Amoeblog

Happy Birthday Thelonious Sphere Monk

Posted by Whitmore, October 10, 2009 12:37pm | Post a Comment

 “I'm famous. Ain't that a bitch?”
 
“Wrong is right.”
 
“Sometimes it's to your advantage for people to think you're crazy.”
 
“If someone wants to play music you do not have to get a ruler or whips to make them practice.”
 
“Be-bop wasn't developed in any deliberate way.”
 
“All musicians are subconsciously mathematicians.”
 
“All musicians stimulate each other. The vibrations get scattered around.”
 
“If you really understand the meaning of be-bop, you understand the meaning of freedom.”
 
“Man, that cat is nuts.” (Monk’s comment about Ornette Coleman.)
 
“Jazz is my adventure. I'm after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That's it. Just using notes differently.”
 
“Talking about music is like dancing about architecture.”
 
“I don't have a definition of jazz... You're just supposed to know it when you hear it.”
 
“I say, play your own way. Don’t play what the public wants -- you play what you want and let the public pick up on what you doing -- even if it does take them fifteen, twenty years.”
 
“Miles’d got killed if he hit me.”
 
“Where’s jazz going? I don’t know? Maybe it’s going to hell. You can’t make anything go anywhere. It just happens.”
 
“Those who want to know what sound goes into my music should come to New York and open their ears.”
 
“I like to sleep. There is no set time of day for sleep. You sleep when you’re tired, that’s all there is to it.”
 
“I don’t consider myself a musician who has achieved perfection and can’t develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don’t have that problem, because, like I say, I find my inspiration in myself.”
 
“At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There’s no beat anymore. You can’t keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There’s a new idea that consists in destroying everything and find what’s shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand.”
 
“Well, I enjoy doing it. That’s all I wanted to do anyway. I guess, you know, if I didn’t make it with the piano, I guess I would have been the biggest bum.”
 
Thelonious Monk was once asked what he thought of Downbeats jazz polls, he thought for a moment and replied, “I have a lot of respect for the Polish people, especially the way they can drink vodka.”



Let's Make it a Movie Night: Part II

Posted by Smiles Davis, July 1, 2009 02:22pm | Post a Comment
I’ve been sick in bed with worst pathogen known to man for the past – feels like years – week and half. I haven’t had the energy to do more than fluff my pillow and change my position every hour or so to prevent from getting bed sores. Well, it’s not that serious, but telling myself that helps me feel better about putting my significant other through brutal torture – you’d swear with the extra load I’ve put on him, he was training for a maid marathon at the Holiday Inn. With all this down time on my hands, the only thing to do to occupy my time and prevent insanity from fully setting in is watch movies. And boy, do I have plenty. Yesterday alone I think I watched some 12 flicks. Most of them were documentaries; some were hit, some were miss.

When it comes to movies, a person can tell whether a flick is going to be of interest to them or not within the first couple of minutes or so. On several occasions, I pressed the eject button before I got past the opening credits. Then, on the flip side, some of the flicks were worth another watch, a tour through the special features, and a word with the director and/or cast members. Well, I’ve made a list of the ones that were most entertaining to watch and that forced me to take a second look. So, here (in no particular order) are my top 5 documentaries, for now:
 Thelonious Monk: Straight, No Chaser
Directed by Charlotte Zwerin
One reason to love this film other than Thelonious Monk is the exceptional footage quality.
 
The Kid Stays in the Picture
Directed by Nanette Burstein and Brett Morgen
I don't know how much of this story is actually true, but Robert Evans is one heck of a story teller.