It's not easy to heap praise on Mel Gibson. His apparent personal conduct and views are completely unappealing and, worse, totally offensive. On screen Gibson started out with a bang in the Mad Max films and was entertaining in the first Lethal Weapon movie, but otherwise his performances and choices of roles have not been very memorable. As a director, I couldn’t slog through his The Passion of the Christ; Man Without A Face was trite; and Braveheart was an overrated piece of hokum. All that aside, it’s easy to declare that his Mayan action adventure film, Apocalypto, is pretty damn brilliant, maybe even a sorta-whacked out masterpiece.
The film takes place in 16th century Central America near the end of the Mayan period, just before the arrival of the Spanish. It’s shot completely in the Yucatan Maya language with unknowns and non-actors, indigenous North Americans. In some ways the film is actually one long, exciting, and very brutal chase scene. Jaguar Paw (Rudy Youngblood), low on his tribe's totem pole, witnesses his tribe being slaughtered and enslaved. He hides his wife, Seven (Dalia Hernandez), and child and goes on an adventure worthy of Playstation. After killing of some of the raiders he is captured by the psychotic Zero Wolf (Raoul Trujillo) and led to the Mayan city, a much more advanced and destructive place than anything the young villager had experienced before. Jaguar Paw manages to escape after much horrific torture and human sacrifices, and is chased as he tries to get back to save his family. It’s a delirious obstacle death course of horror, as he has to make his way through the jungle using all his survival skills to outwit his captors.Continue Reading
Run for The Sun
Richard Widmark got his only Oscar nomination playing one of the great psycho creeps in film history, Tommy Udo in Kiss of Death. It was his first film and it made him an instant star, most famous for that scene where he pushes a woman in a wheelchair down a flight of stairs while giggling hysterically. Though he was ruggedly handsome with sweepy blond hair, he was never fully able to drop that creepy Klaus Kinski quality, even as he gradually moved into heroic leading man roles, but it helped make even the most generic film a little more interesting. Widmark was part of that impressive group of leading men who emerged after WWII, mostly in Film Noir. Though he starred in a number of significant films including Panic in the Streets, Night and the City, and Pickup on South Street, he is not remembered today with the same iconic status as his contemporaries, such as Lancaster, Mitchum or Kirk Douglas, who all had more important roles on their resume. But with MGM releasing a little known gem, Run for the Sun, on their Limited Edition DVD Collection, perhaps it will help Widmark’s career get more reevaluation.
Though British director Roy Boulting did over 20 movies, he might be best known for making Disney child actress Hayley Mills his fourth wife (he directed her in the oddball horror flick Twisted Nerve). Run for the Sun may prove to be his lost almost-masterpiece (okay, I’m exaggerating. It’s no masterpiece, but it’s very watchable). The script is credited to Boulting and Dudley Nichols (Stagecoach) but the credits say it was based on a story by Richard Connell, making it another kinda-sorta version of his famous short story, "The Most Dangerous Game." Connell's story had been adapted before as a classic with Fay Wray in 1932 and then less memorably in a Robert Wise directed flick retitled A Game of Death in 1945 (and much later and more loosely in the John Woo/Jean-Claude Van Damme collaboration, Hard Target, and the Ice-T trash epic, Surviving The Game). In the end Run for the Sun is about as close to "The Most Dangerous Game" as The Hunger Games is; that is to say, there are some plot crossovers, but not much more.Continue Reading