127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.
"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."
- By Scott Butterworth

Day #25 - Artist #25 - The Gaslight Anthem:

I think what I love about The Gaslight Anthem is that they take me back to summer days spent with my friends on Pier 30/32 on the beautiful San Francisco Bay watching our favorite punk rock bands at the annual Warped Tour. But I hate to call them a "Warped Tour" band; that label just feels so limiting. The same issue was brought up in Pitchfork.com's review of their second album, The '59 Sound, that slapped the dreaded "Sophomore Slump" across the band's face with its release in August 2008. Pitchfork's notoriously cynical reviewers expressed the essence of the band in the exact way I felt, but didn't know how to describe: "The Gaslight Anthem might work the Warped Tour mall-punk circuit, but they're not of it. Instead, they belong to an older breed of punk band, one we don't see too much anymore: Social Distortion, Alkaline Trio, fellow Jersey knuckleheads Bouncing Souls. These bands might be emotional, but they're about a million miles removed from
emo, especially in the way that term gets tossed around now."
"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."
- By Scott Butterworth


Day #25 - Artist #25 - The Gaslight Anthem:

I think what I love about The Gaslight Anthem is that they take me back to summer days spent with my friends on Pier 30/32 on the beautiful San Francisco Bay watching our favorite punk rock bands at the annual Warped Tour. But I hate to call them a "Warped Tour" band; that label just feels so limiting. The same issue was brought up in Pitchfork.com's review of their second album, The '59 Sound, that slapped the dreaded "Sophomore Slump" across the band's face with its release in August 2008. Pitchfork's notoriously cynical reviewers expressed the essence of the band in the exact way I felt, but didn't know how to describe: "The Gaslight Anthem might work the Warped Tour mall-punk circuit, but they're not of it. Instead, they belong to an older breed of punk band, one we don't see too much anymore: Social Distortion, Alkaline Trio, fellow Jersey knuckleheads Bouncing Souls. These bands might be emotional, but they're about a million miles removed from
emo, especially in the way that term gets tossed around now."


Finally, there is the angst ridden “Answering Machine.” From the first line, “Try to breathe some life into a letter,” it sounds dated. Really, when was the last time you wrote a letter? I’m not talking about an e-mail, I’m talking about an actual letter. On top of that, how many people still have an answering machine? I have voice mail on my cell that cuts you off after a certain time if you babble on and besides that, no one ever leaves a message. If I miss a call, I get a text message a minute later that reads “call me.” We are even too lazy to leave a voice mail. Then there's text messages -- how many regrettable texts of love have been sent? Far more than songs written about, “How do I say I love you to an answering machine?”

