A Matter of Life and Death

Dir: Michael Powell and Emeric Pressburger, 1946. Starring: David Niven, Kim Hunter, Robert Coote. Classics.

On the DVD for A Matter of Life and Death, Martin Scorsese tells a story about how, when he was growing up, the filmmakers Michael Powell and Emeric Pressburger sort of felt like some mythical, lost duo of directors whose work was massively overlooked and re-edited, only to be fully appreciated in the '80s once Scorsese had the power to do so. Watching their films now makes that story seem almost under-exaggerated as every film that comes out on DVD is confoundingly innovative, as if it will be made ten years into the future. And this is no exception to the film, A Matter of Life and Death, a rich, complicated fantasy that leaves so many similar films of the time in its dust.

David Niven plays WWII fighter pilot, Peter Carter, who makes one last radio call to a female soldier, June, as his plane is crashing. Coming to terms with his death, Niven uses the call to calm his nerves and over the course of the conversation the two fall in love, having never met.

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Posted by:
Eric Branscum
Mar 30, 2010 5:59pm

Escape from the Planet of the Apes

Dir: Don Taylor, 1971. Starring: Roddy McDowall, Kim Hunter, Bradford Dillman, Natalie Trundy. Science Fiction.

Once you can get past the absurdity of the set-up of Escape from the Planet of the Apes, the movie turns out to be the best of the sequels to the original brilliant sci-fi film Planet of the Apes. To recap, in that first film, an American astronaut, Taylor (Charlton Heston) traveled through space and returned to earth deep into the planet’s future where apes ruled and humans were just stinky wild mutes. In the less exciting but still watchable first sequel, Beneath The Planet of Apes, another astronaut, Brent (James Franciscus) follows Taylor into the future as ape hostility towards man is growing. Brent and Taylor finally meet up in an underground city where humanoids worship an atom bomb. Eventually apes attack and a dying Heston sets off the bomb, destroying earth and seemingly putting an end to the franchise. But, like Rocky III, the third film found a fresh take on the story and turns out to have a lot of fun on its own terms.

In this one, to the shock of the world, three apes in space suits land on present-day Earth (a very groovy early 1970s) in Taylor’s spacecraft. It turns out it’s archaeologist Cornelius (Roddy McDowall) and his wife, animal (human) psychologist Zira (Kim Hunter), the two apes who risked their careers to help Taylor in the first film, along with the brilliant Dr. Milo (Rebel Without a Cause’s Sal Mineo). (Okay, so get over the set-up.) The three apes somehow salvaged Taylor’s ship from the bottom of a lake, managed to re-blast-off, and while watching the earth’s destruction from the sky, were sent into a time warp back to modern day. Silly. But now the fun starts....

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Posted by:
Sean Sweeney
Jul 24, 2014 10:35am

Planet Of The Apes (1968)

Dir: Franklin J. Schaffner, 1968. Starring Charlton Heston, Roddy McDowall, Kim Hunter. Science-Fiction.

This is a rant. Make your kids watch Planet Of The Apes. If you have not seen it yet, then you watch it. It is the greatest Science-Fiction film of all time. Some will argue for Blade Runner or 2001 or maybe an old timer would vote for Metropolis, maybe a hipster would call out Solaris (the Russian version from the '70s). But me? I’ll take Apes.

Just check out the crazy all-star pedigree it carries: - Directed by Franklin J. Schaffner who, on his next film, Patton, would win the Oscar. - Written by Michael Wilson (Lawrence Of Arabia) and the legendary Rod Serling, creator and sometime writer of the cult TV series, The Twilight Zone. - Based on a novel by the acclaimed French writer Pierre Boulle, author of The Bridge On The River Kwai. - Starring Moses himself, Charlton Heston, Oscar winner for Ben Hur. This would start his run of action and Sci-Fi flicks that would make him almost a combination of Harrison Ford and Arnold Schwarzenegger of the early '70s. - An exotic original score by Jerry Goldsmith and make-up by the innovative designer of the Star Trek TV series, John Chambers. Etc. Etc.

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Posted by:
Sean Sweeney
May 17, 2010 12:44pm

The Seventh Victim

Dir: Mark Robson, 1943. Starring: Kim Hunter, Tom Conway, Jean Brooks. Horror.

The best Val Lewton movie not directed by Jacques Tourneur, The Seventh Victim is an almost perfect summation of the famed producer’s themes of loneliness, alienation, urban paranoia, and romantic fatalism, just without some of the visual poetry that Tourneur brought to his own Lewton films (Cat People, I Walked With A Zombie). But it’s pretty haunting all the same. The plot is so sinister. A naive but determined teenage girl named Mary (a plain Jane named Kim Hunter) leaves her upstate boarding school to look for her missing older sister, Jacqueline (played by Lewton regular, Jean Brooks) in New York. Once in New York Mary acts as a Nancy Drew sort of detective, piecing together the clues of her sister’s disappearance before arriving at the conclusion that her sister is under the control of a group of Greenwich Village devil worshipers.

Mary’s only guardian is her older sister Jacqueline, a New York sophisticate with a sort of Egyptian art deco haircut who owns her own perfume company. Mary traces her previous whereabouts, discovering that before her disappearance Jacqueline mysteriously deeded her company to some of her co-workers. Various friends and lovers of Jacqueline, equally concerned about her, help Mary in her quest but nothing seems to quell the overarching feeling of doom hanging over the character of Jacqueline. She’s a different take on the Laura Palmer mystery, a beguiling woman no one could save.

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Posted by:
Jed Leland
Mar 24, 2014 11:55am
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