in A Song to Remember in 1945, but besides a nice supporting turn in The Greatest Show On Earth most of his career was awash in B-swashbuckling adventure flicks. He had dabbled in directing throughout the '50s but it wasn’t until 1965 when he fully connected the dots with his survival action masterpiece, The Naked Prey (a film that has gotten the full bells and whistles treatment from the high-end DVD distributors Criterion). Five years later No Blade of Grass, continues on much of those same themes of man vs. his savage impulses, going even further with the violence and throwing in deeper groovy environmental paranoia.Continue Reading
Planet Of The Apes (1968)
This is a rant. Make your kids watch Planet Of The Apes. If you have not seen it yet, then you watch it. It is the greatest Science-Fiction film of all time. Some will argue for Blade Runner or 2001 or maybe an old timer would vote for Metropolis, maybe a hipster would call out Solaris (the Russian version from the '70s). But me? I’ll take Apes.
Just check out the crazy all-star pedigree it carries: - Directed by Franklin J. Schaffner who, on his next film, Patton, would win the Oscar. - Written by Michael Wilson (Lawrence Of Arabia) and the legendary Rod Serling, creator and sometime writer of the cult TV series, The Twilight Zone. - Based on a novel by the acclaimed French writer Pierre Boulle, author of The Bridge On The River Kwai. - Starring Moses himself, Charlton Heston, Oscar winner for Ben Hur. This would start his run of action and Sci-Fi flicks that would make him almost a combination of Harrison Ford and Arnold Schwarzenegger of the early '70s. - An exotic original score by Jerry Goldsmith and make-up by the innovative designer of the Star Trek TV series, John Chambers. Etc. Etc.Continue Reading